The bear is on the prowl in many different guises.  He may be the master thief stealing into Graceland, an intense young passenger experimenting in terror, or a psychiatrist haunted by his patient's nightmare.  Or maybe he's beautiful, lethal woman in a blood-red scarf.  So beware of the this huge, dangerous beast.  Because first he will enthrall you.. and then he will strike.

Some Days You Get the Bear

A conman hiding out in Atlantic City lays his life on the line for a shot at a $250,000 payoff  Mona has a millionaire husband, a million-dollar figure, and hair that’s blonde to the roots. She’s just what Leonard K. Blake is looking for. Of course, that’s not his real name. Nor is it David Gavilan—that’s the one he used in Philly, before he skipped out on a $600 hotel bill and jumped a train to Atlantic City. He doesn’t have a name or a profession, but he’s got a knack for storytelling and knows just what Mona needs to hear. He also has a pair of stolen suitcases that he grabbed at the train station. They happen to contain a brick of pure heroin—enough to make him dead or make him rich—and they happen to belong to Mona’s husband. As if a good-looking blonde wasn’t trouble enough. This ebook features an illustrated biography of Lawrence Block, including rare photos and never-before-seen documents from his personal collection, and a new afterword written by the author.

Y a qu'à se baisser...

Nella sua quarta avventura, Matthew Scudder riapre un caso su cui aveva indagato anni prima, quando era  detective della polizia di New York. Louis Pinell, l'Assassino del Punteruolo, recentemente arrestato, ammette spontaneamente di aver ucciso sette giovani donne nove anni addietro, ma giura che è stato un imitatore a uccidere Barbara Ettinger. Scudder gli crede. Ma la pista che conduce al vero assassino della Ettinger è contorta, oscura e pericolosa... e ancora più fredda del cadavere che è deciso a vendicare. L'indagine di Scudder porta nella sua vita una nuova donna, la scultrice Jan Keane, il cui loft a Tribeca si prospetta come un promettente rifugio. Ma il suo alcolismo, ormai cronico, comincia a sembrare un problema...***Da alcune recensioni: "Block sa come tessere una rete intricata. E quando le persone cercano di ingannare, cosa che accade abbastanza spesso nei suoi libri, si mettono in un mare di guai. Le trame di Block sono tese e i suoi dialoghi realistici senza troppi abbellimenti. I suoi personaggi sono uomini duri e parlano come ci si attende la loro". - Rocky Mountain News "Estremamente ben scritto! Block è un abile chirurgo, sicuro e preciso". - New York Times "Avvincente, con una conclusione sconcertante". - Publishers Weekly "Block è estremamente abile, con un orecchio per i dialoghi, un occhio per i personaggi di bassa lega e un dono per la narrazione veloce e senza sforzo che regge il confronto con Elmore Leonard". - Los Angeles Times "Quando Lawrence Block è in modalità Matt Scudder, la narrativa poliziesca può avvicinarsi tanto alla letteratura che spesso non c'è alcuna differenza". - Philadelphia Inquirer

Una Pugnalata nel Buio - Matthew Scudder, #4

The basis of the recent film starring Liam Neeson, A Walk Among the Tombstones is Matthew Scudder's tenth appearance. He's hired by a drug dealer whose wife has been savagely murdered, and Scudder's pursuit of the faceless killers leads him on a chase through Manhattan and Brooklyn, with an unforgettable denouement in Green-Wood Cemetery. TJ, Scudder's streetwise young friend, is on hand, and Scudder's girlfriend Elaine plays a vital role, even as their relationship has its challenges. Publishers Weekly: "Despite their dark titles (the words Slaughterhouse and Boneyard figured in the previous two), Block's splendid, award-winning Matt Scudder novels are by no means unrelievedly bleak. His latest-as well as offering the customary skillful plotting, adroit pacing and sure sense of New York character-features a wry humor all its own, along with a particularly ingratiating and convincing pair of computer hackers. The premise is grim, certainly: a pair of men who prey murderously on women progress to kidnapping the womenfolk of drug dealers and demanding huge ransoms. Former alcoholic PI Scudder-now going to more AA meetings than ever-reluctantly agrees to help one dealer, a Lebanese, after his wife is killed by the kidnappers. Slowly and methodically he discerns a pattern in the mayhem. With the help of his erstwhile police colleagues, his black Times Square sidekick TJ and his call-girl sweetheart, Elaine, Scudder tightens the net on the culprits. When they seize the daughter of a Russian dealer, he is ready for the showdown. Block isn't big on action, though when it comes it is swift, vivid and horribly convincing; his Scudder books are built on character, atmosphere, crackling dialogue and a great deal of brooding-the taste for them is addictive. An equal of Elmore Leonard and Robert Parker, Block deserves similar acclaim."Other reviews:"This is fantastic stuff, and a must for fans of gritty, realistic suspense." - My Bookish Ways"A WALK AMONG THE TOMBSTONES is indispensable reading for all crime fiction fans. Add it to your "must read" pile immediately." - Bookgasm

A Walk Among the Tombstones - Matthew Scudder, #10

A l'heure du numérique, difficile de gagner sa vie avec une modeste boutique de livres anciens et d'occasion sur la 11e Rue Est de New York... Heureusement, Bernie Rhodenbarr a d'autres atouts dans sa manche. Cambrioleur chevronné, on fait souvent plus volontiers appel à lui pour ses talents de crocheteur de serrures que pour ceux de bouquiniste. Mais lorsque u M. Smith n, un mystérieux collectionneur, lui propose une petite fortune pour plusieurs vols (incluant aussi bien le manuscrit de L'Etrange Histoire de Benjamin Button de F. Scott Fitzgerald que d'inestimables cuillères en argent), Bernie ignore dans quelle histoire improbable il met les pieds. Car, pendant ce temps, une riche vieille dame a été retrouvée morte à son domicile, apparemment terrassée par une attaque lors d'un cambriolage qui aurait mal tourné. Toutefois les raisons de son décès ne sont pas si évidentes, et l'expertise de Bernie est également requise par son meilleur ennemi, le policier Ray Kirschmann, afin de l'aider dans son enquête... Voleur rémunéré et détective amateur, notre (anti-)héros trouve en outre des messages rageurs sur la porte de la librairie qu'il est bien obligé de délaisser... Y aurait-il encore des gens qui lisent ?

Le voleur qui comptait les cuillères

Le blues du libraire

Sometime in 1953, I knew with unusual certainty what I intended to do with my life. I would become a writer. I was then 15 years old, and the next several years were to prove eventful. I went to college, I got a summer job at a literary agency and dropped out of college to keep it, I sold two dozen short stories and articles to national magazines, and I completed a novel. By the time I was 25, I had a wife and two daughters and a house in a suburb. I had published over fifty books. Most of these bore pen names, and for a time I resisted acknowledging my early pseudonymous work. Then, in one astonishing and feverish week in 1994, I recalled those early years in fifty thousand words of memoir. A publisher contracted to bring out my memoir once I'd completed it. Instead I put it on a shelf and never looked at it again, and after a few years I bought it back from the publisher. Early in 2020, I had a fresh look at A Writer Prepares. Then I went back to work. It would occupy me, off and on, for the balance of the year. By the time I was ready to stop, I'd written about my life as a writer well into 1966, when I'd completed The Thief Who Couldn't Sleep; it was the first of eight books I would write about a fellow named Evan Tanner. According to A Trawl Among the Shelves, Terry Zobeck's exhaustive bibliography of my work, 2020 also saw the publication of my 209th book, Dead Girl Blues. It has been a long life, and seems to have been a busy one. A Writer Prepares is, for better or for worse, an undeniably curious book. My wife, a casual student of hagiography, loves the story of the church officials who took a long-delayed inventory of their collection of relics. They were surprised to discover that they possessed not one but two heads of John the Baptist. How could this be? They considered the matter until the explanation became clear: one was John's head as a young man, the other his head as an old man. A Writer Prepares, an examination of the first quarter century of a writer's life, is the work of two writers. There's the middle-aged fellow who wrote about half of it at a blistering pace in 1994, and there's the octogenarian who finished the job another quarter century later. The older fellow brought less raw energy to the task, and his memory is a long way from infallible, but one can only hope he's offset these losses with a slight edge in judgment, in perspective, in maturity. (I was about to add wisdom, but that might be a bridge too far.) I suspect this book's natural audience consists largely of those of you who are already enthusiastic readers of my work. And it seems likely that the book will get a favorable reception from persons who are somewhere in the process of finding themselves as writers. But I'm happy to let the the book find its true audience.  A very comforting aspect of publishing A Writer Prepares now rather than twenty-five years ago is that I'm so much less invested in its reception.

A Writer Prepares

C'est à une réunion des Alcooliques Anonymes que Matt Scudder et Jack Ellery se retrouvent en 1980. Enfants, ils rêvaient d'être flics, mais seul Matt l'est devenu, Jack  ayant à l'inverse effectué  plusieurs séjours en prison pendant ce temps.  Huit mois passent. Scudder retrouve , qui ne boit toujours plus mais présente un visage tuméfié. Puis plus de nouvelles, jusqu'au jour où Gregory Stillman, le parrain AA de Jack, lui apprend que ce dernier a été assassiné et que, dans un écrit, il a raconté tous ses crimes, de sang pour certains.
Que faire ? Transmettre cette confession aux flics enquêtant sur le meurtre pour qu'ils aillent questionner des gens qui n'ont rien à voir avec cette histoire ou la cacher et courir le risque de laisser filer un assassin ? Scudder prend les choses en mains et de fil en aiguille, non seulement découvre la solution, mais aussi - et c'est ce qui fait toute la beauté de ce grand livre plein de nostalgie -, retrouve tous les carrefours de sa propre existence.

Entre deux verres

DER EINBRECHER, DER WIE MONDRIAN MALTE »Der umtriebige Lawrence Block jongliert fast gleichzeitig mehrere Serien und wendet sich inDer Einbrecher, der wie Mondrian malte einmal mehr Bernie Rhodenbarr zu. Bernie ist derEinbrecher des Titels - und einer der geschicktesten in New York. Doch trotz seines Geschicksgerät er unverschuldet immer wieder in Schwierigkeiten. Es ist, als würden die wuchtigenSchläge des Golfers Jack Nicklaus ein ums andere Mal in einem Erdhörnchenloch auf demFairway landen. Der Kater von Bernies Freundin wird entführt und die Täter verlangen zunächst eineViertelmillion Dollar Lösegeld. Für einen Kater? Es stellt sich heraus, dass Bernie für dieBefreiung des Tiers einen Mondrian stehlen soll. Bevor ihm das gelingt, gerät er unterMordverdacht, und schließlich kommt es zu einer schönen, altmodischen Konfrontation, bei derBernie all die üblichen Verdächtigen und die Polizei versammelt, damit sie unserem Heldendabei zuzusehen, wie er etwas aus dem Nichts herbeizaubert. Versuchen Sie nicht, die Handlungim Detail nachzuverfolgen, das wird Sie nur verwirren. Aber der Schreibstil ist brillant undraffiniert, mit einem Hauch von Donald Westlake, und das Buch macht eine Menge Spaß.« ~ Newgate Callendar in The New York Times »Im fünften Bernie-Rhodenbarr-Krimi bekommen wir es mit seinem bisher kompliziertesten Fallzu tun. Bernie sucht einen Mr. Onderdonk auf, der ein abstraktes Gemälde von Mondrian imWert von einer Viertelmillion Dollar über dem Kamin hängen hat. Das ist aber zunächst ehernebensächlich, denn Bernies eigentlicher Grund für den Besuch war, in das Gebäude zukommen, um dort teure Briefmarken aus einer anderen Wohnung zu stehlen. Am nächsten Tagwird der Kater seiner Freundin Carolyn entführt und die mysteriöse Frau, die dafürverantwortlich ist, will, dass Bernie einen ähnlichen Mondrian aus einem New Yorker Museumstiehlt. Bernie findet keine Möglichkeit, dies zu tun, und beschließt, dass das Gemälde inOnderdonks Wohnung ein angemessener Ersatz wäre. Also bricht er dort ein, nur umfestzustellen, dass das Gemälde mittlerweile von jemand anderem gestohlen wurde. Verwirrend? Das ist nur der Anfang. In dieser verwickelten Geschichte gibt es ungefähr so vieleMondrians wie Carolyns unglückseliger Kater Leben hat. Dazu kommen noch eineBriefmarkensammlung, zwei Leichen, ein exzentrischer Maler, ein auf Bibliothekenspezialisierter Bücherdieb, ein korrupter Polizist, ein Versicherungsbetrug und drei attraktiveFrauen mit falschen Identitäten. Außerdem muss sich Bernie nicht weniger als viermal unerlaubt Zutritt zum uneinnehmbarstenWohngebäude von New York City verschaffen ... oder fünfmal? Ehrlich gesagt, mir ging derÜberblick verloren. Als ich das Ende las, dachte ich zuerst, ich hätte einige Lücken in der Handlung entdeckt, abernachdem ich einige der wichtigen Kapitel noch einmal durchgegangen war, wurde mir klar, dassBlock alle losen Enden perfekt zusammengefügt hat. Was ein ziemliches Kunststück darstellt.« ~ Craig Childs

Some Days You Get the Bear

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