Keller is a regular guy. He goes to the movies, works on his stamp collection. Call him for jury duty and he serves without complaint. Then every so often he gets a phone call from White Plains that sends him flying off somewhere to kill a perfect stranger. Keller is a pro and very good at what he does. But the jobs have started to go wrong. The realization is slow coming yet, when it arrives, it is irrefutable: Someone out there is trying to hit the hit man. Keller, God help him, has found his way onto somebody else's hit list.

Hit List

Broadway Can Be Murder started out to be a novel based on Johnny Midnight, a TV series which everyone has long since forgotten. Except, of course, that nothing manages to be forgotten in the Internet Age. I, whose job it was to knock out 50, 000 words of Johnny Midnightish prose and dialogue, had forgotten when it ran and who was in it, but Google took no time at all to remind me that the title role was played by Edmund O'Brien, and that the series ran during the first nine months of 1960. And if you want to know more about it, well, Google and Wikipedia are there to enlighten you. I was in New York, newly married, living at 110 West 69th Street. I was writing short stories for crime fiction magazines, erotic novels for Midwood and Nightstand, and fielding assignments that my agent steered in my direction. Two of these were from paperback publishers who had acquired the book rights to a TV drama and wanted to hire someone to write a book. First up for me was a show called Markham, which starred Ray Milland. Belmont was to be the publisher, and I had to write that book twice.  My first effort turned out to be too good to waste its fragrance on Belmont's desert air, and my agent had me change the title and the names of the characters and sold the thing to Gold Medal. So I had to write it again, and I did, and they liked it okay and published it. Next up was Beacon Books, with "Johnny Midnight" as both the book's inspiration and its title. I wrote it, but by the time Beacon was preparing it for publication, the series had been canceled. The publisher saw no reason to pay a licensing fee for a moribund show, and accordingly changed names: Johnny Midnight became Johnny Lane, and his trusty servant morphed from Uki to Ito. And Lawrence Block became Ben Christopher for the occasion. I don't know what kept me from using my own name, the book was crime fiction rather than the erotica that seemed to call for a pen name, but I do remember that my great friend Donald E. Westlake had recently done some sort of tie-in novel and hung the name Ben Christopher on it, telling me it would be his pen name for tie-ins he was anxious to forget. I horned in on the name, and if Don found this irksome he kept it to himself. Someone at Beacon picked the title. Strange Embrace. Well, there's a lesbian element in the book, and I guess they wanted to play it up, and "strange" was a useful code word toward that end. It retained that title when Subterranean Press put it in a splendid double volume with 69 Barrow Street, and when I first reissued it in the Classic Crime Library. But it doesn't really fit the book at all, making a hard-edged crime novel set in the world of New York theater look like a bt of Beacon erotica. Thus it's new title: Broadway Can Be Murder it now is and shall be. Ray Milland I should add, had no better luck than Edmund O'Brien; his show Markham was canceled after a single season. Belmont evidently didn't get the news in time to act on it, and they dutifully published the book as Markham: The Case of the Pornographic Photos. When I okayed a reissue years later by another publisher I changed the title to You Could Call It Murder-and it's available now with that title, in paperback or ebook, as Classic Crime Library #12. (And the book it was written to replace, which Gold Medal called Death Pulls a Doublecross, is now #13 in the Classic Crime Library with my original title restored: Coward's Kiss.) And here's CCL #19, Broadway Can Be Murder. Enjoy it!

Broadway Can Be Murder - The Classic Crime Library, #17

Après Michael Connelly ou James Ellroy, c'est au tour d'Harlan Coben d'être invité par l'éditeur Otto Penzler à faire sa sélection des meilleures nouvelles policières américaines parues en 2013 dans la presse. Un voyage en vingt étapes mené à un rythme d'enfer par les routiers confirmés du polar et de jeunes seconds couteaux au talent prometteur. Au programme : des détectives privés sur le retour, des tueurs à gage sanguinaires, des escrocs à la petite semaine, des héros malgré eux et des histoires où se succèdent arnaques, meurtres froidement prémédités, coups de sang, vengeances… Insomniaques, s'abstenir.

Insomnies en noir - Les meilleures nouvelles policières américaines 2013

Cendrillon, mon amour

The CIA, the FBI, the KGB, Interpol-not one of the world's premier intelligence organizations knows quite what to make of Evan Michael Tanner. Is he a spy, a mercenary, a footloose adventurer, or simply a screwball sucker for hopeless causes?(Actually he's a little bit of all of the above. Plus he never sleeps. Ever.)One thing's for sure: Tanner's a true romantic, which is why he can't refuse a distraught mother who begs him to rescue her lost, pure-as-driven-snow daughter. Phaedra Harrow (nee Deborah Horowitz) once shared Tanner's apartment but not his bed. And now the virginal beauty's been abducted by white slavers in the Afghan wilderness. Finding Phaedra will be difficult enough. Bringing her back alive and unmolested may be impossible. And first Tanner will have to swim the English Channel, survive trigger-happy Russian terrorists .

Tanner's Virgin

À l'heure du numérique, difficile de gagner sa vie avec une modeste boutique de livres anciens et d'occasion sur la 11e Rue Est de New York... Heureusement, Bernie Rhodenbarr a d'autres atouts dans sa manche. Cambrioleur chevronné, on fait souvent plus volontiers appel à lui pour ses talents de crocheteur de serrures que pour ceux de bouquiniste. Mais lorsque "M. Smith", un mystérieux collectionneur, lui propose une petite fortune pour plusieurs vols (incluant aussi bien le manuscrit de L'Étrange Histoire de Benjamin Button de F. Scott Fitzgerald que d'inestimables cuillères en argent), Bernie ignore dans quelle histoire improbable il met les pieds. 

Car, pendant ce temps, une riche vieille dame a été retrouvée morte à son domicile, apparemment terrassée par une attaque lors d'un cambriolage qui aurait mal tourné. Toutefois les raisons de son décès ne sont pas si évidentes, et l'expertise de Bernie est également requise par son meilleur ennemi, le policier Ray Kirschmann, afin de l'aider dans son enquête... 

Voleur rémunéré et détective amateur, notre (anti-)héros trouve en outre des messages rageurs sur la porte de la librairie qu'il est bien obligé de délaisser... Y aurait-il encore des gens qui lisent ?

Le voleur qui comptait les cuillères - Une aventure de Bernie Rhodenbarr

Nicholas Edwards vit avec sa femme et sa fille à La Nouvelle-Orléans où il rénove et revend des maisons dévastées par le passage de l'ouragan Katrina. Entre sa famille et sa collection de timbres, il oublie peu à peu son ancienne vie. Alors que ses affaires périclitent, un nouvel ouragan survient sous la forme d'un coup de téléphone de son ancien agent, Dot, qui lui propose de reprendre du service et de redevenir l'homme qu'il fut : Keller, le tueur à gages. 

De New York aux Caraïbes, en passant par Cheyenne, Keller reprend du service et enchaîne les contrats en y mettant tout son savoir-faire. Du grand art.

Tue-moi

The first novel in the explosive Matthew Scudder Series. The tenth novel in the series - A WALK AMONG THE TOMBSTONES - is set to be a major Hollywood film, starring Liam Neeson.   A pretty young girl is butchered in her Greenwich Village apartment.   The prime suspect, a minister's son, is found dead in his jail cell.  As far as the NYPD is concerned, the case is closed.                                                                      But ex-cop Matt Scudder, is persuaded to look into the case by the dead girl's father. And suddenly he's up to his neck in sleaze and corruption, phoney religious cults and murderous lust.  In New York's underbelly, the children have no choice but to pay the price for their parent's most unspeakable sins...

THE SINS OF THE FATHERS

Quand Kenan Khoury reçoit un coup de fil anonyme exigeant une rançon s'il veut revoir sa femme en vie, il n'hésite pas une seconde à payer. Mais c'est dans le coffre d'une voiture et sous forme de pièces détachées sanguinolentes que notre homme la retrouve. Le problème est que Khoury, dealer notoire de Brooklyn, veut rester loin du regard de la police. C'est donc tout naturellement qu'il fait appel au célèbre détective privé et ancien flic alcoolique Matt Scudder. À l'aide d'acolytes hauts en couleur comme Manhattan en regorge - un apprenti rappeur, de jeunes hackers, sans oublier la belle Elaine -, Matt se jette corps et âme dans une enquête qui fait rapidement surgir de nouvelles pièces d'un puzzle macabre, bien plus complexe que prévu. Et lorsqu'une autre femme disparaît, c'est une course contre la mort qui s'engage.

Hit List

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