THE CITY OF FALLING ANGELS

Lorsque John Berendt arrive à Venise le ter février 1996, flotte dans l'air une forte odeur de bois calciné. Trois jours auparavant, la Fenice, le célèbre opéra de la Cité des Doges, a été ravagée par un incendie... Acte criminel ? Qui pouvait souhaiter le saccage de ce joyau de l'art vénitien ? L'enquête que l'auteur entreprend va le mener à la rencontre des habitants de la Sérénissime : son maire, la fille d'Ezra Pound, un marchand de légumes, le directeur du musée Guggenheim, un maître verrier et bien d'autres encore... Minuit dans le jardin du bien et du mal avait pour personnage principal Savannah, petite ville de Georgie. John Berendt a travaillé huit ans à ce livre qui s'attache à déchiffrer Venise, ville insaisissable et labyrinthique qui navigue entre son histoire millénaire et sa décadence.

La cité des anges déchus - Occasion

A sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling Southern city has become a modern classic.Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.

THE CITY OF FALLING ANGELS

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