Brahms 5 études et 51 exercices - pour piano - Partition

Streichquintet f op.88 poche

Symphonies no. 1-4 poche+cd

The edition is part of the ABRSM syllabus (grade 4). Instrumentation : voice and piano op. 103

Edition Schott

The edtion is part of the ABRSM syllabus (grade 5, 7) The edition is part of the Trinity syllabus 2007 (grades 6, 7) Instrumentation : clarinet (viola) and piano op. 120/1

Sonata F minor - Edited from the engraver's copy and original edition. op. 120/1. clarinet (viola) and piano.

Ludwig Tieck's romantic fairy story of the joy and sorrow of the 'beautiful Magelone' is dressed up by Heribert Breuer : 'From the very beginning I wanted to devise a complete concert evening in which not only Ludwig Tieck's story is recited but also two piano works from Brahms' last creative period are included. - Having been familiar with this song cycle by playing and singing it since my early youth, I wanted to make the polyphonic structures of Brahms' piano setting more transparent and even more colourful with my chamber music version than is possible on a piano. To ensure a practical instrumentation, I have chosen two contrasting quintets : a woodwind quintet and a string quartet cum double-bass. ' Instrumentation : baritone, wind quintet, string quartet and double bass op. 33

Edition Berliner Bach Akademie

In 1894 Johannes Brahms published his collection 'Deutsche Volkslieder mit Clavier-Begleitung', where his aim was to combine folksongs with a sophisticated musical approach. Nevertheless he strove to maintain the simple, forthright expressiveness of text and melody and mirror it in his accompaniment. As the guitar was originally an instrument of the people, the present arrangements should be 'in tune' with the composer's intentions. Instrumentation : high voice (orig.) and guitar aus WoO 33

Brahms' Hungarian Dances are among the most popular compositions in the field of light classical music with dance no. 5 probably being the most well-known one of the altogether 21 pieces of the cycle. It is this dance the arrangement for saxophone quintet at hand is based on. Answers to the questions to what extent Brahms incorporated traditional Hungarian melodies into these pieces or whether the dances represent original creations of his own written in a "Hungarian style" might be found in specialist literature or on the internet. These sources may also be consulted to get further information on the history of origins of these compositions. The original version of the Fifth Hungarian Dance for Piano Four-Hands published in 1869 is written in F# minor. For most of the arrangements (for orchestra and for any other conceivable type of ensemble) created thereafter in rapid succession - but also for this present version written for saxophone quartet - the key of G minor was chosen. The markings for tempo and dynamics included are based on the original composition but also take into account certain performance practices. The individual voices take turns in executing the main melody. The brackets appearing in the score and in the individual parts mark the beginning and the end of those passages where the respective instrument takes the lead. The arrangement for quintet at hand can be performed soloistically or in chorus. Instrumentation : 5 saxophones (SAATBar)

Hungarian Dance No. 5 - 5 saxophones (SAATBar). Partition et parties.

Après que les variations de Beethoven ont été considérées comme test de référence du mérite compositionnel, Brahms choisit des sujets très différents ; d'une chanson hongroise à l'une des notions musicales de Schumann, ou une aria d'Haendel. Quel que soit le thème, Brahms parvenait toujours à créer des pièces de caractère, excitantes et variées.

Brahms 5 études et 51 exercices - pour piano - Partition

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