With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : piano trio op. 70/2

Eulenburg Miniature Scores

Au travers de ces notes qu'il rédigeait pour lui seul, Beethoven apparaît ici tel qu'il a véritablement été dans sa vie, en marge de son art, préoccupé de choses grandes ou petites, mais toujours immédiates et urgentes, en intime relation avec son isolement et son génie. Partout on retrouve l'homme, son originalité irréductible et son intégrité farouche et têtue.

Carnets intimes - Suivis du testament d'Heiligenstadt et des commentaires du professeur A. Leitzmann

Sonatine G-Dur - Op. 79, Piano

Ludwig van Beethoven wrote numerous piano pieces to teach to his pupils. Still, today, his works are an integral part of piano lessons. My first Beethoven is perfect for pianists of every age to become acquainted with these works. This volume contains Beethoven's most popular and easiest piano pieces - from the frequently played Sonatinas in G and F major to Für Elise and the famous Moonlight Sonata. Ideal for music lessons and music-making at home ! Great works for little masters ! Instrumentation : piano

Easy Composer Series

The volume unites 11 cadenzas from 200 years of music history to form one of the most frequently performed concertos in the piano literature, including several first publications. Among them are not solely highly virtuoso and, sometimes, even romantic lyrical tributes to the genius of classical music, but also cadences with a humorous and ironic touch : Fazil Say's cadence imitated - a music box ! With cadences by : Charles Henri Alkan - Ludwig van Beethoven - Gabriel Fauré - Franz Liszt - Ignaz Moscheles - Michael Rische - Fazil Say - Erwin Schulhoff - Clara Schumann - Bedrich Smetana - Viktor Ullmann Instrumentation : piano

Cadenza Vol. 4

Streichquartet f op.95 poche

Erwin Schulhoff composed his cadenzas for Ludwig van Beethoven's Piano Concertos No. 1-4 (no independent cadenza is intended for Piano Concerto No. 5) in Berlin in 1923. That means they were written at the same time as his Concerto for piano and small orchestra Op. 43, which combines impressionism and jazz and can be regarded as the first 'jazz' piano concerto in music history. The present cadenzas, however, do not show any influences of jazz but follow entirely the classical piano concerto tradition in a way which is virtuosic, and yet comapratively easy to play. Instrumentation : piano

Eulenburg Miniature Scores

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