Fifty books. Four Edgar awards. Two bestselling series. It all adds up to Lawrence Block, one of the bonafide masters of mystery fiction, and the creator of Matthew Scudder and Bernie Rhodenbarr. Now Bernie -- bookseller by day, burglar by night -- returns in his first adventure since The Bulglar in the Library, two years ago. This time, he's tapped to retrieve the lost letters of famed and reclusive author Gulliver Fairborn. But instead of the letters, Bernie finds one dead literary agent, a beautiful woman, and a cadre of cops in his way.

Les lettres mauves

« Comme portrait non seulement d'un homme, mais d'une ville qui change au fil des ans, vous ne trouverez pas mieux. »Crime Scene Scotland ReviewsC'est toute la vie de Matt Scudder, l'un des plus grands personnages de roman policier, que Lawrence Block nous laisse entrevoir au fil des onze nouvelles de ce recueil. Du privé alcoolique qui a quitté la police après avoir tué accidentellement une fillette lors d'une fusillade à celui qui, maintenant sobre, continue inlassablement de traquer le crime, nous assistons aussi à tous les changements de la ville que jamais il ne quitta. Cette ville, c'est la New York des années 70 à celle d'aujourd'hui. Portrait éblouissant, La Musique et la nuit est un savant mélange de dialogues à l'emporte-pièce, de moments d'une tendresse infinie et d'émerveillements inattendus. Une balade new-yorkaise dans la vie de Scudder, le personnage qui a valu à son créateur les plus belles récompenses internationales du roman policier. L'ouvrage est préfacé par Brian Koppelman, grand réalisateur, scénariste, entre autres, de Ocean's Thirteen, et fan absolu des aventures de Matt Scudder.

La musique et la nuit

La balade entre les tombes

While he is probably best known as a novelist and short-story writer, Lawrence Block has produced a rich trove of nonfiction over the course of a sixty-year career. His instructional books for writers are leaders in the field, and his self-described pedestrian  memoir, Step By Step, has found a loyal audience in the running and racewalking community. Over the years, Block has written extensively for magazines and periodicals. Generally Speaking collects his philatelic columns from Linn's Stamp News, while his extensive observations of crime fiction, along with personal glimpses of some of its foremost practitioners, have won wide acclaim in book form as The Crime of Our Lives. Hunting Buffalo With Bent Nails is what he's got left over. The title piece, originally published in American Heritage, recounts the ongoing adventure Block and his wife undertook, criss-crossing  the United States and parts of Canada in their quixotic and exotic quest to find every "village, hamlet, and wide place in the road named Buffalo." Other travel tales share space with a remembrance of his mother, odes to New York, a disquisition on pen names and book tours, and, well, no end of bent nails not worth straightening. Where else will you find "Raymond Chandler and the Brasher Doubloon, " an assessment of that compelling writer from a numismatic standpoint? Where else can you read about Block's collection of old subway cars?Highly recommended.

Hunting Buffalo with Bent Nails

Nel sedicesimo romanzo che ha per protagonista Matthew Scudder, Un Campo di Fiori Morti, Lawrence Block, autore best seller del New York Times, porta questa serie, già più volte premiata, a un nuovo livello di suspense e di profondità di caratterizzazione. Dopo il successo di critica e di pubblico di Spera di Morire, Block spinge Scudder - e il lettore - sull'orlo dell'abisso. Scudder, personaggio complesso che è cresciuto e invecchiato in tempo reale, affronta l'implacabile sfida della mortalità. Ma deve anche lottare con un avversario determinato, implacabile e gelidamente inumano, forse il più indimenticabile che Block abbia mai creato. In un carcere della Virginia un uomo attende l'esecuzione per tre orrendi omicidi che lui giura, nonostante prove inconfutabili, di non avere commesso. Uno psicologo che afferma di credere al condannato trascorre ore nella sua cella nel Braccio della Morte, e infine assiste, tra gli spettatori, alla letale iniezione. Terminato questo lavoro, lo psicologo rientra a New York dove ha affari in sospeso. Nel frattempo, Scudder ha accettato di indagare sull'amante di una sua amica, conosciuto on-line, e chiaramente sospetto. Sembra semplice. All'inizio. Ma quando delle persone cominciano a morire, e le vittime sono sempre più vicine a loro, diventa chiaro che sono opera del pervertito killer. E il bersaglio finale potrebbero essere Matt ed Elaine Scudder. La suspense è mozzafiato, l'esito sempre incerto. Una serie che ha prodotto un grande numero di riconoscimenti e premi - l'Edgar, lo  Shamus, il Philip Marlowe, il Maltese Falcon - arriva a una nuova vertiginosa altezza. In questo romanzo Lawrence Block, che ha recentemente ricevuto il premio  Diamond Dagger per tutta la sua carriera dalla Crime Writers Association of the United Kingdom, è al top della forma. Luigi Garlaschelli desidera ringraziare Emanuela Guizzo per l'attenta correzione delle bozze. Recensioni-AUDIOFILE MAGAZINE:"Con un titolo preso dalla ballata irlandese "Danny Boy", il sedicesimo romanzo avente per protagonista Matthew Scudder è il più dark che Lawrence Block abbia scritto da anni. Dopo che una donna conosciuta a una riunione degli Alcolisti Anonimi gli chiede di indagare sul  background del suo nuovo boyfriend, il cammino di Scudder  si incrocia con quello di un geniale serial killer che cambia ogni volta i suoi metodi e non lascia virtualmente alcuna traccia della propria identità". PUBLISHERS WEEKLY"Matt Scudder, lo straordinario detective privato creato da Block, protagonista di molti best-seller, è sulla breccia da trent'anni; e se invecchiando la sua vita non è stata gentile e delicata, certamente è stata densa di avvenimenti. In questa sedicesima straordinaria uscita (dopo Spera di Morire del 2001), Scudder, che ha ora sessant'anni e più, dimostra di essere duro e resistente come sempre, quando si trova ad affrontare il più astuto e subdolo killer che abbia mai messo alla prova il suo coraggio. I fan di Scudder non saranno sorpresi nello scoprire che il killer è collegato ai delitti irrisolti di Spera di Morire, né che Elaine e Scudder siano diventati il bersaglio dell'assassino. La narrazione si sposta senza fatica dal punto di vista di Scudder al pensiero e alle azioni del killer, la cui astuzia, coraggio e pura crudeltà marchiano a fuoco le pagine. Aggiungete dei brillanti colpi di scena e otterrete un'ottima miscela di brividi, creata da un maestro dello scrivere, qua nella sua forma migliore."

Un Campo di Fiori Morti - Matthew Scudder, #16

The pretty young prostitute is dead. Her alleged murderer—a minister's son—hanged himself in his jail cell. The case is closed. But the dead girl's father has come to Matthew Scudder for answers, sending the unlicensed private investigator in search of terrible truths about a life that was lived and lost in a sordid world of perversion and pleasures.

Les Péchés des pères

Le couple hollander a été assassiné.
 La cousine de leur fille kristin, lia parkman, demande à scudder d'enquêter sur ce meurtre, alors que la police a pourtant clos le dossier.  scudder vient de perdre sa première femme, celle qu'il a abandonnée du temps oú il buvait.  en outre, un de ses fils paraît se conduire comme lui à cette époque : il boit, est incapable de garder un travail et, plus grave, pique dans la caisse.  un sentiment de culpabilité le gagne, mais il y a plus.
 Lia parkman est jalouse de sa cousine qui va hériter, et devant sa sincérité, scudder est prêt à écouter.  de plus, la disparition des deux meurtriers est trop belle pour qu'on se contente des explications un peu trop convaincantes de la police.

Trompe la mort

Sheesh. What a lousy title. Flesh Mob was published by Midnight Reader, a fellow imprint of Nightstand Books, in 1962. I can tell at a glance that it's my work, although I don't specifically recall writing it. And I must have put a title on it, but I  an assure you that it wasn't Flesh Mob. It could only have been the inspiration of some editor in Illinois. Several notables filled that role over the years, including Earl Kemp, A. J. Budrys, and Harlan Ellison, but it's hard to imagine any of those three making a eureka moment of Flesh Mob. For years it struck me as merely a bad title, two works that when combined had a sort of reverse synergy, amounting to rather less than the sum of their parts. Then just this week I looked at the title and saw that it could only be a pun on the phrase "flash mob." That still didn't make it a good title, but at least it gave it a lame reason for being. Except not. Because a little internet research shows that "flash mob" came into existence, as both phrase and concept, sometime shortly after the turn of the present century, and approximately forty years after my humble little novel first appeared wherever bad books were sold. AJ and Harlan and Earl were grounded in science fiction, but that's not enough to account for a title that was a pun on a phrase nobody would utter for another four decades. Never mind. The book's a multiple-viewpoint novel, with a rich cast of characters. Here's a sample of two of them:#"I'M LEAVING MATT, " Kitty said. Linc digested this bit of information. She searched his face, trying to decide whether he approved or disapproved. His face was a mask. She couldn't tell how he felt about it. "I'm leaving him, " she said again. "He didn't even come home last night. And the fact doesn't even bother me. There's not a thing left between us, Linc. Nothing at all. He can go his way and I can go mine and neither of us gives a whoop in hell about the other one. That's no basis for marriage." "Will he give you a divorce?" "I think so. He barely knows I'm alive. He'll probably be glad to get rid of me." Linc shrugged. "His pride might be hurt. And he might be upset from a pure financial standpoint. Divorce can be costly to a man. Alimony." "I wouldn't want alimony from him." "Oh?" "Just freedom." He said: "What will you do after the divorce?" "Oh, " she said. "I don't know. I may stay in Clifton, at least until I decide where I want to go next. New York eventually, I think. Small towns can get to you. I think I'm ready for the city." "You'd fit right in." "But for the time being we can have our fun. Do you feel like. like some fun now, Linc?" "God, you're insatiable." "I've been inactive for a long time, " she told him. "Too long. It can get to you. Are you interested, Linc?" "I'll race you to the bedroom, " he said.#There you go, Gentle Reader. Flesh Mob. It is what it is.

Les lettres mauves

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