Un opéra exalté où l'on sent l'euphorie de la liberté. Composé par un Mozart qui devient un homme adulte et de plus "moderne",  qui arrive à réaliser ses idées selon les Lumières.

L'enlèvement au sérail

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : orchestra KV 550

Eulenburg Miniature Scores

The original music of Erwin Schallers arrangement is a duet for two horns from twelve duets KV 487, also known as "Kegelduette". Instrumentation : 2 recorders (SA) and guitar (piano)

Trio - 2 recorders (SA) and guitar (piano). Partition d'exécution.

" Bona nox, est-tu un vrai bœuf ? Bona notte, ma cocotte... " Le bœuf et la nuit tentent d'effrayer la petite fille. Mais elle leur jouera un bon tour. La célèbre chanson pour enfants de Mozart a inspiré Jutta Bauer, qui nous livre cet antidote contre la peur de la nuit.

Bona nox

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : 2 pianos and orchestra KV 365

Mozart's three popular rondos, created in Vienna in the mid-1780s, are a many-faceted addition to his piano sonatas. These rondos include the rather easy-to-play Rondo in D major KV 485 and the pensive Rondo in A minor KV 511. The volume is completed by the Rondo in F major KV 494 which was later included by Mozart in his Sonata KV 533 as final movement. In the charming version of an individual piece, the work is somewhat easier to play than the sonata version ; thus, it will be a valuable addition to music lessons. The musical text is based not only on the first editions, but also on Mozart's autographs which are extant of all three pieces. Instrumentation : piano KV 485, 494 & 511

Les trois Rondos - KV 485, 494 & 511. piano.

With the invention of the saxophone in the early 1840s, transcriptions are useful to present day saxophonists who wish to perform music of various styles and composers, and are thus an important part of the saxophone repertoire. One source of music to transcribe is the wind music of the Classical era. Mozart's Finale from Serenade in B-flat, KV 361 of the early 1780s was originally scored for paired oboes, clarinets, basset horns (now obsolete), and bassoons, plus four horns and double bass. The work was later performed for eight wind players. The Serenade has also been called "Gran Partita", implying music for the outdoors. Since one original intent for the saxophone was to replace less-voluminous woodwinds of French military/marching bands, it seems feasible that saxophones, while also handling well the virtuoso demands of the piece, are a good choice for this transcription. Two objectives were in mind while transcribing the Finale. One was to produce a relatively clean manuscript with a minimum of articulation and dynamic markings so as to allow interpretation by the performers. The articulation markings placed at the beginning of the work are provided only as suggestions. Secondly, the melodies were divided among all parts, rather than a solo featuring just the soprano saxophone. The Finale, a molto allegro in rondo form, should sparkle with cheerful charm and wit. Indoors or outdoors, saxophonists should strive for the lightness and grace so prevalent in much of Mozart' timeless music. Instrumentation : 4 saxophones (SATBar) KV 361

Finale - from "Serenade in B-flat". KV 361. 4 saxophones (SATBar). Partition et parties.

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : orchestra KV 338

Individuell und überraschend, aber konsequent an den Werken orientierte Schöpfungen des Schweizer Pianisten, Komponisten und Klavierpädagogen. Instrumentation : piano

L'enlèvement au sérail

Résumé

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