Dans la vie du peintre, peut-être la mort n'est pas ce qu'il aurait de plus difficile. Moi je déclare ne pas en savoir quoi que ce soit, mais toujours la vue des étoiles me fait rêver. [...] Si nous prenons le train pour nous rendre à Tarascon ou à Rouen, nous prenons la mort pour aller dans une étoile.

Vincent Van Gogh

«La première lettre de Vincent Van Gogh à son frère Théo, datée d'août 1872, est envoyée de La Haye. Il a dix-neuf ans. Il ne sait pas qu'il va peindre. La dernière lettre, inachevée, Théo la trouve dans la poche de Vincent qui s'est tiré une balle dans la poitrine le 27 juillet 1890 à Auvers-sur-Oise. Des dizaines de toiles encombrent sa chambre. Presque quotidiennement, pendant dix-huit ans, Vincent a écrit à Théo. Et Vincent écrit à propos de tout à Théo comme il lui envoie toutes ses toiles. Il lui montre ce qu'il peint comme ce qu'il est. Ces lettres incomparables - des récits, des aveux, des appels - sont nécessaires pour découvrir le vrai Van Gogh devenu mythe... Il n'est pas un peintre fou. Au contraire, solitaire, déchiré, malade, affamé, il ne cesse d'écrire, lucide, comme il traque la lumière.» Pascal Bonafoux.

Lettres à son frère Théo

Ces {Lettres, }écrites entre 1873 et 1890, sont le témoignage déchirant d'un homme sur sa peinture. Van Gogh en sa genèse, Van Gogh en ses couleurs, travaillant sans relâche. L'homme à qui s'adresse un tel déchaînement de lucidité se prénomme Théodore, marchand de tableaux "apôtre" qui envoie à son grand frère tubes, brosses, toiles et argent -- quand c'est possible.

Lettres à son frère Théo : (*) (Les Cahiers Rouges)

Vincent van Gogh's life and work are so intertwined that it is hardly possible to observe one without thinking of the other. Van Gogh has indeed become the incarnation of the suffering, misunderstood martyr of modern art, the emblem of the artist as an outsider. An article, published in 1890, gave details about van Gogh's illness. The author of the article saw the painter as "a terrible and demented genius, often sublime, sometimes grotesque, always at the brink of the pathological." Very little is known about Vincent's childhood. At the age of eleven he had to leave "the human nest", as he called it himself, for various boarding schools. The first portrait shows us van Gogh as an earnest nineteen year old. At that time he had already been at work for three years in The Hague and, later, in London in the gallery Goupil & Co. In 1874 his love for Ursula Loyer ended in disaster and a year later he was transferred to Paris, against his will. After a particularly heated argument during Christmas holidays in 1881, his father, a pastor, ordered Vincent to leave. With this final break, he abandoned his family name and signed his canvases simply "Vincent". He left for Paris and never returned to Holland. In Paris he came to know Paul Gauguin, whose paintings he greatly admired. The self-portrait was the main subject of Vincent's work from 1886c88. In February 1888 Vincent left Paris for Arles and tried to persuade Gauguin to join him. The months of waiting for Gauguin were the most productive time in van Gogh's life. He wanted to show his friend as many pictures as possible and decorate the Yellow House. But Gauguin did not share his views on art and finally returned to Paris. On 7 January, 1889, fourteen days after his famous self-mutilation, Vincent left the hospital where he was convalescing. Although he hoped to recover from and to forget his madness, but he actually came back twice more in the same year. During his last stay in hospital, Vincent painted landscapes in which he recreated the world of his childhood. It is said that Vincent van Gogh shot himself in the side in a field but decided to return to the inn and went to bed. The landlord informed Dr Gachet and his brother Theo, who described the last moments of his life which ended on 29 July, 1890: "I wanted to die. While I was sitting next to him promising that we would try to heal him. [...], he answered, 'La tristesse durera toujours (The sadness will last forever).'"

Vincent Van Gogh and artworks

"If ever there was any doubt that Van Gogh's letters belong beside those great classics of artistic self-revelation, Cellini's autobiography and Delacroix's journal, this excellent edition dispels it."   --The Times  (London)  "Be clearly aware of the stars and infinity on high. Then life seems almost enchanted after all."   Few artists' letters are as self-revelatory as Vincent Van Gogh's, and the selection included here, spanning the whole of his artistic career, sheds light on every facet of the life and work of this complex and tortured man. Engaging candidly and movingly with his religious struggles, his ill-fated search for love, his intense relationship with his brother Theo and his attacks of mental illness, the letters contradict the popular image of Van Gogh as an anti-social madman and a martyr to art, showing instead that he was capable of great emotional and spiritual depths. Above all, they stand as an intense personal narrative of artistic development and a unique account of the process of creation. The letters are linked by explanatory biographical passages, revealing Van Gogh's inner journey as well as the outer facts of his life. This edition includes the drawings that originally illustrated the letters.  For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The letters of Vincent Van Gogh

Génie des chromatismes, visionnaire "ouvrier" de la peinture, Vincent van Gogh (1853-1890) insuffla de la couleur dans son regard, dans ses toiles, dans ses mots. Sa vie fut une étoile filante, qui bouleversa à jamais le ciel de l'art. Cette sélection de lettres, animées d'un valeureux espoir et d'une irrépressible soif de vivre, retrace ses dix années de ferveur créative et nous dévoile en prise directe ses colères et ses extases, démentant l'image d'un artiste maudit et fou.

La nuit est une couleur - Lettres de laborieux ravissement

Né le 30 mars 1853 aux Pays-Bas et mort en 1890 en France, Van Gogh est aujourd'hui un des peintres les plus connus au monde. L'héritage que Van Gogh a laissé derrière lui est monumental : plus de 2000 toiles et dessins, 652 lettres écrites à son frère Théodore Van Gogh dit « Théo » publiées en 1911 et en France en 1960 constitutent un témoignage unique de la vie du peintre. Inconnu de son vivant, il attirait les foules à titre posthume dans les expositions comme celle du Musée d'Art Moderne de New-York.

Vincent Van Gogh

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