Streichquartet f op.95 poche

Prometheus op. 43 poche

Concerto per pf n 2 si b op 19 (altmann) poche

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : orchestra op. 21

Eulenburg Miniature Scores

In terms of music history, the wind quintet genre is caught between two schools : 18th-century composers preferred the sextet or octet instrumentation with two equal instruments each for their wind divertimentos and serenades, whereas the Romantic composers preferred the warm sound of the string instruments - which only left a short period of transition for the mixed wind quintet. There was hardly any great classical music written for this tonally charming genre. The present arrangement of several selected bagatelles by Beethoven shall help to fill this gap in the classical repertoire. Besides, it is precisely the genre of the small intimate bagatelle which Beethoven cultivated his whole life that is able to create its own new charm as wind chamber music. Instrumentation : wind quintet

Simrock Original Edition

Originally, Beethoven wrote Sonata Op. 17 for horn and piano. This composition was intended for the famous horn virtuoso Johann Wenzel Stich who called himself Giovanni Punto. Punto had greatly expanded the playing techniques on the natural horn. Accordingly, Beethoven tailored the solo part completely to the unique playing skills of this virtuoso musician. Punto performed the work several times ; to other hornists, however, it remained unaccessible at that time because of its difficulties. That probably was the reason why this work was published in a version for horn or violoncello one year after the world premiere already. It is deemed to be fairly certain that this arrangement goes back to Beethoven himself. Carl Czerny already ranked this sonata among Beethoven's original cello sonatas and listed it chronologically as No. 3. Like the 1801 edition of the Viennese publisher Tranquillo Mollo, the Wiener Urtext Edition publishes the sonata for horn or violoncello and piano. Whereas the horn sonata was very difficult to play at the time of creation, the arrangement for violoncello, curiously enough, is one of the easiest among Beethoven's cello sonatas. For this reason, the composition is increasingly popular among cellists as an accessible approach to Beethoven's oeuvre for violoncello and piano. Consequently, the work is now available in the Wiener Urtext Edition series as separate edition as well. Instrumentation : horn or cello and piano op. 17

Sonata - op. 17. horn or cello and piano.

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : violin and orchestra op. 61

Coriolan op.62 (ouverture) poche

The more you read, the more you hear ! Whoever really wants to understand a composer's work, will turn to study scores. The details and nuances of a composition disclose themselves only through the musical text. The Eulenburg Audio+Score series is distinguished by its easy-to read format and excellent printed image, high-quality paper and a two-language preface - in German and English. You do not get only the score - the music comes along with it. All volumes contain a Naxos CD with an outstanding recording of the respective work. Instrumentation : orchestra op. 67

Streichquartet f op.95 poche

Plus de livres de Ludwig van Beethoven

Critiques

Ce livre n'a pas encore de critiques