Laudate dominum (salmo n.117) (arnold) poche

This beautiful duet from Monteverdi's opera "L'Incoronazione di Poppea" is a wonderful addition to the CME Opera Workshop series. This duet, which occurs at the end of the opera, beautifully illustrates Monteverdi's ability to interweave the vocal lines in a harmonically intriguing way. Ann Small's edition features an ornamented return of the first section of the duet with stylistic trills that contain repeated articulation of the same notes, a favored ornament during this musical period. Instrumentation : 2-part treble choir and piano

Choral Music Experience

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : mixed choir (SAAT or SATBar) a cappella or with basso continuo M xvi, 1

Eulenburg Miniature Scores

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : mixed choir (SSATTB), soloists (SSATTBB) and basso continuo (organ) M xiv, 327 / SV 206, Anh.

Ein Tonbeispiel finden Sie unten in einem Live-Mitschnitt der ev. Jugendkantorei der Pfalz, Dir. : Jochen Steuerwald. Instrumentation : mixed choir (SSATB)

Lamento d'Arianna - 1. Ah, leave me here to perish. mixed choir (SSATB). Partition de chœur.

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publication of sacred music, entitled : 'Of the most blessed virgin a Mass for six voices for church choirs, and Vespers for more voices with several sacred concertos suitable for princely chapels or apartments'. By the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement. Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures. Instrumentation : mixed choir (SATTB/SATTB), soloists (SSAATTBB) and orchestra SV 206

Laudate dominum (salmo n.117) (arnold) poche

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