Keller is a regular guy. He goes to the movies, works on his stamp collection. Call him for jury duty and he serves without complaint. Then every so often he gets a phone call from White Plains that sends him flying off somewhere to kill a perfect stranger. Keller is a pro and very good at what he does. But the jobs have started to go wrong. The realization is slow coming yet, when it arrives, it is irrefutable: Someone out there is trying to hit the hit man. Keller, God help him, has found his way onto somebody else's hit list.

Hit List

The basis of the recent film starring Liam Neeson, A Walk Among the Tombstones is Matthew Scudder's tenth appearance. He's hired by a drug dealer whose wife has been savagely murdered, and Scudder's pursuit of the faceless killers leads him on a chase through Manhattan and Brooklyn, with an unforgettable denouement in Green-Wood Cemetery. TJ, Scudder's streetwise young friend, is on hand, and Scudder's girlfriend Elaine plays a vital role, even as their relationship has its challenges. Publishers Weekly: "Despite their dark titles (the words Slaughterhouse and Boneyard figured in the previous two), Block's splendid, award-winning Matt Scudder novels are by no means unrelievedly bleak. His latest-as well as offering the customary skillful plotting, adroit pacing and sure sense of New York character-features a wry humor all its own, along with a particularly ingratiating and convincing pair of computer hackers. The premise is grim, certainly: a pair of men who prey murderously on women progress to kidnapping the womenfolk of drug dealers and demanding huge ransoms. Former alcoholic PI Scudder-now going to more AA meetings than ever-reluctantly agrees to help one dealer, a Lebanese, after his wife is killed by the kidnappers. Slowly and methodically he discerns a pattern in the mayhem. With the help of his erstwhile police colleagues, his black Times Square sidekick TJ and his call-girl sweetheart, Elaine, Scudder tightens the net on the culprits. When they seize the daughter of a Russian dealer, he is ready for the showdown. Block isn't big on action, though when it comes it is swift, vivid and horribly convincing; his Scudder books are built on character, atmosphere, crackling dialogue and a great deal of brooding-the taste for them is addictive. An equal of Elmore Leonard and Robert Parker, Block deserves similar acclaim."Other reviews:"This is fantastic stuff, and a must for fans of gritty, realistic suspense." - My Bookish Ways"A WALK AMONG THE TOMBSTONES is indispensable reading for all crime fiction fans. Add it to your "must read" pile immediately." - Bookgasm

A Walk Among the Tombstones - Matthew Scudder, #10

Annulez le tcheque !

It's a jungle out there. Literally. At least for Evan Tanner, eternally sleepless sometime superspy, who finds himself in Africa on the trail of the AWOL ruler of tiny Modonoland. It seems the petty despot's gone missing, and he's taken the state treasury along with him. No stranger to impossible missions and international peril, Tanner's been in over his head before. This time, however, he's in imminent danger of being buried alive. And it all has to do with the CIA, white supremacists, moderate revolutionaries .

Me Tanner, You Jane

After spending her girlhood writing gentle and thoughtful novels of the lesbian experience (SHADOWS, WARM AND WILLING, ENOUGH OF SORROW), Jill Emerson reinvented herself in the early 1970s, just when contemporary literature was experiencing an enormous flowering of sexuality. Even as the whole culture rocked with the sexual revolution, popular fiction echoed this change with a flinging off of censorship and a surge of sexual candor. And Jill wrote three books for Berkley. The first, THIRTY, was in the form of a diary, piling incident upon incident as the diarist, a woman in her thirtieth year, fled her safe suburban marriage and went off in search of her real self. The second, THREESOME, took the form of a collaborative novel in which the three participants in a menage a trois wrote a book together to chronicle their own experience-an experience that continued to evolve as each read what the others had written. A MADWOMAN'S DIARY, you won't be surprised to learn, is a return to the diary form. Once again the diarist is a young woman, seeking a richer and more fulfilling life in and out of bed. But the book owes its storyline to more than Jill Emerson's imagination. Interestingly enough, it grows out of a psychosexual case history previously reported by John Warren Wells. Jill, having read JWW's book in manuscript, couldn't get one particular case out of her head. It was, she thought, a perfect springboard for fiction. And the next thing she knew she was typing away, entirely caught up in the woman's story as it spooled itself out of her typewriter. John Warren Wells was unlikely to object. He and Jill, always friends, occasionally lovers, were comfortable sharing their work, and not infrequently would dedicate their books to each other. And, even if JWW found Jill's decorous plagiarism unsettling, what could he possibly do about it?Both he and Jill are in fact pen names-or, if you prefer, alternate selves-of author Lawrence Block. So they have all the reason in the world to get along. This ebook edition of A MADWOMAN'S DIARY includes as a bonus the opening chapter of the seventh Jill Emerson novel, THE TROUBLE WITH EDEN.

A Madwoman's Diary - The Jill Emerson Novels, #6

Shadows, which was not only the debut of Jill Emerson but my own very first novel, is the story of a young woman, Jan Marlowe, who comes to New York fresh out of college, takes an apartment in the Bohemian neighborhood of Greenwich Village, and seeks to find herself-and specifically to come to terms with the puzzling question of sexual identity. Well then... One morning in the spring of 1958 I woke up in my room at the Hotel Alexandria with a paralyzing hangover (which was not unusual) and an idea for a book (which was). I sat in front of my typewriter, and within a few hours I had produced a chapter-by-chapter outline of a novel. I had all the characters sketched out and knew how they'd relate to one another, and how the rather elementary storyline would resolve itself. I even had a title: Shadows. At the time I was working as an editor at a shady literary agency, but I'd already arranged for my departure, as come fall I'd be resuming college in Ohio. Sometime in May I gave up my room at the Alexandria and went home to Buffalo, where I turned that outline into a book. My agent sent it to Crest Books, then the country's premier publisher of lesbian fiction. They spent a couple of months reading it and thinking it over, during which time I wrote and sold several lesser books to Harry Shorten's Midwood Books. Then, a couple of months after I'd returned to Antioch and gone through a lot of sturm und drang that needn't concern us here, Crest accepted Shadows. They changed my title to Strange Are the Ways of Love. They also changed my pen name. I'd known a lesbian novel ought to have a woman's name on it, and I picked one. They decided on Leslie Evans instead, so it could be gender-neutral, and then switched it to Lesley Evans, which made it more specifically female. Welcome to publishing, young man. It's clear to me now, some 60 years later, that the book ought to set sail under its original title, and since I'm republishing it myself, that's a decision I get to make. It's also clear to me that Shadows is in fact Jill Emerson's very first novel, as it's far more of a piece with Warm And Willing and Enough of Sorrow than with anything else I've written. So that's how I'll publish it, right? As Shadows, dammit, by Lawrence Block writing as Jill Emerson. You got a problem with that?

Shadows - The Jill Emerson Novels, #1

Quand Kenan Khoury reçoit un coup de fil anonyme exigeant une rançon s'il veut revoir sa femme en vie, il n'hésite pas une seconde à payer. Mais c'est dans le coffre d'une voiture et sous forme de pièces détachées sanguinolentes que notre homme la retrouve. Le problème est que Khoury, dealer notoire de Brooklyn, veut rester loin du regard de la police. C'est donc tout naturellement qu'il fait appel au célèbre détective privé et ancien flic alcoolique Matt Scudder. A l'aide d'acolytes hauts en couleur comme Manhattan en regorge - un apprenti rappeur, de jeunes hackers, sans oublier la belle Elaine -, Matt se jette corps et âme dans une enquête qui fait rapidement surgir de nouvelles pièces d'un puzzle macabre, bien plus complexe que prévu. Et lorsqu'une autre femme disparaît, c'est une course contre la mort qui s'engage...

Balade entre les tombes

WIN, LOSE, OR DIE. Whether it's child's play or for the highest stakes, whether we stick to the rules or cheat, we all play games - for fun, for thrills, for love or money, to prove we're the best or make an opponent knuckle under. And the games we play, with cards or dice or nothing but our wits, reveal something deeply personal about the players. In this powerful new anthology, Mystery Writers of America Grandmaster Lawrence Block has assembled an all-star team for the ultimate game night. Sit down at the checkerboard with S. A. Cosby, assemble jigsaw puzzles with David Morrell, or play marbles for the fate of the world with Joe R. Lansdale. In Jeffery Deaver's hands, an innocent game of Candyland takes twists the Parker Brothers could never have imagined. Science-fiction grandmaster Robert Silverberg uncovers painful truths about destiny while betting on the turtle races in a Caribbean resort. And Lawrence Block himself out-Hitchcocks Hitchcock with his classic story of murder victims swapped by strangers on a handball court. From hide-and-seek to Russian roulette, from mahjong to Mouse Trap, it's a game lover's dream - but beware: your turn is coming, and while winning isn't everything, sometimes losing can be deadly. And here's Publishers Weekly's starred review: "One of the most impressive of the 17 crime stories involving games in this stellar anthology from MWA Grand Master Block (In Sunlight or in Shadow: Stories Inspired by the Paintings of Edward Hopper) is Block's own "Strangers on a Handball Court." It riffs on Patricia Highsmith's Strangers on a Train, as the title suggests, and provides a wholly fair plot with a gut-wrenching surprise. Even knowing that multiple twists are coming doesn't negate their impact in Jeffery Deaver's devious "The Babysitter, " which opens with a classic trope: the innocent everyperson who stumbles on a deadly secret. When the charges of 17-year-old Kelli Lambert get bored playing Candy Land, Kelli's search for another board game leads her into peril after the parents of the kids she's watching suspect she's spotted their secret plans to torch a casino so they can establish their own casino. David Morrell shines with the subtle and creepy "The Puzzle Master, " in which a couple become addicted to jigsaw puzzles by a particular artist, only to find potentially ominous clues linking disparate bucolic scenes. The wide range of stories and games in them begs for a sequel."

Hit List

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