Une parabole en vers et en prose sur l'exil intérieur d'un navigateur encalminé dans la grande plaine américaine. A

John Marr et autres marins avec quelques marines

Herman Melville et Ismaël, le héros narrateur de Moby Dick, racontent la quête obstinée du capitaine Achab, traquant, harpon en main, le gigantesque et féroce cachalot blanc qui lui a dévoré une jambe... Narration ébouriffante, Moby Dick est une aventure maritime mouvante et romantique autant qu'une chronique symbolique du combat éternel entre l'homme et son destin.

Achab, sa jambe de bois et l'équipage du Péquod reprennent du service sous les pinceaux de Bill Sienkiewicz. Il nous immerge dans cette tragédie sombre par un graphisme baroque, dans une mise en page audacieuse aux couleurs somptueuses.

Bruno Letort poursuit son exploration des univers illustrés à la suite de ses travaux avec Peeters et Schuiten. Son écriture subtilement complexe tisse un océan de sons pour un terrain de chasse et une lutte éternelle, au plus près de l'âme des poursuivants.

Moby Dick

"It is the horrible texture of a fabric that should be woven of ships' cables and hawsers. A Polar wind blows through it, and birds of prey hover over it."

So Melville wrote of his masterpiece, one of the greatest works of imagination in literary history. In part, Moby-Dick is the story of an eerily compelling madman pursuing an unholy war against a creature as vast and dangerous and unknowable as the sea itself. But more than just a novel of adventure, more than an encyclopaedia of whaling lore and legend, the book can be seen as part of its author's lifelong meditation on America. Written with wonderfully redemptive humour, Moby-Dick is also a profound inquiry into character, faith, and the nature of perception.

"Wellingborough, as you are going to sea, suppose you take this shooting-jacket of mine along; it's just the thing-take it, it will save the expense of another. You see, it's quite warm; fine long skirts, stout horn buttons, and plenty of pockets." Out of the goodness and simplicity of his heart, thus spoke my elder brother to me, upon the eve of my departure for the seaport. "And, Wellingborough, " he added, "since we are both short of money, and you want an outfit, and I Have none to give, you may as well take my fowling-piece along, and sell it in New York for what you can get.-Nay, take it; it's of no use to me now; I can't find it in powder any more." I was then but a boy. Some time previous my mother had removed from New York to a pleasant village on the Hudson River, where we lived in a small house, in a quiet way. Sad disappointments in several plans which I had sketched for my future life; the necessity of doing something for myself, united to a naturally roving disposition, had now conspired within me, to send me to sea as a sailor.

Redburn

The inaugural volume of The Library of America presents one of America’s greatest writers, Herman Melville (1819–1891). These three early novels are stirring romances of the South Seas; many of their fictional details resemble some of the events in Melville’s own life in the early 1840s. Like the hero-narrator of Typee and Omoo, Melville shipped out on a whaler, jumped ship in exotic ports, was held captive by native tribes—though here he might have exaggerated his own exploits a bit—and escaped to find passage home in the service of the United States Navy.Exuberant, highly pictorial, with a clear, swift narrative, Typee (1846) was his most popular work well into the 20th century, outselling all his others, including Moby-Dick. It offers a mostly idyllic account of life among the “cannibals” in which civilized innocence is contrasted with the corrosive effects of 19th-century industrial society.A sequel to Typee, Omoo (1847) continues this inquiry into Pacific culture and those who intruded upon it, specifically in Tahiti. Melville details the misadventures of the unruly and overworked crew of the Australian trader Julia after they are imprisoned for insubordination; the story will perhaps surprise today’s readers with its humor.With Mardi (1849), Melville abandons a literary Polynesia for a mythical one. “Mardi” is the Polynesian word for “the world,” and the voyage through imaginary South Sea archipelagoes stops off at Dominora (Britain), Porpheero (Europe), and Vivenza (the United States). Tracing the quest for the elusive and beautiful Yillah, it remains a timely political allegory and a thrilling adventure.Together, these three romances give early evidence of the genius and daring that make Melville the master novelist of the sea and a precursor of modernist literature.

Taipi, Omou, Mardi

Based on Melville's actual experiences after having jumped ship in the Marquesas Islands, this work was extremely popular, and provoked disbelief among its readers until the events it described were corroborated by Melville's fellow castaway, Richard Greene. While the book is based on fact, Typee is properly considered a work of fiction: the three week stay on which the author based his story is extended to four months, and Melville drew extensively on contemporary accounts by Pacific explorers to add cultural detail to what might otherwise have been a straightforward story of escape, capture and re-escape.

Typee

"En l'an 1843, je pris la mer comme "simple matelot" à bord d'une frégate des Etats-Unis qui se trouvait mouillée dans un port de l'océan Pacifique. Après être resté plus d'une année sur cette frégate, je fus libéré du service lorsque le navire revint à son port d'attache. Mes expériences et mes observations sont consignées dans le présent ouvrage. New York, mars 1850". Herman Melville avait rédigé ces quelques phrases en guise de préface à la première édition américaine de Vareuse-Blanche. Il s'agit donc d'un récit vécu, à l'état brut, qui décrit en détail les conditions de servitude inhumaines auxquelles étaient soumis les matelots au XIX ? siècle. L'auteur nous fait revivre l'immense voyage qu'il fit, tout au long des côtes du Pacifique et de l'Atlantique, en passant par le redoutable cap Horn. Vareuse-Blanche, surnom que Melville adopte ici, est le héros de cette épopée en prose. Il ne fait qu'un avec sa vareuse blanche fantomatique, vêtement bizarre qu'il a confectionné avec amour afin d'affronter les tempêtes du cap Horn, mais qui lui vaut l'antipathie de ses compagnons superstitieux et manquera même de provoquer sa perte...

Vareuse-Blanche - Le monde d'un navire de guerre

Ismaël, philanthrope original, embarque sur le Péquod, baleinier qui part vers les mers du Nord. Mais le capitaine Achab a prévu de poursuivre Moby Dick, une baleine blanche qui lui a arraché la jambe. Chacun des deux hommes donnera son propre sens à la chasse à la baleine

Ismaël s'embarque comme matelot sur le Péquod, un baleinier commandé par l'étrange Capitaine Achab. Bientôt, le vieux capitaine entraîne l'équipage sur toutes les mers du globe à la poursuite de Moby Dick, une énorme baleine blanche qui lui a volé une jambe et dont il a juré de se venger. Qui gagnera cette lutte ? L'homme ou l'animal ?

John Marr et autres marins avec quelques marines

Résumé

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