Inspired with permission by Janis Ian's song, "Play like a Girl" weaves Ian's lyrics into a story of empowerment. Haunted by her mother's ghost, a musician needs to vanquish not only the ghost but her own history, as well. Kristine Kathryn Rusch's "Play like a Girl, " originally written for the bestselling anthology Stars, lingers in the mind forever."Rusch's short fiction is golden."-The Kansas City Star

Play Like a Girl

Rugad parvient à envahir l'esprit d'Arianna en empruntant le lien mental qui unit celle-ci à Sébastien. Nicholas et la Chamane assistent impuissants à l'affrontement. Sébastien enferme Rugad au fond de son être. Il se suicide, pour essayer de l'emporter avec lui dans la mort, mais c'est l'échec. Pour sauver Arianna, il faut l'emmener dans l'antre des Puissances, où Gemme est apparu à Atout.

La Résistance (Les Fey, #8)

Cat's love for John inspires the bestselling romances she writes. Her heroes and heroines experience what she cannot: John's touch. John, too, longs for Cat's touch. Instead, he protects her. But protecting the living comes with risks. If he goes too far, he could lose her forever. When Cat's romance novels bring an uninvited guest to her door on Christmas Eve, the choices she and John make could finally allow them to consummate their relationship-or end their time together forever.

Inspiration

When Cassandra's career in politics takes a turn she doesn't expect, she struggles to accept her new reality. So, when she starts seeing things in mirrors that shouldn't appear, Cassandra knows what she sees could prove gift or curse. Or both."Rusch is a great storyteller."-RT Book Reviews

Fun House Mirrors

Lt. Kenyon serves his country and the war effort by censoring the crew's letters home, even if his shipmates hate him for it. But when the crew begin writing about a ghostly vision-a vision impossible to believe but inadvisable to ignore-he must address the danger facing the ship. And he must make a difficult choice that will affect every last man on board. Like early Ray Bradbury, Rusch has the ability to switch on a universal dark.-The Times (London)

Tribute

When a notorious local developer claims to own the home of the late Olivia, her neighbors band together to stop him. But as they each work to thwart the developer, secrets pile on secrets until everyone finds themselves with something to hide."Kristine Kathryn Rusch's crime stories are exceptional, both in plot and in style."-Mystery Scene Magazine

Olivia’s House

The original Pulphouse: A Fiction Magazine published stories in a twisted, Twilight Zone style. Sort of a half-beat off kilter, yet still high-quality fiction and great stories. And most of all highly entertaining. This collection showcases some of the best from the original magazine, with stories from some of the top fiction writers working today. Includes:"Spud Wrangler" by Kent Patterson"Cooties" by J. Steven York"There is Danger" by Ray Vukcevich"Nanoturds" by Ray Vukcevich"Women Are Like Streetcars" by O'Neil De Noux"Shadows on the Moon" by Kristine Kathryn Rusch"One Last Gift" by Jerry Oltion"The Ghost in the Machine" by Jerry Oltion"Group" by Ray Vukcevich

Stories from the Original Pulphouse: A Fiction Magazine - Pulphouse

Vi thought trying to teach complicated choreography to inexperienced middle-aged men made for a bad day. But when a Portland homicide detective shows up at Vi's dance rehearsal, she quickly realizes that bad dance moves pale in comparison to the scrutiny of an experienced investigator seeking suspects in a murder. Suddenly, Vi must lay her memories bare to discover a terrible truth and help solve a horrifying crime-one that might change her life forever."Kristine Kathryn Rusch's crime stories are exceptional, both in plot and in style."-Mystery Scene Magazine

The Destruction of a Goddess

Cudahay tracks ghosts. Not the ethereal kind. The regret-dating-you-so-they-disappear kind. He makes a business out of it with his partner, Serena. She deals with the losers and their sob stories, he tracks down the rather-not-be-found to provide proof of life so the losers can move on. When a real ghost from Cudahay's past turns the tables and tracks him, however, Cudahay must decide just how seriously to take the threat. Cudahay doesn't scare easily. But he soon discovers that perhaps he should."Rusch is a great storyteller."-RT Book Reviews

Play Like a Girl

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