Mozart ; sonates ; fantaisies ; rondi I

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : orchestra KV 620

Eulenburg Miniature Scores

Mozart's 'Don Giovanni', one of the most frequently played and most popular operas since its world premiere in Prague in 1787, is based on the old familiar figure of the 'womanizer'. The character of the promiscuous Don Juan has at all times been the topic of research and discussions. The success of the dramatic character is owed to the audience's identification with him. The fact that this opera, on top of that, has been successful at all performances, is due to the combination of demanding libretto (Da Ponte) with the unmistakable music of Mozart. Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.

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Opéra mix

At first glance, this work maybe eclipsed by the earlier Sonata in B major, KV 333 but Mozart's Sonata KV 570 is by the far the more popular work, especially in piano lessons. This maybe due to its more moderate technical demands on the one hand and to the larger variety of musical techniques in Mozart's piano style with which this sonata has in relatively manageable dimensions. The middle movement with its rich colour of wind instruments seems like an orchestral movement of the later Mozart, transcribed for the piano. This Wiener Urtext Edition presents the work in a low-priced separate edition which is suitable for lessons, studies and concert performances. Instrumentation : piano KV 570

Sonata pour piano en si-bémol majeur - Nach den Quellen hrsg. von Ulrich Leisinger. Hinweise zur Interpretation von Robert D. Levin. Fingersätze von Heinz Scholz. KV 570. piano.

The Mozart volume in the Schott Piano Collection series has been one of the standard works in music teaching for a long time. It contains a selection of 33 well-known and easy to play piano works by Mozart, including the Turkish March, the variations on Ah ! Vous dirai-je, Maman ! , Fantasia in D minor, Adagio in B minor, and many more. A few important and popular works have been added to the present expanded new edition by Marianne Magolt, such as : 4 Minuets KV 2-6, Rondeau in D major KV 15d, and Sonata facile in C major KV 545. As a result, this new edition is even better suited to the needs of pupils and piano lovers. Instrumentation : piano

Schott Piano Collection

The pieces in the present volume are taken for the most part from Mozart's so-called 'London Sketch Book', written on his English tour in the year 1764, at the age of eight. There are also several earlier pieces which the young Mozart wrote in Salzburg in 1762. The original text has been retained ; obvious errors in notation have been corrected. Instrumentation : piano

Schott Piano Classics

Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand' : two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client - with regard to the playing technique and/or music - the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor - a serenade-like setting that offers the soloist many possibilities for cantabile playing. Instrumentation : flute and piano K 315 (285e)

Mozart ; sonates ; fantaisies ; rondi I

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