Lafferty's Nine Hundred Grandmothers collects the following stories:
Nine Hundred Grandmothers
Land of the Great Horses
Ginny Wrapped in the Sun
The Six Fingers of Time
Frog on the Mountain
All the People
Primary Education of the Camiroi
Slow Tuesday Night
Snuffles
Thus We Frustrate Charlemagne
Name of the Snake
Narrow Valley
Polity and Custom of the Camiroi
In Our Block
Hog-Belly Honey
Seven Day Terror
The Hole on the Corner
What's the Name of that Town
Through Other Eyes
One at a Time
Guesting Time

Nine Hundred Grandmothers

It was the End of Summer of the year 2035. The Global Village that was the World was ruled by a Kangaroo Court of Compassionate Aldermen who ordered assassinations when it was deemed to be for the common good. As a sign of their openness, they were always experimenting to find new ways of looking at the World. Most of these experiments would would fail; some of them would succeed to an extent; and others would succeed only too well, and so would have to be crushed in the shell for the good of the World.
The Lynn-Randal Experiment raised three children together almost from infancy. Of these three, Lord Randal was human (though somewhat enhanced and tampered with). Axel belonged to the gargoyle-faced 'Golden People' ('God believes they are the most beautiful creatures he ever made,' a theologian said, 'and there will be hell to pay when he founds out that we don't agree.'). And the third child was Inneal who often elicited the comment 'she's really something different, isn't she!' Yes, she was. All of these were super-mega-persons, which meant that they might be able to change the world itself. But why did they begin to change the Ocean first?
When these three were just short of ten years old, they were merged with children of three other experiments, and formed with them a Magic Dozen. Immediately they began to have an astonishing effect on the World. And the fave of the children themselves hung in the balance.
Was the experiment too successful? Was their effect on the World too dangerous? Would their group be, as other groups had been, adjudged to be a 'Serpent's Egg' that had to be crushed in the shell for the good of the world?
The Three Days of Summerset, the End of Summer, would give the answer.

Serpent's Egg

The golden planet of Astrobe, made in the image of Utopia, now faced a crisis which could destroy it forever; and yet, no one could understand it: In a world where wealth & comfort were free to everyone, why did so many desert the golden cities for the slums of Cathead and the Barrio? Why did they turn away from the Astrobe dream and seek lives of bone-crushing work, squalor and disease?
The rulers of Astrobe didn't know, so they sought in humankind's past for a leader who could give them the answers. They brought to life the one man out of history who would most want to destroy Astrobe!

Past Master

Acclaimed as one of the most original voices in modern literature, Raphael Aloysius Lafferty drew more from traditional oral storytelling techniques than from the usual pulp roots of SF.  His inventive style and fondness for tall tales marked him out from his contemporaries, and writers of the calibre of Harlan Ellison, Neil Gaiman and Gene Wolfe acknowledge him as a major influence and force in the field. His fiction has garnered numerous award wins and nominations and he has been given the prestigious SFWA Grand Master Award and the World Fantasy Award for Lifetime Achievement. 
This volume contains three of his early novels: the Hugo- and Nebula-shortlisted Past Master, space opera re-telling of The Odyssey, Space Chantey, and Fourth Mansions, also shortlisted for the Nebula.

R. A. Lafferty: Three Great Novels

Set in the far future, Space Chantey chronicles the adventures of Space Captain Roadstrum and his crew, on a journey through galaxies resonant with myth and peril as Roadstrum valiantly battles to return across the cosmos to Big Tulsa, the Capital of the World, and to his wife and young son Tele-Max.

Nine Hundred Grandmothers

Résumé

Plus de livres de R. A. Lafferty

Critiques

Ce livre n'a pas encore de critiques