From the bestselling author of How to Read Literature Like a Professor comes this essential primer to reading poetry like a professor that unlocks the keys to enjoying works from Lord Byron to the Beatles. No literary form is as admired and feared as poetry. Admired for its lengthy pedigree-a line of poets extending back to a time before recorded history-and a ubiquitous presence in virtually all cultures, poetry is also revered for its great beauty and the powerful emotions it evokes. But the form has also instilled trepidation in its many admirers mainly because of a lack of familiarity and knowledge. Poetry demands more from readers-intellectually, emotionally, and spiritually-than other literary forms. Most of us started out loving poetry because it filled our beloved children's books from Dr. Seuss to Robert Louis Stevenson. Eventually, our reading shifted to prose and later when we encountered poetry again, we had no recent experience to make it feel familiar. But reading poetry doesn't need to be so overwhelming. In an entertaining and engaging voice, Thomas C. Foster shows readers how to overcome their fear of poetry and learn to enjoy it once more. From classic poets such as Shakespeare, Samuel Taylor Coleridge, and Edna St. Vincent Millay to later poets such as E. E. Cummings, Billy Collins, and Seamus Heaney, How to Read Poetry Like a Professor examines a wide array of poems and teaches readers: How to read a poem to understand its primary meaning. The different technical elements of poetry such as meter, diction, rhyme, line structures, length, order, regularity, and how to learn to see these elements as allies rather than adversaries. How to listen for a poem's secondary meaning by paying attention to the echoes that the language of poetry summons up. How to hear the music in poems-and the poetry in songs! With How to Read Poetry Like a Professor, readers can rediscover poetry and reap its many rewards.

How to Read Poetry Like a Professor - A Quippy and Sonorous Guide to Verse

The go-to bestselling guide to help young people navigate from a middle school book report to English Comp 101In How to Read Literature Like a Professor: For Kids, New York Times bestselling author and professor Thomas C. Foster gives tweens the tools they need to become thoughtful readers. With funny insights and a conversational style, he explains the way writers use symbol, metaphor, characterization, setting, plot, and other key techniques to make a story come to life. From that very first middle school book report to that first college course, kids need to be able to understand the layers of meaning in literature. Foster makes learning this important skill fun and exciting by using examples from How the Grinch Stole Christmas to The Adventures of Huckleberry Finn, from short stories and poems to movie scripts. This go-to guide unlocks all the hidden secrets to reading, making it entertaining and satisfying.

How to Read Literature Like a Professor: For Kids

From the author of the New York Times bestselling How to Read Literature Like a Professor comes a highly entertaining and informative book on the twenty-five works of literature that have most shaped the American character. Thomas C. Foster applies his much-loved combination of wit, know-how, and analysis to explain how each work has shaped our very existence as readers, students, teachers, and Americans. He illuminates how books such as The Last of the Mohicans, Moby-Dick, My Ántonia, The Great Gatsby, The Maltese Falcon, Their Eyes Were Watching God, On the Road, The Crying of Lot 49, and others captured an American moment, how they influenced our perception of nationhood and citizenship, and what about them endures in the American character. Twenty-five Books That Shaped America is a fun and enriching guide to America through its literature.

Twenty-five Books That Shaped America - How White Whales, Green Lights, and Restless Spirits Forged Our National Identity

La vraie raison d'une quête est toujours la connaissance de soi.

Un professeur plein d'esprit et informatif postule que plus d'auteurs ne choisissent pas des titres empruntés aux sonnets et pièces de Shakespeare pour la raison que certaines personnes prétendent ne pas avoir de partenaires : "Tous les bons sont pris."

Ne vous sentez jamais stupide. Ne pas savoir qui ou ce qui n'est pas un péché. L'ignorance est simplement la mesure de ce à quoi vous n'avez pas encore eu. Je trouve des écrivains et travaille tous les jours à laquelle je n'ai pas eu, je n'ai même pas entendu parler.

N'attendez pas que les écrivains soient morts pour être lus; Les vivants peuvent utiliser l'argent.

Quand ce sera fini, nous pouvons nous sentir courtisés, adorés, appréciés ou maltraités, mais ce sera une affaire à retenir.

Tout est un symbole de quelque chose, semble-t-il, jusqu'à prouvé le contraire.

La différence entre être Achille et presque être Achille est la différence entre vivre et mourant.

Les romans que nous lisons nous permettent de rencontrer des personnes possibles, des visions de nous-mêmes que nous ne verrions jamais, ne nous permettons jamais de devenir, dans des endroits où nous ne pouvons jamais aller et ne nous soucions pas, tout en assurant que nous rentrions à la maison.

Les fantômes et les vampires ne concernent jamais seulement les fantômes et les vampires.

Les vraies personnes sont faites de beaucoup de choses-flesh, des os, du sang, des nerfs, des trucs comme ça. Les peuples littéraires sont faits de mots.

Chaque fois que les gens mangent ou boivent ensemble, c'est la communion.

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