Lettres Parisiennes

Nineteenth Century Collections Online: European Literature, 1790-1840: The Corvey Collection includes the full-text of more than 9,500 English, French and German titles. The collection is sourced from the remarkable library of Victor Amadeus, whose Castle Corvey collection was one of the most spectacular discoveries of the late 1970s. The Corvey Collection comprises one of the most important collections of Romantic era writing in existence anywhere -- including fiction, short prose, dramatic works, poetry, and more -- with a focus on especially difficult-to-find works by lesser-known, historically neglected writers.The Corvey library was built during the last half of the 19th century by Victor and his wife Elise, both bibliophiles with varied interests. The collection thus contains everything from novels and short stories to belles lettres and more populist works, and includes many exceedingly rare works not available in any other collection from the period. These invaluable, sometimes previously unknown works are of particular interest to scholars and researchers.European Literature, 1790-1840: The Corvey Collection includes:* Novels and Gothic Novels* Short Stories* Belles-Lettres* Short Prose Forms* Dramatic Works* Poetry* Anthologies* And moreSelected with the guidance of an international team of expert advisors, these primary sources are invaluable for a wide range of academic disciplines and areas of study, providing never before possible research opportunities for one of the most studied historical periods.Additional MetadataPrimary Id: B0264900PSM Id: NCCOF0063-C00000-B0264900DVI Collection Id: NCCOC0062Bibliographic Id: NCCO003607Reel: 1417MCODE: 4UVCOriginal Publisher: Librairie de Charles GosselinOriginal Publication Place: ParisOriginal Imprint Manufacturer: Imprimerie de CrapeletSubjectsFrench poetry -- 19th century

Napoline: Poeme: Par Madame Emile de Girardin

Excerpt from Oeuvres Completes de Madame Emile de Girardin, Nee Delphine Gay, Vol. 2: Romans: Le Lorgnon, la Canne de M. De Balzac, Monsieur le Marquis de Pontanges Connue il ecrit sans pretention, il veut qu'on le traite sans consequence. Le but de sa preface est donc de declarer qu'il a ecrit ces pages pour lui - meme, en s'amusant, sans projet de les publier, sans penser qu'on dut les lire; qu'il n'y attache aucune importance voila tout son charlatanisme, voila sa seule originalite. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."

Oeuvres Completes de Madame Emile de Girardin, Nee Delphine Gay, Vol. 2: Romans: Le Lorgnon, La Canne de M. de Balzac, Monsieur Le Marquis de Pontanges

Extrait : "Un petit salon. Au fond, une porte à deux ballants ouvrant sur le théâtre ; de chaque côté de la porte, un canapé. A droite, dans l'angle, une fenêtre à balcon avec de grands rideaux. Au premier plan, une cheminée ; une table servant à dessiner est près de la fenêtre ; un fauteuil sur le devant de la scène."

La Joie fait peur

Lettres parisiennes du vicomte de Launay: tome 1

Extrait : "Le théâtre représente un salon richement meublé. Fauteuils à la Voltaire, canapés forme anglaise ; tables couvertes de journaux, de revues et d'albums. Dans le fond une grande porte à deux battants. A gauche une cheminée, à droite une porte cachée par une portière. Au milieu une table ronde."

L'Ecole des journalistes

"Les Chroniques Parisiennes" sont une anthologie des articles que Delphine de Girardin a publiés, chaque semaine, de 1836 à 1848, dans le premier quotidien à grand tirage, La Presse, sous le pseudonyme de Vicomte de Launay. Avec une verve et un humour remarquables, elle se livre à l'étude des mentalités et des moeurs de la vie parisienne de l'époque. "Il n'est rien arrivé de bien extraordinaire, cette semaine : une révolution en Portugal, une apparition de république en Espagne, une nomination de ministres à Paris, une baisse considérable à la Bourse, un ballet nouveau à l'Opéra, et deux capotes de satin blanc aux Tuileries. La révolution de Portugal était prévue, la quasi-république était depuis longtemps prédite, le ministère d'avance était jugé, la baisse était exploitée, le ballet nouveau était affiché depuis trois semaines ; il n'y a donc de vraiment remarquables que les capotes de satin blanc, parce qu'elles sont prématurées. ".

Chroniques parisiennes - 1836-1848

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

La joie fait peur : comédie en un acte et en prose

Excerpt from La Joie Fait Peur; Le Capitaine Kernadec; Le Mannequin Elle fit des mots de fort bonne heure. Sainte Beuve en a note qui ne valaient peut - etre pas cet honneur, mais qui constatent une malice precoce. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Lettres Parisiennes

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