Portugal. Madère

Excerpt from Les Mille Et une Nuits, Vol. 2: Contes Arabes, Traduits en Fran�aisApr�s la mort de notre p�re, le bien qu'il nous avoit laiss�, fut par tag� entre nous �galement et lors que mes deux derni�res soeurs eu rent re�u leur portion, elles se s� par�rent et all�rent demeurer en par ticulier avec leur m�re. Mes deux autres soeurs et moi rest�mes avec la n�tre qui vivoit encore et qui de puis en mourant nous laissa � cha cune mille sequins.

Les Mille Et Une Nuits: Contes Arabes, Volume 2 of 8

Histoire de L'Afrique

Aucassin et Nicolette is a medieval French chantefable, or combination of prose and verse (literally, a "sung story"), similar to a prosimetrum. It is the only known chantefable from what was once a very popular literary tradition, and it is from this work the term chantefable was coined in its concluding lines: "No cantefable prent fin" ("Our chantefable is drawing to a close"). Stylistically, the chantefable combines elements of the chanson de geste (e. g., The Song of Roland), lyric poems, and courtly novels-literary forms already well-established by the twelfth century. The work probably dates from the early 13th century, and is known from only one surviving manuscript dating from the later part of the century. The work's authorship is unknown. It is generally considered a roman d'adventure, or a romantic work of action and adventure.

Aucassin et Nicolette

Chants des pèlerins de Verdelais

Среди французских фарсов по умелой постановке социальных проблем, сочности образов, значительности типических обобщений, комизму положений и драматургической технике одно из первых мест принадлежит фарсам об адвокате Пателене. Три фарса: "Господин Пьер Пателен", "Новый Пателен", "Завещание Пателена" - образуют своеобразный тематический цикл.

La Farce de maître Pathelin

When it comes to Bible translations, readability and reliability are what count; and on both counts, the original JERUSALEM BIBLE stands alone. A product of the age of the Second Vatican Council (1962-1965), THE JERUSALEM BIBLE (published in 1966) was the first truly modern Bible for Catholics. Using definitive original language texts such as the Dead Sea Scrolls, biblical scholars of L'École Biblique in Jerusalem produced a meticulously accurate, wonderfully readable French translation of the complete canon of Scripture (La Bible de Jérusalem). From this French original came the English edition, edited by renowned Bible scholar Alexander Jones.For all the people around the world who are discovering or revisiting the mysteries contained in the Scriptures, only a clear, understandable Bible translation will do. With language as exquisite but more modern than the King James Version, THE JERUSALEM BIBLE is the one they can trust.

La Bible de Jérusalem

L'intérieur de ma chambre, mes terreurs paniques, ou quelques vérités dures sur les Jacobins, par A.-T. B..... de C...Date de l'édition originale : 1799Ce livre est la reproduction fidèle d'une oeuvre publiée avant 1920 et fait partie d'une collection de livres réimprimés à la demande éditée par Hachette Livre, dans le cadre d'un partenariat avec la Bibliothèque nationale de France, offrant l'opportunité d'accéder à des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.

L'intérieur de ma chambre, mes terreurs paniques, ou quelques vérités dures sur les Jacobins

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Portugal. Madère

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