With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : 4 soloists, choir and orchestra KV 195

Eulenburg Miniature Scores

Diese Ausgabe von 12 Nummern aus der "Hochzeit des Figaro", für 2 Klarinetten bearbeitet, erschien als Erstauflage ungefähr im Jahr 1806. Instrumentation : 2 clarinets

Edition Schott

Mozart - Sonates, Fantaisies et Rondos II - Pour piano - Partition

The new edition contains the facsimile of Mozart's complete autograph as well as the score, newly edited by Ulrich Leisinger in accordance with the autograph and first edition, on the basis of the new Wiener Urtext edition of Mozart's piano pieces, vol. 2 (UT 50230) including Critical Report. The decisions of the editor are understandable not only with the help of the Critical Notes but also by comparison with the original manuscript. Thanks to the fingerings, tested page turns and a clear print format, the edited score offers maximum comfort for the performance practice. Instrumentation : piano K 511

Vienna Urtext Edition and facsimile

La correspondance de Mozart est sans doute la plus célèbre de toutes les correspondances de musiciens. Couvrant toute sa vie - depuis la missive de son père annonçant la naissance de son dernier enfant à l'ultime lettre de Mozart à sa femme -, elle servit d'assise aux premières biographies du compositeur. La figure imposante du père, très tôt conscient du remarquable talent de son fils, domine toute la première partie de la correspondance familiale. Leopold, soucieux d'échapper à l'atmosphère étouffante de la cour du prince-archevêque de Salzbourg, emmène ses enfants prodiges, Wolfgang et Nannerl, à travers l'Europe entière : Vienne, l'Allemagne, Paris, Londres, La Haye, Milan, Rome, Naples sont quelques-unes de leurs étapes, semées de succès retentissants mais aussi d'embûches suscitées par l'incrédulité ou l'envie. Rapidement, l'adolescent génial et extravagant s'émancipe et prend lui-même la plume, d'abord en de petits P.S. pleins d'esprit, puis plus personnellement, pour conter son deuxième voyage en Europe avec sa mère, son amour vain pour la chanteuse Aloisia Weber, ses succès parisiens, sa rupture avec son protecteur l'archevêque Colloredo, son mariage avec Constanze - mais aussi les circonstances qui assombrirent la fin de sa courte vie : la mort de sa mère, les difficultés financières, etc. Commentateur critique de la musique de son temps et de ses contemporains, il se plaît à donner des descriptions truculentes de son entourage. Le style vif et pétillant, le ton parfois trivial, voire grossier, de Mozart épistolier font aussi la saveur brute de cette correspondance, dont les premières éditions censurèrent nombre de passages.

Correspondance complète

With the invention of the saxophone in the early 1840s, transcriptions are useful to present day saxophonists who wish to perform music of various styles and composers, and are thus an important part of the saxophone repertoire. One source of music to transcribe is the wind music of the Classical era. Mozart's Finale from Serenade in B-flat, KV 361 of the early 1780s was originally scored for paired oboes, clarinets, basset horns (now obsolete), and bassoons, plus four horns and double bass. The work was later performed for eight wind players. The Serenade has also been called "Gran Partita", implying music for the outdoors. Since one original intent for the saxophone was to replace less-voluminous woodwinds of French military/marching bands, it seems feasible that saxophones, while also handling well the virtuoso demands of the piece, are a good choice for this transcription. Two objectives were in mind while transcribing the Finale. One was to produce a relatively clean manuscript with a minimum of articulation and dynamic markings so as to allow interpretation by the performers. The articulation markings placed at the beginning of the work are provided only as suggestions. Secondly, the melodies were divided among all parts, rather than a solo featuring just the soprano saxophone. The Finale, a molto allegro in rondo form, should sparkle with cheerful charm and wit. Indoors or outdoors, saxophonists should strive for the lightness and grace so prevalent in much of Mozart' timeless music. Instrumentation : 4 saxophones (SATBar) KV 361

Finale - from "Serenade in B-flat". KV 361. 4 saxophones (SATBar). Partition et parties.

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : piano and orchestra KV 466

The pieces in the present volume are taken for the most part from Mozart's so-called 'London Sketch Book', written on his English tour in the year 1764, at the age of eight. There are also several earlier pieces which the young Mozart wrote in Salzburg in 1762. The original text has been retained ; obvious errors in notation have been corrected. Instrumentation : piano

Eulenburg Miniature Scores

Résumé

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