Concert 01 d op.15 poche

Ludwig Tieck's romantic fairy story of the joy and sorrow of the 'beautiful Magelone' is dressed up by Heribert Breuer : 'From the very beginning I wanted to devise a complete concert evening in which not only Ludwig Tieck's story is recited but also two piano works from Brahms' last creative period are included. - Having been familiar with this song cycle by playing and singing it since my early youth, I wanted to make the polyphonic structures of Brahms' piano setting more transparent and even more colourful with my chamber music version than is possible on a piano. To ensure a practical instrumentation, I have chosen two contrasting quintets : a woodwind quintet and a string quartet cum double-bass. ' Instrumentation : baritone, wind quintet, string quartet and double bass op. 33

Edition Berliner Bach Akademie

Symphony no. 3 f major op. 90 poche+cd

Brahms - Scherzo, Ballades, Rhapsodies et danses - pour piano - Partition

Symphonies no. 1-4 poche+cd

Brahms' Hungarian Dances are among the most popular compositions in the field of light classical music with dance no. 5 probably being the most well-known one of the altogether 21 pieces of the cycle. It is this dance the arrangement for saxophone quintet at hand is based on. Answers to the questions to what extent Brahms incorporated traditional Hungarian melodies into these pieces or whether the dances represent original creations of his own written in a "Hungarian style" might be found in specialist literature or on the internet. These sources may also be consulted to get further information on the history of origins of these compositions. The original version of the Fifth Hungarian Dance for Piano Four-Hands published in 1869 is written in F# minor. For most of the arrangements (for orchestra and for any other conceivable type of ensemble) created thereafter in rapid succession - but also for this present version written for saxophone quartet - the key of G minor was chosen. The markings for tempo and dynamics included are based on the original composition but also take into account certain performance practices. The individual voices take turns in executing the main melody. The brackets appearing in the score and in the individual parts mark the beginning and the end of those passages where the respective instrument takes the lead. The arrangement for quintet at hand can be performed soloistically or in chorus. Instrumentation : 5 saxophones (SAATBar)

Hungarian Dance No. 5 - 5 saxophones (SAATBar). Partition et parties.

The edition is supplemented with a facsimile of the autograph. As well as being a bibliophile´s delight, the edition also offer the opportunity to study the composer´s own manuscript in all its details. The most subtle nuances, which can only be represented in musical handwriting and never in print, can thus provide a logical extension of the typographical limitations of engraving, and convey additional stimuli for consideration of the interpretation of the work. Instrumentation : piano op. 117

Vienna Urtext Edition and facsimile

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : violin and orchestra op. 77

Eulenburg Miniature Scores

Wer liest, hört mehr. Wer eine Komposition wirklich begreifen will, greift zur Studienpartitur. Die Feinheiten einer Komposition erschließen sich erst über den Notentext. Die Reihe Eulenburg Audio+Score zeichnet sich durch lesefreundliches Format und ausgezeichnetes Druckbild, hochwertiges Papier und ein zweisprachiges Vorwort in Deutsch und Englisch aus. Wir liefern Ihnen nicht nur eine Partitur, sondern gleichzeitig die Musik dazu. Alle Bände enthalten eine CD von Naxos mit hervorragenden Einspielungen der Werke. Instrumentation : orchestra op. 98

Concert 01 d op.15 poche

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