With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : 2 pianos and orchestra KV 365

Eulenburg Miniature Scores

The pieces in the present volume are taken for the most part from Mozart's so-called 'London Sketch Book', written on his English tour in the year 1764, at the age of eight. There are also several earlier pieces which the young Mozart wrote in Salzburg in 1762. The original text has been retained ; obvious errors in notation have been corrected. Instrumentation : piano

Schott Piano Classics

The Marriage of Figaro, Don Giovanni and The Magic Flute are three of the most loved and performed operas by Wolfgang Amadeus Mozart, set to libretti by Lorenzo da Ponte and Emanuel Schikaneder. Unavailable for many years, these three vocal scores with piano reductions in 'The Royal Edition of Operas' series from Boosey & Hawkes feature singing translations in English by Edward J Dent alongside the original sung text and prefatory notes.

The Royal Edition of Operas

With the new Urtext Primo series, the Wiener Urtext Edition wants to close the gap arising at the point of transition to additional lessons after having studied a piano method. Beginning with a performance level which is outlined by pieces such as Bach's Minuet in G (BWV Anh. 116), Mozart's Minuet in F (KV 5) or Schumann's Wilder Reiter (Op. 68/8), works by three different composers are selected for each volume of the Urtext Primo series, with the aim of offering piano pupils (or even adults who want to resume piano playing) a wide range of repertoire pieces on the basis of which they can enhance their technical and musical skills. The pieces' range of levels of difficulty is relatively narrow so that the volume can be used continuously over a period of about two years. This is what distinguishes the Urtext Primo approach from almost all common anthologies. The selected repertoire takes into account not only pieces of the classic canon of lessons, but also lesser known works which are in no way of less importance for piano lessons. The Urtext Primo volumes are published in the internationally recognised standard of the Wiener Urtext editions. The explanations included in each volume shall help to deepen the knowledge of musical styles, music history and piano playing. A repertoire chart at the end of each volume gives a rough overview of the levels of difficulty of the selected pieces. Volume 1 contains both frequently played educational works by Bach and lesser known pieces by Handel and Scarlatti, Volume 2 compositions by Haydn and Mozart as well as musically and educationally attractive pieces by Cimarosa. Volume 3 (scheduled for publication in summer 2013) contains pieces by Beethoven, Schubert and Hummel, Volume 4 (scheduled for publication in early 2014) works by Schumann, Brahms and Theodor Kirchner. Further volumes are being planned. Instrumentation : piano

Urtext Primo - ein neues Konzept für den Einstieg Vol. 2

Les lettres de Mozart à son père Léopold constituent un document sur la formation du jeune maître : l'amour, la musique et la mort de sa mère.

Correspondance (Tome 2) : 1777-1778

Mozart composed these 12 Duets in 1786 for two basset horns without accompaniment. Their arrangement for recorders gives recorder players or beginners on the biolin a chance of practising classical music. The pieces should be played with full tone and good expression. Instrumentation : 2 descant recorders (violins) KV 487

Edition Schott

'The Abduction from the Seraglio' by Wolfgang Amadeus Mozart, a comic opera in three acts, was extremely popular during the composer's lifetime. In order that this music could also be played by music lovers at home, the best-known and most popular pieces were often arranged for other instruments. Of Mozart's major operas alone, more than 50 arrangements for various instrumentations from around 1800 are known to exist as separate editions. This new edition contains a selection of scenes from the opera Die Entführung aus dem Serail in an arrangement for two flutes or violins. The duets whose author has remained unknown so far were arranged very skilfully and now constitute a selection of the most beautiful melodies from the opera. Up to now, the melodious duets have both high entertainment value and great educational value as they encourage the players' musical imagination and creativity. Instrumentation : 2 flutes (violins) KV 384

This new edition contains the facsimile of the entire Mozart autograph, plus the musical text newly edited by Ulrich Leisinger, who drew upon the autograph and the first edition as found in the first volume of the new Wiener Urtext edition of Mozart's piano sonatas (UT 50226). The editor's decisions can be followed in the critical annotations as well as, perhaps even more importantly, in the direct comparison with the original manuscript. The edited musical text with fingerings, tried and tested page turns and a clear engraving offers a very convenient basis for practical use. The preface gives information about the work's origins and the autograph's eventful history. Instrumentation : piano KV 310

Vienna Urtext Edition and facsimile

Wolfgang Amadeus Mozart, alors âgé de vingt-deux ans, fait son entrée dans la capitale accompagné de sa mère Anna Maria. L'excitation des premiers jours est grande : on visite les plus prestigieuses demeures aristocratiques que compte la ville et on y dresse un portrait piquant de ses habitants. Tableau vivant de la capitale française et de ses moeurs, ces lettres nous permettent de pénétrer l'intimité d'un des plus grands compositeurs de tous les temps.

Eulenburg Miniature Scores

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