Born in the village of Brand in the Upper Palatinate, Max Reger (1873 1916) was taught by the renowned music theoretician Hugo Riemann. After finishing his studies and working as a freelance performer and composer in Wiesbaden, he moved to Weiden, beset by personal crises, and eventually to Munich. To make himself better known in the musical scene, he had some of his smaller works inserted in the magazine Neue Musikzeitung. This is how his Romanze G-Dur for violin and piano was published in November 1901, a beautiful occasional work, ideal for music lessons or as a tranquil encore after a concert, also in an arrangement for viola and piano. Instrumentation : violin and piano WoO II/10

Edition Schott

This edition contains pieces of two almost forgotten composers, Bernd Lehmann's 'Abendsegen' and Felix Woyrsch's 'Bleibe bei uns', and is completed by a choral arrangement for mixed choir of Max Reger's 'Am Abend' from '12 Spiritual Songs' Op. 137. Instrumentation : mixed choir a cappella

Three Romantic Evening Songs - mixed choir a cappella. Partition de chœur.

The composer transcribed Aria from his Suite in A minor, op. 103a for several instruments. So, why not for saxophone ? Instrumentation : tenor saxophone in Bb and piano (organ) op. 103a, No. 3

Livres