Peru

Une exposition organisée à l'initiative de la ville de Versailles (berceau de la French Touch) dans le cadre de la 8e édition du festival ElectroChic, regroupe des archives inédites - dont des esquisses tirées de la réalisation du dernier clip de Daft Punk - plus de deux cents pochettes de disques formants une installation in situ, des extraits de publicités, de court-métrages et de vidéoclips, et une installation sonore et visuelle, le tout mis en scène dans une scénographie ludique pensée par H5. Destinée aux nostalgiques des dancefloor des années 90 et 2000, aux amoureux du graphisme, tout comme à un public plus large, cette exposition rend hommage à l'histoire du collectif parisien, à la lumière de 30 ans de collaborations artistiques et musicales, et pose un nouveau regard sur ce mouvement culte qu'est la French Touch. L´ouvrage sera quant à lui composé de plus plusieurs textes : préfaces, contextualisation, histoire croisée, une quarantaine d´interviews, playlist, chronologie). Richement illustré, ce livre d´exposition se veut également monographique sur toute cette partie de l´oeuvre de H5.

H5, voir la french touch - 30 ans de graphisme et de musique électronique

Irresistible vegan food from award-winning vegan street food pioneers, David and Charlotte Bailey of Wholefood Heaven. David and Charlotte Bailey have taken the street market scene by storm with their vibrant, healthy vegetarian and vegan cuisine. Their food is not about what's missing - it's about maximizing the potential and flavour of plant-based ingredients.

 Discover enticing egg- and dairy-free dishes from regions with a long tradition of vegetarian eating, such as Asia and India, as well as innovative twists on Spanish tapas, Middle Eastern mezze, Chinese dim sum and more. From big breakfasts to light salads and comforting mains to low-sugar sweet treats, The Fresh Vegan Kitchen is a glorious collection of exciting, satisfying recipes that taste terrific.

 An inspirational collection of recipes featuring classic dishes from a wealth of cultures, including Thai Coconut Curry, Israeli Chickpea Pancakes, Moroccan Vegetable Patties and Chinese Tofu Rolls. You can even treat yourself to mouth-watering sweet treats and make classic desserts, from a Pineapple and Coconut Cheesecake to a sumptuous Chocolate Mousse.

The Fresh Vegan Kitchen

David Bailey tears and tears

Bailey's naga hills

Les héros du rock and roll

A 'wholefood' is a food that has been processed or refined as little as possible and is free from additives or other artificial substances. David and Charlotte Bailey serve only nutritious wholefoods from their street-food van, Wholefood Heaven, as they tour the country and travel worldwide in search of recipes and inspiration for new and exciting flavours. Their food is informed by the need to live well and be both mindful of and uplifted by what you put in your body.

 This book is a celebration of naturally healthy, unprocessed ingredients and flavours from around the world. Featuring over 60 recipes for wholesome vegetarian and vegan meals, including breakfasts and drinks, many of the recipes are presented as easy-to-eat bowl-food (all the nutrients you need for a healthy meal in one), or can be cooked in a single pot (ideal if you are away holidaying or camping at a festival).

 Featuring plenty of information on the benefits of grains, cereals, pulses, nuts, seeds and fruit and veg, the recipes offer a full range of enticing meals, drawn from an international repetoire. Start the day with delicious Quinoa Porridge with Vanilla-Spiced Almonds and Dates, move on to a lunch of Coconut and Sweet Potato Polenta Cakes with Wild Mushrooms and Asian Greens, and finish the day with an Ethiopian Teff and Butternut Squash Stew, or Yucatan Salbutes, finished off perfectly with a dessert of Spelt and Olive Oil Lemon Cake.

 This mouthwatering array of recipes will be the only inspiration needed to live a healthier lifestyle.

 Word count: 26, 000

Wholefood Heaven in a Bowl

1980s Polaroids of small-town Australia: a rare take on the country's landscape and people from David Bailey.

David Bailey's (born 1938) love letter to Australia, Bailey's Matilda is no rosy portrait of "the lucky country," but a gritty yet affectionate vision of rural and small-town Australia in the early 1980s: black-and-white images of a dead cockatoo, kangaroo and sheep, of painted advertising for Queensland's beloved XXXX beer, of a gravestone and dead tree trunks against a lead sky. His human subjects are the Indigenous people of Australia, not the descendants of its white colonists. Bailey embraces all the flaws and accidents of his prints--their blurrings, smudges and stains--and enhances them with his own scribbles and crops, creating painterly results. In his own words it's all about chance: "This book should have been washed up in a bottle on the sea shore."

David : Bailey's Matilda

David Bailey's loving homage to his wife, in Polaroids taken over nearly 40 years.

For the past 38 years, David Bailey (born 1938) has photographed his wife Catherine using Polaroid film. Developing organically over the decades, a book grew with no specific purpose in mind. The result is this visual poem, a witness to their working collaborations and personal adventures. In Bailey's words: "The years went by with great ease and charm. I have been lucky to have such a willing and beautiful subject in my wife and partner in this adventure we have shared together. It came about not by making a plan. All my good ideas seem to happen by accident. My books start with a vague idea, then grow into something I never knew ... the average Polaroid takes a few minutes to develop. This book has taken nearly 40 years."

David Bailey : 117 polaroids

Leurs chemins se croisent un soir de 1965, chez Castel. Amanda Lear, étudiante aux Beaux-Arts, est en même temps un mannequin qui vit entre Londres et Paris. Elle devient rapidement l'égérie du maître de Cadaqués, sous l'oil mi-jaloux mi-complice de Gala, l'épouse légitime, dont on ne saurait contester le pouvoir. Amanda se souvient de la cour fastueusement baroque du seigneur catalan, de la fantaisie provocatrice des sixties-seventies, de leur folle créativité et de la décadence qui s'annonce, tandis que défilent des personnages hors du commun parmi lesquels Marcel Duchamp, Brian Jones, Andy Warhol, Malraux, Picasso et bien d'autres... Mais on découvre aussi dans ces pages le Dali intime, ses terreurs et ses manies, sa générosité, son amour de la vie, avant qu'une pénible agonie ne l'abandonne à des vautours qui l'éloigneront de ses vrais amis, commercialisant son nom comme une lessive et vendant des faux à tour de bras. Mon Dali : un hommage sans concessions au génie disparu, et l'évocation émouvante autant que fantasque d'une relation ambiguë qui n'en fut pas moins une histoire d'amour.

Mon Dali

Today, around a million British people are of Caribbean descent, reflecting a history of post-war migration that essentially begins and ends with the Nationality Act of 1948 and the Immigration Act of 1972 - the so-called Windrush Generation. For many, London in particular was where the cultural archipelago of the Caribbean came together for the first time - communication and travel between the islands being difficult. This British-Caribbean connection gave rise to a diverse, complex and exciting wealth of Black cultural forms. At one end of the spectrum, British-Caribbean art is abstract, symbolist and at times cosmological; at the other it is socially realist, with many other positions in between or off that spectrum. Where art is engaged with changes in society, it evokes a community's struggle to forge an identity and livelihood for itself in an environment that often proved hostile. Other works evoke deeper historical experiences, in particular the traumatic after-images of plantation slavery and its legacy in culture and society.
This comprehensive volume brings together key writings on the interrelationship of Britain and the English-speaking Caribbean nations, focussing specifically on the art of the Caribbean diaspora in Britain from the 1920s to today. Combining classic writings with some newlycommissioned contributions, it explores intersecting areas of Black- British cultural production and reflects the diversity of the Black-British experience. With contributions from a range of scholars, Liberation through Imagination is an invaluable sourcebook for those interested in the rich and diverse field of postcolonial British-Caribbean art.

Liberation begins in the imagination : a reader

Eye-opening and candid, David Bailey's Look Again is a fantastically entertaining memoir by a true icon.'Rollicking .

Look Again - The Autobiography

Bailey's East End - Coffret 3 volumes : Book 1 ; Book 2 ; Book 3

David Bailey, né le 2 janvier 1938 à Leytonstone (Londres), est un photographe de mode et de portrait et un réalisateur de films publicitaires anglais. Il vit et travaille à Londres. Il est connu pour ses photos de mode dynamiques dans les rues londoniennes.
Il est également connu pour avoir inspiré au réalisateur Michelangelo Antonioni le personnage de Thomas le photographe pour son film Blow-Up ainsi que, entre autres, pour son rôle majeur de photographe du British Vogue dans les années 1960.

https://fr.wikipedia.org/wiki/David_Bailey

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