Obra breve pero inigualable. Con una sensibilidad exquisita, Gibran nos presenta un diálogo, que roza la poesía, en el que el Profeta Almustafá, nos habla de nacimiento y muerte, de amor y matrimonio y otros hitos de nuestra vida.

Le prophète

You are your own forerunner, and the towers you have builded are but the foundation of your giant-self. And that self too shall be a foundation.

And I too am my own forerunner, for the long shadow stretching before me at sunrise shall gather under my feet at the noon hour. Yet another sunrise shall lay another shadow before me, and that also shall be gathered at another noon.

Always have we been our own forerunners, and always shall we be. And all that we have gathered and shall gather shall be but seeds for fields yet unploughed. We are the fields and the ploughmen, the gatherers and the gathered.

When you were a wandering desire in the mist, I too was there a wandering desire. Then we sought one another, and out of our eagerness dreams were born. And dreams were time limitless, and dreams were space without measure.

The Forerunner

ALMUSTAFA, the chosen and the beloved, who was a dawn unto his own day, had waited twelve years in the city of Orphalese for his ship that was to return and bear him back to the isle of his birth.

And in the twelfth year, on the seventh day of Ielool, the month of reaping, he climbed the hill without the city walls and looked seaward; and he beheld his ship coming with the mist.

Then the gates of his heart were flung open, and his joy flew far over the sea. And he closed his eyes and prayed in the silences of his soul.

BUT as he descended the hill, a sadness came upon him, and he thought in his heart:

How shall I go in peace and without sorrow? Nay, not without a wound in the spirit shall I leave this city.

Long were the days of pain I have spent within its walls, and long were the nights of aloneness; and who can depart from his pain and his aloneness without regret?

Too many fragments of the spirit have I scattered in these streets, and too many are the children of my longing that walk naked among these hills, and I cannot withdraw from them without a burden and an ache.

The Prophet

The Prophet is a book of 26 poetic essays written in English in 1923 by the Lebanese-American artist, philosopher and writer Khalil Gibran. In the book, the prophet Almustafa who has lived in the foreign city of Orphalese for 12 years is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses many issues of life and the human condition. The book is divided into chapters dealing with love, marriage, children, giving, eating and drinking, work, joy and sorrow, houses, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

Le Prophète

"انظر يا حبيبي .. انظر يا عريس نفسي كيف وقف الحساد حول مضجعنا .. انظر عيونهم المحدقة بنا و اسمع صرير أسنانهم وتكسّر ضلوعهم. قد انتظرتني طويلًا يا سليم .. فها أنذا قد كسرت القيود و فككت السلاسل، فلنُسرعنّ نحو الشمس فقد طال وقوفنا في الظل. ها قد انمحت الرسوم و انحجبت الأشياء فلم اعد أرى سواك يا حبيبي.. هاشفتاي فاقتبل أنفاسي الأخيرة. هلُمّ نذهب يا سليم، فقد رفع الحب أجنحته و سبح أمامنا نحو دائرة النور.و ألقت العروس صدرها على صدر حبيبها فامتزجت دماؤها بدمائه، و أحنت رأسها على عنقه، و ظلّت عيناها محدقتين بعينيه" !

les esprits rebelles

Kahlil Gibran’s masterpiece, The Prophet, is one of the most beloved classics of our time. Published in 1923, it has been translated into more than twenty languages, and the American editions alone have sold more than nine million copies.The Prophet is a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

Dive into the poetic and profound wisdom of Kahlil Gibran's timeless masterpiece, "The Prophet." This celebrated collection of poetic essays offers profound insights into the human condition, spirituality, love, and the pursuit of a meaningful existence.

"The Prophet" takes the form of a prophet, Almustafa, who imparts his wisdom to the people of the city of Orphalese before he departs. Through a series of poetic and philosophical discourses, Almustafa addresses various aspects of life, including love, marriage, joy and sorrow, beauty, work, freedom, and death. Each discourse is imbued with lyrical prose and a deep sense of spiritual enlightenment.

Gibran's writing transcends religious boundaries and speaks to the universal nature of human experience. His words resonate with readers of all backgrounds and beliefs, offering timeless guidance and contemplation on the complexities of life. The wisdom contained within "The Prophet" encourages introspection, self-reflection, and a greater understanding of oneself and others.

Gibran's writing style is poetic and evocative, weaving together rich imagery and metaphors to convey profound truths. His words have a lyrical quality that lingers in the mind, inviting readers to pause, reflect, and internalize the profound messages he imparts.

"The Prophet" has garnered a devoted following since its publication in 1923, and its popularity continues to endure to this day. Its enduring appeal lies in its ability to touch the deepest recesses of the human soul, offering solace, inspiration, and a gentle reminder of the interconnectedness of all things.

Open the pages of "The Prophet" and embark on a journey of self-discovery and spiritual awakening. Allow Gibran's poetic wisdom to guide you through life's most profound questions and illuminate the path to a more enlightened existence. Let his words become a companion on your own personal quest for truth, love, and inner peace.

This is the exquisitely tender story of love that beats desperately against the taboos of Oriental tradition. With great sensitivity, Gibran describes his passion as a youth for Selma Karamy, the girl of Beirut who first unfolded to him the secrets of love. But it is a love that is doomed by a social convention which forces Selma into marriage with another man. Portraying the happiness and infinite sorrow of his relationship with Selma, Gibran at the same time probes the spiritual meaning of human existence with profound compassion. **Lightning Print On Demand Title

Les ailes brisées

Khalil Gibran est mondialement célèbre pour un petit livre, de moins de cent pages, Le Prophète.  Élevé dans le christianisme maronite, porteur des trésors de la tradition spirituelle de l'Orient, Gibran a pourtant écrit ce livre dans une langue que, de son propre aveu, il ne maîtrisait pas bien, l'anglais, et pour un public américain marqué par l'éthique protestante.  Sa voix la plus authentique est donc plutôt à chercher dans les textes écrits dans sa langue maternelle, l'arabe. Le Livre des Processions (Al-Mawâkib) en est le plus important. Le Livre des Processions constitue comme une première version du Prophète en langue arabe. C’est à ce titre qu’il est un texte capital pour la compréhension de l’oeuvre et de la personnalité de Gibran.  Ses thèmes annoncent directement le message du Prophète, mais dans un style brillant et paradoxal qui évoque plus souvent William Blake ou Nietzsche que la morale assez puritaine dont Le Prophète est souvent entaché.  Quant à sa forme, très personnelle même si inspirée de la grande littérature arabe classique, elle est unique dans l’oeuvre de Gibran.  Le Livre des Processions est accompagné d’une préface inédite d’Adonis, très largement considéré aujourd’hui comme le plus grand poète arabe vivant (publié pour la première fois en France par les Editions Arfuyen en 1982).  La postface d’Anne Wade Minkowski (également traductrice du Prophète dans la collection Folio-Gallimard) souligne les tensions qui animent l’oeuvre de Gibran, partagé durant toute sa vie entre deux cultures – la culture arabe et la culture américaine – comme entre deux moyens d’expression – la peinture et la littérature.Texte © Editions Arfuyen

Le prophète

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