Über die Carmina Burana hinaus sind die Bühnenwerke von Carl Orff - darunter die gewichtigen Opern nach antiken Stoffen und das endzeitliche De temporum fine comoedia - nach wie vor zu entdecken. Interdisziplinär beleuchtet werden Entstehungs- und Wirkungsgeschichte, Ästhetik, Satztechnik, Dramaturgie, Inszenierungsstile und Instrumententarium bis hin zur Kommerzialisierung von Orffs Musik in der Werbung.

Publikationen des Orff-Zentrums München Vol. II/1

Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of "Music for Children" by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk : Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that : - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided ; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller : 'I have done my part, now do yours. ' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition "musik für Kinder", english adaption with additional material by Doreen Hall and Arnold Walter. Instrumentation : voice, recorder and percussion

Orff-Schulwerk Vol. 3

Orff-Schulwerk Vol. 4

Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activites and experiences of their pupils. Instrumentation : voice, recorder and percussion

Orff-Schulwerk Vol. 5

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : soloists (ST), mixed choir (SSAATTBB), 4 pianos, timpani and percussion (10-12 player)

Eulenburg Miniature Scores

Carl Orff's masterpiece Carmina Burana composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a separate edition of the opening chorus O Fortuna taken from the piano score (ED 2877) of the complete work. This new separate edition provides the opportunity to perform O Fortuna in a mixed concert. Instrumentation : mixed choir (SATB) and piano

Edition Schott

Carl Orff wrote his little world-theatre "Der Mond" [The Moon], based on old fables, between 1936 and 1938. The score written for actors who sing, a narrator and large orchestra, also contains parts important for wind band. Four scenes have been selected for the present arrangements which are best performed on different sets of instruments. The arranger, Hermann Regner (born 1928), worked very closely with Carl Orff for many years. This work is sure to be a success in concerts for bands at an advanced level. Instrumentation : wind band

Four burlesque Scenes - from the opera "Der Mond". wind band. Partition.

This edition is meant for concert performances by schools and amateur music societies only. Furthermore it is not meant for performances of the "Trionfi" cycle. Here you can find the original version [1] and the hire material [2] for your performance. Links : ------ [1] http : //www. schott-music. com/shop/1/show, 31705. html [2] http : //www. schott-music. com/shop/Hire_Material/1000163/1/show, 154469, s. html Instrumentation : soloists (STBar), mixed choir (SATB), children's choir, 2 pianos and percussion

Carmina Burana - Cantiones profanae. soloists (STBar), mixed choir (SATB), children's choir, 2 pianos and percussion. Partition.

This very recognisable and well known piece is often featured on television and in film. Gradually becoming more emotional and culminating in a powerful final. Also available as a piano for four hands : ED 22492. Originally taken from the Orff Schulwerk, Gassenhauer has been featured in several major films including Badlands (1973), Monster (2003), and more recently Michael Moore's "Capitalism : A Love Story". Instrumentation : piano

Publikationen des Orff-Zentrums München Vol. II/1

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