MRS GASCOIGNE: Well, I s'd ha' thought thy belly 'ud a browt thee whoam afore this.

JOE sits on sofa without answering.

Doesn't ter want no dinner?

JOE (looking up): I want it if the' is ony.

MRS GASCOIGNE: An' if the' isna, tha can go be out? Tha talks large, my fine jockey! (She puts a newspaper on the table; on it a plate and his dinner.) Wheer dost reckon ter's bin?

JOE: I've bin ter th' office for my munny.

MRS GASCOIGNE: Tha's niver bin a' this while at th' office.

JOE: They kep' me ower an hour, an' then gen me nowt.

MRS GASCOIGNE: Gen thee nowt! Why, how do they ma'e that out? It's a wik sin' tha got hurt, an' if a man wi' a broken arm canna ha' his fourteen shillin' a week accident pay, who can, I s'd like to know?

JOE: They'll gie me nowt, whether or not.

MRS GASCOIGNE: An' for why, prithee?

The Daughter-in-law

"Odour of Chrysanthemums" is the story of Elizabeth, a young wife and mother waiting for her alcoholic husband, Walter, to return home from what she assumes is another night of drinking. This assumption, along with Elizabeth's pre-conceptions about her husband and their relationship are broken down when his body is brought home from the coal mine where he works. In "Odour of Chrysanthemums" author D. H. Lawrence explores the concept of human isolation and the nature of love and relationships. With the sudden death of her husband Elizabeth is forced to re-examine her opinions and beliefs, shedding light on a marriage she had given up on long before. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

Odour Of Chrysanthemums - Short Story

Connie's unhappy marriage to Clifford Chatterley is one scarred by mutual frustration and alienation. Crippled from wartime action, Clifford is confined to a wheelchair, while Connie's solitary, sterile existence is contained within the narrow parameters of the Chatterley ancestral home, Wragby. She seizes her chance at happiness and freedom when she embarks on a passionate affair with the estate's gamekeeper, Mellors, discovering a world of sexual opportunity and pleasure she'd thought lost to her. The explosive passion of Connie and Mellors' relationship - and the searing candour with which it is described - marked a watershed in twentieth-century fiction, garnering Lady Chatterley's Lover a wide and enduring readership and lasting notoriety. The text is taken from the privately published Author's Unabridged Popular Edition of 1930, the last to be supervised in D. H. Lawrence's lifetime. It also includes his witty essay, My Skirmish with Jolly Roger, describing the pirating of this infamous novel. This Macmillan Collector's Library edition of Lady Chatterley's Lover features an afterword by editor and publisher, Anna South. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.

Lady Chatterley's Lover

Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We've got to live, no matter how many skies have fallen.

This was more or less Constance Chatterley's position. The war had brought the roof down over her head. And she had realized that one must live and learn.

Lady chatterleys lover

Ursula and Gudrun Brangwen sat one morning in the window-bay of their father's house in Beldover, working and talking. Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee. They were mostly silent, talking as their thoughts strayed through their minds.

'Ursula, ' said Gudrun, 'don't you REALLY WANT to get married?' Ursula laid her embroidery in her lap and looked up. Her face was calm and considerate.

'I don't know, ' she replied. 'It depends how you mean.'

Gudrun was slightly taken aback. She watched her sister for some moments.

'Well, ' she said, ironically, 'it usually means one thing! But don't you think anyhow, you'd be-' she darkened slightly-'in a better position than you are in now.'

A shadow came over Ursula's face.

'I might, ' she said. 'But I'm not sure.'

Women in Love

Gertrude Morel lebt im der englischen Bergarbeiterdorf Bestwood. Sie kümmert sich intensiv um die Zukunft ihrer Kinder und unterstützt deren gesellschaftlichen Aufstieg. Nachdem ihr Sohn William seine Ausbildung abgeschlossen hat, bewirbt er sich erfolgreich in einer Anwaltskanzlei. Auch privat scheint sich bei ihm alles gut zu entwickeln: Er verlobt sich mit der attraktiven Lily. Doch anstatt sich zu freuen, reagiert seine Mutter eifersüchtig. 

In seinem Bestseller »Söhne und Liebhaber« von 1913 entwickelt D. H. Lawrence eine psychologische Studie der komplexen Beziehung zwischen Mutter und Sohn. »Söhne und Liebhaber« enthält zahlreiche autobiografische Elemente. Das Bergarbeiterdorf Bestwood aus dem Roman ähnelt in vielem dem Dorf Eastwood, in dem D. H. Lawrence aufwuchs.

Söhne und Liebhaber

WILLIE HOUGHTON: What's the matter with you folks, as I've told you before, and as I shall keep on telling you every now and again, though it doesn't make a bit of difference, is that you've got no idea of freedom whatsoever. I've lived in this blessed place for fifty years, and I've never seen the spark of an idea, nor of any response to an idea, come out of a single one of you, all the time. I don't know what it is with colliers--whether it's spending so much time in the bowels of the earth--but they never seem to be able to get their thoughts above their bellies. If you've got plenty to eat and drink, and a bit over to keep the missis quiet, you're satisfied. I never saw such a satisfied bloomin' lot in my life as you Barlow and Walsall's men are, really. Of course you can growse as well as anybody, and you do growse. But you don't do anything else. You're stuck in a sort of mud of contentment, and you feel yourselves sinking, but you make no efforts to get out. You bleat a bit, like sheep in a bog--but you like it, you know. You like sinking in--you don't have to stand on your own feet then.

Touch and Go

'So Ursula became the child of her father's heart.'     The Rainbow tells the story of three generations of the Brangwen family and their struggles with each other and themselves. Beautiful, strange and with a power all its own, The Rainbow redefined the English novel.  A new series of twenty distinctive, unforgettable Penguin Classics in a beautiful new design and pocket-sized format, with coloured jackets echoing Penguin's original covers.

Rainbow, the

In Women In Love, D. H. Lawrence continues the story of Gundrun and Ursula Brangwen, first introduced in The Rainbow. In the course of their daily lives, the sisters meet and develop relationships with Gerald Crich and Rupert Birkin. As affairs between the couples deepen, they all must navigate the changing moral guidelines of post-war English society, while their pursuit of personal and physical fulfillment challenges the social strictures of their parents' generation and ends with devastating consequences. Women in Love is the sequel to The Rainbow, D. H. Lawrence's first Brangwen family novel. Released to commercial success in 1920, the novel challenged typical depictions of relationships between men and women. Adapted for film in 1960, Women in Love actress Glenda Jackson was awarded an Academy Award for her portrayal of Gudrun Brangwen. HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

The Daughter-in-law

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