Concert music op. 50 poche

We owe it to Paul Hindemith's interest in education, which, in turn, was owed not only to the professional musicians and composers, that he composed for children and amateur musicians as well. Dame Music stands for this dialogue to make contemporary music for amateurs accessible not only in theory but also in practice. Dame Music was composed during his stay in the USA after he had been asked for an American edition of his composition Frau Musica. Musik zum Singen und Spielen auf Instrumenten nach einem Text von Luther, Op. 45 No. 1 from 1928. In 1942 he wrote the successful American version Dame Music for which Hindemith also revised some instrumental parts. The vocal setting was adopted without any changes and its text translated into English. With great success : Within just a few years, Dame Music had been included in the repertoire of amateur musicians in the United States. Instrumentation : voice (female choir, men's choir, mixed choir), strings and other instruments ad libitum

Edition Schott

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music. Instrumentation : 4 horns

Hindemith composed a total of 14 motets for soprano and piano between 1940 and 1960. It was not until 1958 that Hindemith developed the idea of combining his early motets with the composition of further pieces to create a cycle, setting to music stories from the four gospels for Christmas time from Christmas Eve to the 4th Sunday after Epiphany. The motet "In Principio erat Verbum", dated "24. 12. 41" and dedicated to Hindemith's "dearest colleague", Gertrud Hindemith, was not included. "In Principio erat Verbum" remained unpublished and unperformed until it was included in the Complete Hindemith Edition. The motet is available as a single piece of sheet music and completes the series of Christmas stories from the gospels with the one of the third mass on 25 December, the famous beginning of the Gospel of John : "In the beginning was the word". Instrumentation : soprano or tenor and piano

Nach dem Notentext der Hindemith-Gesamtausgabe Instrumentation : soprano, flute, oboe, bassoon, 2 violins, viola and 2 cellos

Wie es wär, wenn's anders wär' - soprano, flute, oboe, bassoon, 2 violins, viola and 2 cellos. Partition.

The opulent music of this masterpiece by Paul Hindemith is perfectly suitable for an organ version. Although the organ is one of the few instruments never played by Hindemith, the three sonatas and two organ concertos created by the composer are important pieces for the organ. The transcription of the symphony 'Mathis der Maler' by Heribert Breuer is an effective challenge for ambitious organ players which gives the performer the opportunity to show his skills and make full use of the tonal qualities of his instrument. Instrumentation : organ

As is the case with 'Trauermusik', there now exists an organ version of its sister work. Heribert Breuer, choir director and professor in Berlin, arranged the score for the organ, thus opening up further possibilities for this expressive piece. It is perfectly suitable for church concerts and can be performed without great difficulty. Instrumentation : cello and organ

Keith Wilson, who was from time to time a pupil of Hindemith's at Yale University, arranged the richly colou-red original score of Symphonic Metamorphosis for large wind band using the American combination of instruments. The March has been published in a separate edition. It is a work for the most advanced level of performers and is suitable for concerts and competitions. Set of parts does not include parts in Swiss and Benelux notation. Instrumentation : large wind band

March - from "Symphonic Metamorphosis". large wind band. Jeu de parties.

"Inhaltliche Tiefe, überschäumende Lebendigkeit und Raffinesse der Kompositionstechnik" - lobt Samuel Rhodes, der Bratschist des renommierten Juilliard String Quartet, Paul Hindemiths Streichquartette. Der Komponist entwarf das Quartett op. 10 1918 an der Front im Elsass, und doch zeigt es nicht den kleinsten Einfluss der schrecklichen Kriegsereignisse. Das dreisätzige Werk ist voll jugendlichen Überschwangs und spiegelt Hindemiths neue Kompositionstechniken wider. Seine Meisterschaft und Fantasie im Gebrauch der Instrumente beweisen, dass er mit der Gattung Streichquartett schon völlig vertraut war. Instrumentation : String quartet op. 10

Concert music op. 50 poche

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