Paolo Pellegrin - Un'antologia

Ce deuxième volume du Catalogue raisonné des oeuvres de Mimmo Rotella (1918 - 2006), édité par Germano Celant, traite des oeuvres réalisées entre 1962 et 1973, lorsque Rotella a consolidé sa pratique du décollage dans ses aspects les plus graphiques et pop et a commencé à explorer les techniques de reproduction d'images photomécaniques. À travers une évolution chronologique, le Catalogue met en évidence les différentes étapes qui ont distingué sa pratique, permettant ainsi une lecture inclusive et documentée de cette période.

Mimmo Rotella: 1962-1973 ; catalogue raisonné Tome 2

Copie conforme ? - [John De Andrea, Chuck Close, Jean-Olivier Hucleux , [exposition , 18 avril-11 juin 1979, Centre Georges Pompidou, Musée national d'art moderne, [Paris

Vedova de America

L'artiste italien Nuvolo s'est intéressé aussi bien à la peinture qu'au textile et à la sérigraphie mais en utilisant des matériaux originaux. Collaborateur d'Alberto Burri, célèbre pour sa série des Serotipie, Nuvolo a traversé les différents courants du XXe siècle en apportant sa touche unique, comme l'utilisation du daim ou la création par ordinateur.

Nuvolo and post-war materiality ; 1950-1965

Manzoni

Andy Warhol a factory

Walk on the wild side : 65 artists from the Carmignac collection

Louise Bourgeois, who has produced art since the 1930s, began in the 1990s to use her clothes and the clothes of her loved ones as components in her sculptures and drawings. It is as much a reincarnation of her past and her childhood as a confirmation of her relationship with memory. Her visual approach to fabrics transforms decorative accessories into emotional and personal references which, especially in her Cells and later in her drawings, create representations of a tormented and at the same time powerful womanhood. Further development of the artist's work began in 2002: exploiting the iridescent colors and for-mal structural properties of pieces of her clothing, she created "The Fabric Drawings," astonishing works alternating between floral figurative pieces and chromatic abstractions. This collection of pictorial and sculptural images is brought together in this anthology in a unique and exhaustive way. The publication is a means of approaching her diseinctive iconographic and visual explosions and adding to our knowledge of the artist herself. Bourgeois's emotional and figurative strength, translated into compositions of color and form, is further testimony to her important contribution to the history of modern and contemporary art.

Paolo Pellegrin - Un'antologia

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