Neujahrslied op. 144 poche

Lettres d'amour

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works. It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals. The critical edition will form the basis of accurate performance material for Robert Schumann's work.

Das Brautbuch - Supplement R11

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : orchestra op. 115

Eulenburg Miniature Scores

On her 34th birthday, Clara Schumann was not only given a grand piano by her husband, but the latest music material as well. Among them was the one-movement Concert-Allegro with Introduction for Pianoforte and Orchestra Op. 134 in which the dominance of the solo instrument is even stronger than in the previous composition Introduction and Allegro appassionato Op. 92 which also consists of one movement only. With both works, Schumann continued the reformation of the solo concerto genre as intended. Instrumentation : piano and orchestra op. 92

Edition Schott

'The piano is most subtly interwoven with the orchestra - one cannot think of one without the other. [... ] In this Piano Concerto the pianist is not only soloist but orchestral musician as well', Clara Schumann wrote after the world premiere. As she and even all following pianists had to learn, the unusually tight integration of the piano into the orchestra put increased demands on the pianist and the conductor - since the contrast principle of classical solo concertos here makes way for a fusion principle. Despite certain initial difficulties of understanding, the Piano Concerto became one of the most popular pieces of Romantic music. Instrumentation : piano and orchestra op. 54

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : piano trio op. 110

Schumann - Album pour la jeunesse - Scènes d'enfants - Piano - Partition

Robert Schumann's Album für die Jugend ('Album for the Young') was written in 1848 as a Christmas present for his children and was originally entitled Weihnachtsalbum für Kinder, die gern Clavier spielen ('Christmas Album, for children who like to play the piano'). The 43 pieces combine pedagogic aims with artistic quality, a rare combination in the musical repertoire. Our new edition contains nine pieces which were missing in the first edition : For the Very Small - Doll's Lullaby - In a Gondola - Guckoo in Hiding - Catch Me if You Can - Venetian Lagoon - Bear-Dance - Rebus - [Little Waltz] Instrumentation : piano op. 68

Neujahrslied op. 144 poche

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