Der Klavierauszug dient lediglich zu Studienzwecken. Eine öffentliche Aufführung in der Fassung für Bratsche und Klavier ist untersagt. Instrumentation : viola and bigger chamber orchestra op. 36/4

Edition Schott

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music. Instrumentation : piano

Paul Hindemith's well-known second substantial original composition for wind band. It is in every way a supreme professional musical achievement and can perhaps be described as one of the best works in existence for wind band. In any case it is an outstanding score for performers at the highest level. Instrumentation : wind band

Symphony in Bb - for Concert Band. wind band. Jeu de parties.

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Music stands for this dialogue to make contemporary music for amateurs accessible not only in theory but also in practice. Dame Music was composed during his stay in the USA after he had been asked for an American edition of his composition Frau Musica. Musik zum Singen und Spielen auf Instrumenten nach einem Text von Luther, Op. 45 No. 1 from 1928. In 1942 he wrote the successful American version Dame Music for which Hindemith also revised some instrumental parts. The vocal setting was adopted without any changes and its text translated into English. With great success : Within just a few years, Dame Music had been included in the repertoire of amateur musicians in the United States. Instrumentation : voice (female choir, men's choir, mixed choir), strings and other instruments ad libitum

Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician.

The Craft of Musical Composition - Exercises in Two-Part Writing

Symphonic metamorphosis poche

Singing, especially singing in small groups, is a valuable and even the most natural musical activity - that is what Paul Hindemith (1895-1963) firmly believed : 'Everybody has got a voice ... A choir is the least demanding and at the same time best educational tool. ' And that is why singing had always been part of his teaching activities, be it while trying and practising musical-theoretical tasks, be it while rehearsing old and modern choral settings. No wonder that the composer had dealt with choral music all his life, addressing himself to all different kinds of vocal ensembles : to mixed choirs, male-voice and children's choirs, professional choirs and trained singers. He developed his a-cappella style during his training with Arnold Mendelssohn and Bernhard Sekles at the Hoch Conservatoire in Frankfurt. As a consequence, the sketch books from his student days also contain three-part vocal settings on cantus firmi. The sacred choral works presented here (1. Christus, der ist mein Leben, 2. Erhalt uns, Herr, bei deinem Wort, 3. Nun komm, der Heiden Heiland, 4. Gott des Himmels) are not only interesting as compositional studies, but also as sonorous and catchy choral music which can be easily performed by any good church choir. Instrumentation : mixed choir (SABar)

Vier Choralsätze (Quatre mouvements de choral) - mixed choir (SABar). Partition de chœur.

In addition to the two magnificent string quartet parodies 'Repertorium für Militärmusik "Minimax"' [Repertory for military music 'Minimax'] (ED 6735) and 'Ouvertüre zum "Fliegenden Holländer", wie sie eine schlechte Kurkapelle morgens um 7 am Brunnen vom Blatt spielt' [Overture of 'The Flying Dutchman' as played at sight by a bad spa orchestra at the well at 7 in the morning] (ED 8106), 'Uncanny Invitation' is another merry work by Paul Hindemith, a 'Song with Full Orchestra Accompaniment in the Style of Richard Strauss. Text taken from a Beekeeper's Journal. For soprano and quartet. Strauss' song 'Heimliche Aufforderung' [Secret Invitation] probably was behind the corruption of the title. The text, slightly changed by Hindemith, from the magazine 'Die Biene und ihre Zucht' [Bees and how to keep them] from 1924 inspired Hindemith to make this creation, provided with the invitation 'am Bienenstand (d. h. an der Donauquelle) ... jung zu baden' [to bathe young ... at the apiary (i. e. at the source of the Danube)], to not let oneself be carried away by the ageing Strauss, but by contemporary music. Instrumentation : soprano and string quartet

Edition Schott

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