Die kurze Abhandlung "Das Verhältnis zum Text" gehört zu den frühen musiktheoretischen Arbeiten von Arnold Schönberg. Sie erschien 1912, also ein Jahr nach seiner "Harmonielehre". In dem Essay verteidigt Schönberg die Eigenständigkeit und Besonderheit der Musik gegenüber anderen Kunst- und Erkenntnisformen.

Wie bei allen Werken der ofd edition wurde die ursprüngliche Druckfassung nicht automatisiert kopiert, sondern sorgfältig neu editiert und der aktuellen Rechtschreibung angepasst.

Das Verhältnis zum Text - Neu bearbeitete Ausgabe (Klassiker der ofd edition)

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : soloists, choir and orchestra

Eulenburg Miniature Scores

Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series : series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance ; also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary.

Choral works I - Part 2, Sketches. Notes critiques.

Moses und Aron - Oper in drei Akten. Notes critiques.

Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series : series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance ; also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary. Instrumentation : piano and voice

Lieder mit Klavierbegleitung - Kritischer Bericht, Fassungen, Skizzen, Fragmente (Notenteil). piano and voice. Notes critiques.

« Non ero mai stato soddisfatto delle conoscenze d'armonia dei miei studenti di composizione. Per rimediare a tale insufficienza istituii un nuovo corso: "Funzioni strutturali dell'armonia". »Le celebri « lezioni americane » di Schönberg rappresentano un caposaldo nella produzione teorica del padre della dodecafonia, e uno dei risultati più maturi di un'attività didattica che avrà una portata determinante per le sorti della musica contemporanea. L'opera fornisce le basi metodologiche per lo studio dell'evoluzione del linguaggio armonico, seguendone lo sviluppo dallo stabilizzarsi del principio tonale alla sua dissoluzione. È al tempo stesso il seguito del Manuale di armonia e un approfondimento di aspetti tecnico-compositivi che, grazie all'acquisita esperienza dodecafonica e seriale, Schönberg considerò sotto una luce nuova.

Funzioni strutturali dell’armonia

Orchesterwerke II - Kritischer Bericht, Skizzen. Notes critiques.

Arnold Schönberg (1874-1951), uno dei maggiori compositori del Novecento, ha legato il suo nome alla rivoluzionaria invenzione della musica dodecafonica. Dopo aver insegnato composizione all'Accademia delle arti di Berlino, nel 1933, in seguito all'avvento del nazismo, fuggì a Parigi e in seguito emigrò negli Stati Uniti. Lì continuò a insegnare alla University of California di Los Angeles. Il Saggiatore ha pubblicato Funzioni strutturali dell'armonia e i diari Leggere il cielo.

Leggere il cielo. Diari (1912; 1914; 1923)

Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series : series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance ; also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary. Instrumentation : orchestra

Orchestra Works I - orchestra. Partition.

Le compositeur Arnold Schönberg était aussi conteur et inventeur d'histoire. Pour pousser ses enfants à finir leur assiette il leur racontait l'histoire d'une princesse qui s'était fait des bleus en jouant au tennis, sport qu'Arnold aimait beaucoup. Loup, le serviteur de la princesse, est censé lui apporter une bouillotte pour soigner ses bleus, mais il ne revient pas. Il est convaincu que pour soigner des bleus, il faut une bouillotte bleue. Or justement il ne trouve pas celle-ci. Loup est vraiment bêta. Il ne sait même pas que l'on dit pharmacie et non pas pharmaclie. Ni bien entendu comment s'y rendre. La princesse réussira-t-elle à soigner ses bleus ?

Schönberg avait enregistré son histoire La Princesse sur un magnétophone. Voici enfin cette histoire drôle et absurde sous forme de livre mise en scène de façon merveilleusement comique par Peter Schössow.

En fin d'ouvrage, Nuria Schönberg Nono, fille d'Arnold, raconte comment son père inventait et racontait à elle ainsi qu'à ses petits frères l'histoire de La Princesse. Esteban Buch nous donne à connaître Arnold Schönberg, compositeur, conteur et grand amateur de tennis.

La princesse

Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series : series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance ; also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary. Instrumentation : 5 Soli, Chorus and Chamber orchestra op. 32

Von heute auf morgen - Oper in einem Akt. op. 32. 5 Soli, Chorus and Chamber orchestra. Partition.

In the last few decades, Arnold Schönberg's piano works have found their place in the "classical" concert repertory. The acceptance of this rather small oeuvre has largely been the work of performing musicians. After the examples set by Eduard Steuermann and Else C. Kraus, pianists such as Glenn Gould, Maurizio Pollini and Claude Helffer (as well as many others) have, in their concerts and recordings, presented this group of works - Opp. 11, 19, 23, 25 and 33a/b - as an historically and aesthetically significant totality. Of particular importance has been the programming of these pieces in concerts along with Beethoven's sonatas, which, for a large circle of listeners, has lent them the aura of classical works of art. Instrumentation : piano

Selected Works for Piano - Edited from the autographs, manuscript copies and original editions and their revisions. piano.

Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series : series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance ; also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary. Instrumentation : orchestra op. 5

Livres