L'intégrale - Correspondance (1895-1937) écrits et entretiens

Petits contes de fées pour doigts magiques ! Partons à la découverte du royaume des fées en écoutant les cinq pièces de Ma mère L'Oye pour piano à quatre mains de Maurice Ravel. Les pianistes Naïri Badal et Adélaïde Panaget nous ferons entendre le sommeil de La Belle au bois dormant, deviner le coucou dans la forêt sombre du Petit Poucet, mais aussi danser avec les pagodins et pagodines autour de Laideronnette. Nous frémirons au grognement de la Bête ... alors vite nous donnerons à la Belle notre baguette magique ! Enfin, nous découvrirons le Jardin féérique de Maurice Ravel et tous ses enchantements... Quand la musique fait des miracles et nous offre la lumière... Belle écoute !

Ma mère l'Oye - Pour piano à quatre mains

Maurice Ravel's melancholy popular 'Pavane for a Dead Princess' composed in 1899 was originally written for piano before he arranged it for orchestra in 1910. Though dedicated to a real princess, the Princesse de Polignac, the work does not refer to an actual historical person. Instrumentation : flute and piano

Pavane pour une infante défunte - flute and piano.

Created during the First World War, Maurice Ravel's composition 'Le Tombeau de Couperin' casts a longing look at the past while at the same time being full to the brim with traces of modern music. Each of the six movements is dedicated to friends who died in battle. In 1919 Ravel arranged four of these movements for large orchestra by skilfully borrowing melodic lines and colours from the piano setting. Matthew van Brink arranged this wonderful work for violin and piano. Instrumentation : violin and piano

Edition Schott

Maurice Ravel's melancholy popular 'Pavane for a Dead Princess' composed in 1899 was originally written for piano before he arranged it for orchestra in 1910. Though dedicated to a real princess, the Princesse de Polignac, the work does not refer to an actual historical person. Instrumentation : string quartet

Maurice Ravel's melancholy popular 'Pavane for a Dead Princess' composed in 1899 was originally written for piano before he arranged it for orchestra in 1910. Though dedicated to a real princess, the Princesse de Polignac, the work does not refer to an actual historical person. Instrumentation : piano trio

Maurice Ravel's melancholy popular 'Pavane for a Dead Princess' composed in 1899 was originally written for piano before he arranged it for orchestra in 1910. Though dedicated to a real princess, the Princesse de Polignac, the work does not refer to an actual historical person. Instrumentation : flute, oboe, clarinet, horn and bassoon

Revised edition of the famous choral songs by the composer of 'Bolero'. This cycle, too, is designed for a great climax. 'Nicolette' describes a simple, almost naïve fairy-tale character. The solos of the middle movement in the style of a sarabande can be performed by members of the choir. The final 'Rondo' is highly virtuoso, with an abundance of allusions to ancient mythological figures. This cycle is the ideal complement to the chansons by Claude Debussy (SKR 19006) or the French chansons by Paul Hindemith (C 43782). Instrumentation : mixed choir (SATB)

L'intégrale - Correspondance (1895-1937) écrits et entretiens

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