L'intégrale - Correspondance (1895-1937) écrits et entretiens

Maurice Ravel's melancholy popular 'Pavane for a Dead Princess' composed in 1899 was originally written for piano before he arranged it for orchestra in 1910. Though dedicated to a real princess, the Princesse de Polignac, the work does not refer to an actual historical person. Instrumentation : flute, oboe, clarinet, horn and bassoon

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With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : orchestra

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Maurice Ravel's melancholy popular 'Pavane for a Dead Princess' composed in 1899 was originally written for piano before he arranged it for orchestra in 1910. Though dedicated to a real princess, the Princesse de Polignac, the work does not refer to an actual historical person. Instrumentation : string quartet

The one-movement concerto in D major for the left hand combines powerful monumental sounds with a slender exotic orchestration. Commissioned by the Austrian pianist Paul Wittgenstein whose right arm had to be amputated following a war injury, the one-movement piano setting seems amazingly complete all the same. The technical realisation of this piece is a real challenge for the pianist, but the work fascinates by its intensity, power, sensuality, exoticism and beauty. Instrumentation : piano and orchestra

Concerto pour la main gauche en ré majeur - piano and orchestra. Partition d'étude.

Le propos de cet ouvrage est de donner une vision de Maurice Ravel par lui-même, à travers ses textes écrits et parlés. Précédés d'une esquisse autobiographique, de quelques souvenirs d'enfance et d'une chronologie succincte, on trouvera ici rassemblés, des lettres ouvertes datant des débuts de sa carrière, la totalité de ses articles et comptes rendus de concerts, des réponses à divers questionnaires, le texte d'une conférence donnée par le compositeur à Houston (Texas), le 7 avril 1928 et un ensemble très complet d'interviews parues dans la presse musicale et internationale de 1905 à 1936.

Ecrits et propos sur la musique et les musiciens

The very lively three-movement Piano Concerto in G major is characterised, with regard to style, by jazz influences, especially in the first and third movements, but by late Romantic and impressionist influences in the middle movement. Ravel himself called it 'a concerto in the truest sense of this generic term : With that, I want to say that it has been written in the spirit of the concertos by Mozart and Saint-Saëns. ' Instrumentation : piano and orchestra

L'intégrale - Correspondance (1895-1937) écrits et entretiens

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