Unique Refuge

Hector Woollie est entrepreneur du bâtiment.C’est aussi un monstre.Avant de disparaître, il a enterré le cadavre d’une fillette sous une dalle de béton dans la cuisine de son dernier chantier.Leslie et son fils Ian décident pourtant de revenir habiter cette maison, sous le regard horrifié et choqué de leurs voisins.Très vite, ils ne sont plus seuls.

Des enfants silencieux

Heh, Heh, Kiddies! They say that you can always tell a GOOD BOOK by its COVER! Well, after you BONE UP on the front of this first BEST OF volume of THE WORLD S LONGEST-RUNNING ANNUAL SHOWCASE OF HORROR AND DARK FANTASY by legendary artist NORMAN SAUNDERS, you ll be left SPELLBOUND by some of the most SIZZLING fiction ever published in this AWARD-WINNING series. Between these covers are DEVILISHLY GOOD STORIES by RAMSEY CAMPBELL, HARLAN ELLISON, CHRISTOPHER FOWLER, NEIL GAIMAN, CAITLIN R. KIERNAN, TERRY LAMSLEY, BRIAN LUMLEY, PAUL J. McAULEY, MICHAEL MARSHALL SMITH and PETER STRAUB. So, what are you WAITING for? Open up this HELLISH TOME and START READING! Because a cover NEVER lies, and neither does .

The Best of Best New Horror - The Best of Best New Horror, #1

AN ANTHOLOGY edited by Stephen Jones & Ramsey CampbellCATEGORY HorrorPUBLICATION DATE  September 2014COVER ILLUSTRATION Lee EliasCOVER DESIGN Smith & Jones A 25th Anniversary edition of the longest running anthology series of the very best in horror fiction. Introduction: Horror in 1989 - The EditorsPin - Robert R. McCammonThe House on Cemetery Street - Cherry WilderThe Horn - Stephen GallagherBreaking Up - Alex QuirobaIt Helps if You Sing - Ramsey CampbellClosed Circuit - Laurence StaigCarnal House - Steve Rasnic TemTwitch Technicolor - Kim NewmanLizaveta - Gregory FrostSnow Cancellations - Donald R. BurlesonArchway - Nicholas RoyleThe Strange Design of Master Rignolo - Thomas Ligotti.

Best New Horror - 25th Anniversary Edition - Best New Horror, #1

C'était Clare qui conduisait. Rob était assis à côté d'elle. Soudain, un homme s'engagea sur la chaussée. Ellé écrasa la pédale de toutes ses forces, mais c'était celle de l'accélérateur. Avec l'embardée, la portière du passager s'ouvrit, vint heurter le réverbère, puis se referma brusquement avec un bruit étrange, inconnu... Rob était silencieux, la tête penchée hors de la vitre brisée, l'épaule pressée contre le rebord. Quelqu'un, dehors, le regardait fixement... Ce n'est que plus tard qu'elle comprit : Rob était mort. Il avbait perdu son bras dans l'accident. Et l'ambulance, la police... Ils cherchaient quelque chose. Ils cherchaient son bras ! Quelqu'un avait volé le bras de Rob...

La Poupée Qui Dévora Sa Mère

Vile Things: Extreme Deviations of Horror is the ultimate collection of extreme horror from award winning masters and up-and-coming authors of macabre fiction. EDITORIAL REVIEWS"This book is a definite for any extreme horror fan. Full of terror, sex, and gore, I don't recommend this for the faint of heart." --FANGORIA"Simply put, Vile Things is every deviant horror fan's wet dream." --RUE MORGUE"Vile Things is one of the stronger horror anthologies I have come across in some time, its theme literally appears to be centered around creatures, topics, or situations that are so vile it would send a shiver down your spine." --MONSTER LIBRARIANTABLE OF CONTENTSThe Fisherman by Brian RosenbergerFungoid by Randy ChandlerTenants Rights by Sean LoganAgain by Ramsey CampbellMaggots by Tim CurranGoing Green by Stefan PearsonCoquettrice by Angel Leigh McCoyThe Fear in the Waiting by C. J. HendersonThe Worm by John BruniSepsis by Graham MastertonWhat You Wish For by Garry BushellThe Devil Lives in Jersey by Z. F. KilgoreRat King by Jeffrey ThomasThe Caterpillar by C. Dennis MoorePoor Brother Ed or The Man Who Visited by Ralph Greco, Jr.

Vile Things: Extreme Deviations of Horror

Digital magazine featuring the very best in Science Fiction, Fantasy, and HorrorThe latest fiction from established writers alongside the best new stories from emerging talents and debut authors. On-point articles and regular columns, exploring genre fiction in all its forms. Interviews with leading authors and artists. Insightful and informative book reviews by a carefully selected cadre of reviewers, assessing current titles and imminent releases from publishers big and small. This is the table of contents for the festive issue. Introduction - Ian WhatesThe Summer Husband - Angela SlatterThe Neighbourhood Watch -Neil WilliamsonLovers on the Yuleton Lip - Aliya WhiteleyBut Once a Year - Ramsey CampbellPoruguese Essay - George TomAll That's Red Earth - Mike CareyFive Ways to Accidentally Save the Earth from Alien Conquest - Gareth D. JonesThe Elektron Mill - Sean McMullenA Bayesian Analysis of Wishes - Karen BrenchleyLife in the Fast Lane - featuring Jenny CampbellIn the Weeds - Anne C. Perry & Jared ShurinStepping Towards New Voices in SFF - Stewart HotstonReviews SectionInterview with Xueting Christine Ni

ParSec Issue#2 - ParSec, #2

The Long Lost begins with a sequence so haunting and bizarre that it almost seems a chapter out of legend. A witty, sexy married couple who live in urban England drive to the coast of Wales on a weekend holiday. On a lark, they clamber down a steep cliff to a seaside town that turns out to be utterly deserted. There's an island just off shore and the tide is out, so they walk out across the exposed sand. The empty streets and eerie absence of human voices, followed by the overgrown beauty of the island, seem to transport them into another world, another time. They stumble on an ancient stone cottage, where an old woman with long white hair lies motionless on a pallet. At first they take her for dead, but she slowly awakens. She turns out to be a long-lost relative. She offers no explanation for why she lives alone in a nearly empty, crumbling cottage on an uninhabited island next to a deserted village. The tide comes in. The three of them end up spending the night in the dark cottage. The couple take the old woman back to England with them.  Then their lives, and the lives of everyone who knows them, begin slowly and inexorably to fall apart. As Joel Lane writes in the horror review magazine Necrofile, "The Long Lost ... is written in a clear, vivid style which encompasses precise visual descriptions, ambiguous metaphors, and sudden changes of mood. The prose is so attractive that the fundamental strangeness of what is going on takes a long time to sink in; and the ending doesn't so much explain the story as send you away to think about it. The reader is, at various times, entranced, mystified, disturbed, appalled, provoked, and amused. Only twice before--in The Influence and Midnight Sun--has Campbell written at such a pitch of creative intensity." The Long Lost is a dark novel about sin, guilt, scapegoats, and the fragility of the self. It is leavened by black humor, and the distinct, if elusive, possibility of redemption. --Fiona Webster

Désirs Inavouables

Le bus l'avait conduit au terminus. Il avait rencontré cette fille dans un bar. Et maintenant l'obscurité l'entourait comme une chair. Il repensa aux danses impudiques des sorcières nues. Mais cette fois, c'était autre chose. Des épines se battaient au-dessus de sa tête ; le sol boueux essayait d'avaler ses pieds. Il devait savoir. À tout prix. Et soudain ce fut la clairière ; il se sentit plus calme qu'il ne l'avait jamais été. Il contemplait la source de ses rêves. Des entrailles rocheuses et des profondeurs sous-marines, flottant dans un milieu qui n'était pas l'espace. Les Grands Anciens vivaient toujours, gargouilla la voix. Leurs rêves pouvaient atteindre les entrailles des femmes... et façonner des enfants à leur image. Ces êtres-là ne mouraient pas. Ils prenaient peu à peu la forme ancestrale, attendant que les étoiles atteignent la position propice. Bientôt il fera nuit...

Unique Refuge

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