With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : piano and orchestra KV 415

Eulenburg Miniature Scores

The original music of Erwin Schallers arrangement is a duet for two horns from twelve duets KV 487, also known as "Kegelduette". Instrumentation : 2 recorders (SA) and guitar (piano)

Trio - 2 recorders (SA) and guitar (piano). Partition d'exécution.

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : orchestra KV 202

Opéra mix

Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand' : two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client - with regard to the playing technique and/or music - the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor - a serenade-like setting that offers the soloist many possibilities for cantabile playing. Instrumentation : flute and piano K 315 (285e)

Andante - K 315 (285e). flute and piano.

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music. Instrumentation : violin and piano K 525

Edition Schott

With the invention of the saxophone in the early 1840s, transcriptions are useful to present day saxophonists who wish to perform music of various styles and composers, and are thus an important part of the saxophone repertoire. One source of music to transcribe is the wind music of the Classical era. Mozart's Finale from Serenade in B-flat, KV 361 of the early 1780s was originally scored for paired oboes, clarinets, basset horns (now obsolete), and bassoons, plus four horns and double bass. The work was later performed for eight wind players. The Serenade has also been called "Gran Partita", implying music for the outdoors. Since one original intent for the saxophone was to replace less-voluminous woodwinds of French military/marching bands, it seems feasible that saxophones, while also handling well the virtuoso demands of the piece, are a good choice for this transcription. Two objectives were in mind while transcribing the Finale. One was to produce a relatively clean manuscript with a minimum of articulation and dynamic markings so as to allow interpretation by the performers. The articulation markings placed at the beginning of the work are provided only as suggestions. Secondly, the melodies were divided among all parts, rather than a solo featuring just the soprano saxophone. The Finale, a molto allegro in rondo form, should sparkle with cheerful charm and wit. Indoors or outdoors, saxophonists should strive for the lightness and grace so prevalent in much of Mozart' timeless music. Instrumentation : 4 saxophones (SATBar) KV 361

Finale - from "Serenade in B-flat". KV 361. 4 saxophones (SATBar). Partition et parties.

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : flute, harp and orchestra KV 299

Wolfgang Amadeus Mozart wrote the oboe quartet in F, K-number 370, early in 1771 for the oboist Friedrich Ramm. In an impressive manner, this composition gives expression to the intimacy inherent in Mozart´s chamber music : After the introduction of the theme by the soloist, the supporting voices join in taking an active part in the musical flow of the first movement and converting the oboe´s soliloqui into a dialogue. An expressive, marvellous theme dominates the second movement, the suspense of which does not ease until the composition proceeds to the concluding rondeau - a rondeau almost bursting with its exuberant joie de vivre. This composition certainly ranks with Wolfgang Amadeus Mozart´s best-known and most beautiful pieces of work. On the occasion of the Mozart Year 2006 I have ventured to write an arrangement for the saxophone quartet clair-obscur. To a large extent, I have retained the original key and octave positions ; for the parts which include technical difficulties well-tried alternative ossia possibilities are available. Mozart's oboe quartet is a real MUST and represents a great musical challenge to each saxophone quartet. Instrumentation : 4 saxophones (SATBar) KV 370 (368b)

Eulenburg Miniature Scores

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