Le policier italien Taddeo Bottando et son adjointe Flavia sont confrontés à une incroyable révélation. Un étudiant britannique, Jonathan Argyll, affirme que, sous la toile obscure d'une petite église romaine, se cache en réalité un chef-d'oeuvre de Raphaël.Les policiers arrivent, hélas, trop tard ; le curé de la paroisse a déjà cédé ce tableau à un collectionneur. Le gouvernement italien devra le racheter à un prix exorbitant lors d'une vente aux enchères. Pourtant, malgré les expertises, un doute demeure sur l'authenticité de cette œuvre et les soupçons d'escroquerie risquent fort d'être confirmés au-delà de toute espérance. Voici une enquête menée de main de maître. Iain Pears réussit à allier érudition, humour et suspense. Il entraîne le néophyte dans les coulisses de l'histoire de l'art, où le spécialiste côtoie le faussaire.

L'Affaire Raphaël

The attempted sale of an obscure 18th-century painting goes murderously awry in this newest mystery starring impoverished art-dealer sleuth Jonathan Argyll, from the bestselling author of The Raphael Affair and The Titian Committee.

Le jugement dernier

dans son bureau de florence, le général bottando, chef du service de la protection du patrimoine artistique, rumine de sombres pensées.
 son autorité est bafouée depuis quelques mois par l'insupportable argan, personnage aussi influent qu'antipathique qui n'a qu'une idée en tête, prendre sa place ! c'est dans ce contexte houleux que réapparaît l'ombre de l'énigmatique giotto, soupçonné par bottando d'être un génial voleur de tableaux opérant en toute impunité depuis... trente ans ! étonnante théorie que personne ne prend très
au sérieux, sauf l'enquêtrice flavia di stefano, bien décidée à venir en aide à son chef en réalisant un coup de filet historique.
 à la demande de celle-ci, son fiancé, le marchand d'art jonathan argyll, va profiter d'un voyage professionnel en angleterre pour obtenir des informations... charme italien et humour britannique n'ont jamais fait aussi bon ménage que sous la plume allègre et érudite du maître iain pears.

Le mystere giotto

In his most dazzling novel since the groundbreaking New York Times bestseller An Instance of the Fingerpost, Iain Pears tells the story of John Stone, financier and arms dealer, a man so wealthy that in the years before World War One he was able to manipulate markets, industries, and indeed entire countries and continents.A panoramic novel with a riveting mystery at its heart, Stone’s Fall is a quest to discover how and why John Stone dies, falling out of a window at his London home.Chronologically, it moves backwards–from London in 1909 to Paris in 1890, and finally to Venice in 1867– and in the process the quest to uncover the truth plays out against the backdrop of the evolution of high-stakes international finance, Europe’s first great age of espionage, and the start of the twentieth century’s arms race.Like Fingerpost, Stone’s Fall is an intricately plotted and richly satisfying puzzle–an erudite work of history and fiction that feels utterly true and oddly timely–and marks the triumphant return of one of the world’s great storytellers.

La chute de John Stone

English art scholar Jonathan Argyll was amazed to find himself arrested for vagrancy-while searching for a long-lost Raphael in a tiny Roman church. Although General Bottando of the Italian National Art Theft Squad has little confidence in Jonathan's theories, Bottando's lovely assistant, Flavia di Stefano, is intrigued by the idea of a lost classic, and by Jonathan himself. But in the midst of the painting's discovery and the resultant worldwide publicity, a new chain of events is set into action. First vandalism, then murder, surround the painting. And as new facts about its true nature emerge, Bottando sends Flavia and Jonathan to investigate--little knowing that the pair will be on the run for the truth... and for their very lives.

L'affaire Raphael

Historien, journaliste, spécialiste en histoire de l'art, Iain Pears s'est révélé au grand public avec Le Cercle de la Croix, roman déjà culte qui l'a propulsé sur le devant de la scène littéraire anglaise.Avec Le Songe de Scipion, il récidive et prouve que son immense talent se situe bien au-delà des recettes et des ficelles romanesques. Une intrigue qui tient le lecteur en haleine en entrecroisant savamment les destins de trois protagonistes – Manlius, un païen philosophe converti au catholicisme au Ve siècle, Olivier, un poète de la Renaissance et Julien, un jeune professeur qui traverse la Seconde Guerre mondiale. Ces trois-là se trouvent intimement liés à un texte, le fameux Songe de Scipion attribué à Cicéron, qui livre, pour qui sait le lire, les clefs du bonheur tant individuel que collectif. Mais il faudra attendre les dernières pages pour connaître la vraie nature de ce texte. Car, auparavant, Iain Pears nous invite à suivre le cheminement, les affres et les doutes de ses héros, prisonniers qu'ils sont des déterminations historiques de leur époque respective. Avec une parfaite maîtrise, Pears déploie son roman sur trois temporalités différentes. Rentrent aussi au fil de la narration, subrepticement, comme dans un chœur d'orchestre, trois femmes juives, une pour chacun des héros (Sophia, Rebecca et Julia), qui soulignent les bégaiements de l'histoire et qui permettront à ces hommes d'éprouver ce qu'est la connaissance par le cœur et le véritable amour.Au fil de la lecture, on sera saisi par l'architecture parfaite de ce roman autant que par ses qualités évidentes de réflexion sur le sens de l'histoire et les crises de l'humanité. Un grand roman dans l'esprit et dans la lignée de ceux d'Umberto Eco, avec un soupçon d'efficacité britannique décontractée et redoutable. — Denis Gombert

Le Songe de Scipion

Our Review
When in RomeA stolen masterpiece with arcane allegorical significance; a decades-old political kidnapping and murder; and, of course, a tantalizing artwork of unknown provenance -- in his seventh Jonathan Argyll art mystery, The Immaculate Deception, English art historian Iain Pears returns with a virtuosic display of ingenious plotting and literary trompe l'oeil.Pears's clever and effortlessly erudite art mysteries have found a select readership on both sides of the Atlantic. But the phenomenal success of Pears's 1998 literary thriller, An Instance of the Fingerpost -- a multifaceted Restoration whodunit on a par with Umberto Eco's The Name of the Rose -- has dramatically increased stateside interest in the author's earlier work. The Immaculate Deception once again centers on the exploits of the affable and perpetually distracted English art dealer Jonathan Argyll; the beautiful and formidable Flavia di Stefano of the Italian Art Theft Squad; and hererstwhile boss, General Taddeo Bottando, along with several of the series' usual -- or, more appropriately -- unusual supporting cast of suspects.When a masterpiece on loan for the opening of an international exhibition is stolen in a manner calculated to embarrass the Italian government, Flavia di Stefano is ordered by the newly installed prime minister to recover the painting at all costs. Her deceptively simple mandate quickly reveals itself to be a politically fraught, no-win situation. If is she meets the thief's ransom demands, she'll almost certainly be disgraced -- and perhaps go to jail; if she refuses the order, she'll be summarily removed from her post. With Jonathan jaunting through the Tuscan countryside on the trail of an interesting art collection, Flavia turns to her oldfriend and confidant General Bottando for advice. As a seasoned survivor of the Roman political arena himself, he suggests that she follow the time-honored convention and do as other Romans: "When faced with deviousness, you must be devious yourself."Working together, Flavia and Bottando devise a plan to recover the painting. But no sooner has the ransom been paid than the art-napper -- a former '60s radical turned bourgeois performance artist -- is found dead under highly suspicious circumstances. Worse, Bottando himself has disappeared without a trace, leaving Flavia to face her first major crisis as head of the ArtSquad alone. Risking official censure and hounded by a sinister journalist, Flavia explores the tenuous connection between a decades-old act of terrorism and recent events, only to discover a secret conspiracy that could topple the government -- or cost her her life.Like Michael Dibdin's award-winning Aurelio Zen novels, Pears's Jonathan Argyll mysteries go beyond genre fundamentals to immerse readers in every aspect of contemporary Italian culture -- from its legendary art and cuisine to the labyrinthine bureaucracy of the political and criminal justice systems to candid, unexpectedly breathtaking portrayals of everyday life. The Immaculate Deception is a splendid addition to a mystery series of the first order, and an exuberant confirmation of Iain Pears as a modernmaster of the form.
  --Greg Marrs

Le secret de la vierge à l'enfant

Witty Italian art-history crime series featuring English dealer Jonathan Argyll, from the author of the best-selling literary masterpiece, 'An Instance of the Fingerpost'.

 Paris can do strange things to a man's mind. like making him agree to an apparently harmless favour of escorting a picture to Rome.

 'The Death of Socrates' is a particularly nondescript piece, so art dealer Jonathan Argyll can sympathize when its recipient refuses to accept delivery. But in an unusual twist, the same man is found dead a few hours later. Surely the painting wasn't that bad?

 Now caught up in a murder investigation, Jonathan recalls an attempt to steal the artwork while he was at the train station. Could this be the killer? The bodies start piling up and Jonathan must uncover the dark wartime secret at the heart of the mystery - before someone puts him out of the picture for good.

The Last Judgement

Witty Italian art-history crime series featuring English dealer Jonathan Argyll, from the author of the best-selling literary masterpiece, 'An Instance of the Fingerpost'.

 Membership of the prestigious Titian Committee is normally considered a high honour. Normally, that is, until two of its members end up dead and someone seems to be taking the idea of backstabbing a little too far.

 Flavia de Stefano of Rome's Art Theft Squad is sent to find out why. She calls upon the help of dealer Jonathan Argyll, in Venice to buy a picture from the Marchesa di Mulino. But the sudden theft of the Marchesa's collection sets Flavia and Jonathan on a tortuous trail to uncover the truth.

 A further death threatens the very survival of the Committee itself, as well as offering the tantalizing possibility of an undiscovered Titian - a mysterious composition that may have been suppressed for 'moral' reasons..

L'Affaire Raphaël

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