Reclaiming Art / Reshaping Democracy - The New Patrons & Participatory Art

Publié par Presses du Réel (Les), le 01 avril 2017

431 pages

Résumé

A school and cultural center shaped like a crayfish : this is no hallucination but a commission by the Houma native tribe from Louisiana, soon to be built by architect Rudy Ricciotti under the New Patrons' Protocol. Created by artist François Hers, this protocol offers everyone the means to commission a work of art, turning a privilege of the few into an opportunity for all. Being a patron acquires a new significance : it is not about financing the making of a work of art, but about stating its raison d'être. This protocol has led to the creation of more than 300 artworks in France, Italy, Belgium, Germany and elsewhere, by renowned artists such as Christopher Wool, Liam Gillick or Camille Henrot. This book brings together the New Patrons and its American cousins : participatory and socially-engaged art. Through articles by preeminent European and Anglo-Saxon thinkers and curators, it explores the artistic and political issues raised by these contemporary practices. It reveals their common aspirations of inventing new ways for art to play a social role, to produce effects, to be part of people's lives - and puts to the test the belief that art can change life.

Reclaiming Art / Reshaping Democracy - The New Patrons & Participatory Art

Peindre au corps à corps - Les fleurs et Georgia O’Keeffe

Esthétique de la rencontre - L'énigme de l'art contemporain

L'art en commun - Réinventer les formes du collectif en contexte démocratique

Critiques