A memoir by an author who forgets his life. He invents stories about a turtle, a carnivorous human species, a voyageur pilgrim, and in the process, learns about himself. He even forgets language, and by reinventing it, finds its purpose. By the memoir's end, he is ready to begin living.

Satchel

For almost a thousand years, Rome held sway as the spiritual and artistic centre of the world. Hughes vividly recreates the ancient Rome of Julius Caesar, Marcus Aurelius, Nero, Caligula, Cicero, Martial and Virgil. With the artistic blossoming of the Renaissance, he casts his unwavering critical eye over the great works of Raphael, Michelangelo and Brunelleschi, shedding new light on the Old Masters. In the seventeenth, eighteenth and nineteenth centuries, when Rome's cultural predominance was assured, artists and tourists from all over Europe converged on the city. Hughes brilliantly analyses the defining works of Caravaggio, Velasquez, Rubens and Bernini. Hughes' Rome is a vibrant, contradictory, spectacular and secretive place; a monument both to human glory and human error. In equal parts loving, iconoclastic, enraged and wise, peopled with colourful figures and rich in unexpected details, ROME is an exhilarating journey through the story of one of the world's most timelessly fascinating cities.

Rome

The history of the birth of Australia which came out of the suffering and brutality of England's infamous convict transportation system. With 16 pages of illustrations and 3 maps.One of the greatest non-fiction books I've ever read . . . Hughes brings us an entire world. --Los Angeles Times

La Rive maudite : Naissance de l'Australie

Barcelone, la ville des merveilles - Histoire et civilisation

Written on the centenary of Canadian painter Tom Thomson's mysterious death, this book consists of reflections upon twenty-two of Thomson's paintings. Each reflection stands on its own as a two-page word-image, imitating the concise intensity of Thomson's famous 22 by 27 cm sketches, examining creativity, authenticity, and identity in life. A further twenty-two vignettes flesh out the genderless alter ego that Hughes names TT, an irreverent nonconformist following a free-spirited way of life only very loosely based on Thomson. As the book progresses, TT takes on mythic proportions, and Hughes' language becomes more poetically challenging for the task at hand. Meticulously researched by the author for accurate detail, Hughes also has 40 years of intimate familiarity with the lakes and hills where Thomson lived. In TT, a Canadian figure emerges along the lines of Gary Snyder and Henry David Thoreau.

Leftovers presents selections from Hughes' published and unpublished writings, chosen by the author, and with commentaries supplied by Hughes regarding their composition, intent, and relevance (or lack of such). The nonfiction ranges from Hughes' most current work, the science-based Ydentitysm, to pieces which though now outdated (after 40 years of studying religion, Hughes concludes that religious perspectives have outlived their usefulness) nevertheless contain telling points for those interested in human identity, psychology, and meaning. Hughes' fictional excerpts include the humorous, the satirical, the absurd, and the eerie. Almost an entire long story, The Viper with the Human Tongue, is included in the pulp fiction genre. An absurdist play on Tom Thomson that is reminiscent of Beckett's Waiting for Godot is presented in its entirety. And Hughes' poetry ranges from the Fluxus-inspired to Canadian landscape.

Leftovers

An asteroid obliterates Earthkind except for a single human named Cluk who time-travels 60 million years to a future-Earth in order to repopulate it, only to discover the planet re-civilized by kartaahs, a new species . A MESSENGER from GASBAG visits Earth from millions of light years distant, but has forgotten the message . Cluk learns recreational grating, probing, and crack-crawling . Kartaahs climb down, into brains . All this in language that is "a bit off". In 1/f2 noiz, Zhizham texts, emails, ootubes, and tweets us in a nonstop racket of malapropisms, irony, and hyperbata. Prepare to have both nose and leg pulled out of joint, tongue and ear twisted, and brain fart.

1/f2 noiz

Cord-Reading is the most ancient of all arts, its practice stretching back to the very origins of Homo sapiens. Part game, part divination, part art, the cord has fascinated societies around the globe. In this manual, Hughes updates the practice for the modern reader, describing how cord-reading can connect us with the creativity of our unconscious brain. Providing a step-by-step guide with illustrations, charts, and explanations, Hughes gives a thorough grounding for anyone interested in pursuing this art. As with yoga and ting jing, cord-reading calms consciousness, gradually allowing the whole person to enter into awareness. Hughes writes, "Creativity is not necessarily accurate. It is adaptive. Its answers require testing. If they prove ineffective, what other recourse does a person have other than to give up or create again?" Cord-reading is thus not offered as a panacea, but rather as a creative discipline that can enrich one's self-understanding. (www.bodywisdom.press)

Satchel

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