" si je demeurais toujours jeune et que le portait vieillisse à ma place ! je donnerai tout, tout pour qu'il en soit ainsi.
 [...] je donnerai mon âme ! "

Le portrait de dorian gray

This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents of the complete works of Oscar Wilde, containing more than 150 works.
Content:
The Plays: Vera, The duchess of Padua, Lady Windermere's fan, A Woman of no importance, Salomé, Selome (English Version), An ideal husband, The importance of being earnest.
The Poetry: more than 100 poems.
The Novel: The picture of Dorian Gray, including the revised 20 chapter version.
The Short Stories: The Portrait of Mr. W. H., The happy prince and other tales, A house of pomegranates, Lord Arthut Savile's crime and other stories.The non-fiction: The decay of lying, Pen, Pencil and poison - a study in green, The critic as artist, The truth of masks, The rise of historical criticism, The english renaissance of art, House decoration, Art and the handicraftsman, Lecture to art students, London models, Poems in prose, The soul of man under socialism, Phrases and philosophies for the use of the young, A few maxims for the instruction of the over-educated, De Profundis, Oscar Wilde's letter to Robert Browning, Personal impressions of America, The decorative arts, The house beautiful, The truth of masks.
The journalism: A handbook to marriage, A ride through morocco, Aristotle at afternoon tea, Balzac in english, Dinners and dishes, Hamlet at the lyceum, London models, Mr. Morris on tapestry, Mr. Whistler's ten o'clock, Mrs. Langtry as Hester Grazebrook, Olivia at the lyceum, The american invasion, Two biographies of Keats, Two letters to the Daily Chronicle, Woman's dress.
Apocrypha: Teleny.
Oscar Fingal O'Flahertie Wills Wilde (1854 - 1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams and plays, and the circumstances of his imprisonment which was followed by his early death. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, drew Wilde to write drama. He wrote Salome (1891) in French in Paris but it was refused a licence. Unperturbed, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late Victorian London. At the height of his fame and success, while his masterpiece, The Importance of Being Earnest (1895), was still on stage in London, Wilde had the Marquess of Queensberry, the father of his lover, Lord Alfred Douglas, prosecuted for libel, a charge carrying a penalty of up to two years in prison. The trial unearthed evidence that caused Wilde to drop his charges and led to his own arrest and trial for gross indecency with other men. After two more trials he was convicted and imprisoned for two years' hard labour. In 1897, in prison, he wrote De Profundis which was published in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of forty-six.

The Complete Works of Oscar Wilde: +150 Works in 1 eBook

En 1891, c'est-à-dire l'année même où il fait paraître, précédé d'une préface qui résume ses théories esthétiques, Le Portrait de Dorian Gray, Oscar Wilde, sous le titre d'Intentions, rassemble quatre études critiques : « Le Déclin du mensonge », « Plume, pinceaux, poison», « La critique est un art» et « La Vérité des masques».

Le recueil a sans doute souffert de sa trop grande proximité avec les formules si frappantes que propose la préface du Portrait. S'il mérite cependant d'être aujourd'hui redécouvert, c'est qu'Oscar Wilde y renouvelle l'esthétique de son époque, en prenant aussi bien pour cible la respectabilité victorienne qu'une modernité étriquée. En refusant l'alliance de l'art et de la morale et la superposition du Bien et du Beau, il nous propose une pensée de la transgression qui ne s'interdit ni le brillant du paradoxe, ni le mordant du polémique.

Traduction de Philippe Néel
revue par Carle Bonafous-Murat.

Édition présentée et annotée par Carte Bonafous-Murat.

Texte intégral.

Intentions

Written in his distinctively dazzling manner, Oscar Wilde’s story of a fashionable young man who sells his soul for eternal youth and beauty is the author’s most popular work. The tale of Dorian Gray’s moral disintegration caused a scandal when it ﬁrst appeared in 1890, but though Wilde was attacked for the novel’s corrupting inﬂuence, he responded that there is, in fact, “a terrible moral in Dorian Gray.” Just a few years later, the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde’s homosexual liaisons, which resulted in his imprisonment. Of Dorian Gray’s relationship to autobiography, Wilde noted in a letter, “Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be—in other ages, perhaps.

Le Portrait De Dorian Gray

It was Lady Windermere's last reception before Easter, and Bentinck House was even more crowded than usual. Six Cabinet Ministers had come on from the Speaker's Levée in their stars and ribands, all the pretty women wore their smartest dresses, and at the end of the picture-gallery stood the Princess Sophia of Carlsruhe, a heavy Tartar-looking lady, with tiny black eyes and wonderful emeralds, talking bad French at the top of her voice, and laughing immoderately at everything that was said to her. It was certainly a wonderful medley of people. Gorgeous peeresses chatted affably to violent Radicals, popular preachers brushed coat-tails with eminent sceptics, a perfect bevy of bishops kept following a stout prima-donna from room to room, on the staircase stood several Royal Academicians, disguised as artists, and it was said that at one time the supper-room was absolutely crammed with geniuses. In fact, it was one of Lady Windermere's best nights, and the Princess stayed till nearly half-past eleven.

Lord Arthur Savile's Crime

"Elle m'a dit qu'elle danserait avec moi si je lui apportais des roses rouges, gémissait le jeune Etudiant. Mais dans tout mon jardin il n'y a pas une seule rose rouge". De son nid dans l'yeuse le Rossignol l'entendit et le regarda à travers le feuillage et s'étonna. "Pas de rose rouge dans tout mon jardin," s'écria l'Etudiant, et ses beaux yeux s'emplirent de larmes. "Ah ! de quelles petites choses dépend le bonheur ! J'ai lu tout ce que les sages ont écrit, et tous les secrets de la philosophie sont à moi, et pourtant faute d'une rose rouge voilà ma vie brisée".

Le Rossignol et la Rose

It has constantly been made a subject of reproach against artists and men of letters that they are lacking in wholeness and completeness of nature. As a rule this must necessarily be so. That very concentration of vision and intensity of purpose which is the characteristic of the artistic temperament is in itself a mode of limitation. To those who are preoccupied with the beauty of form nothing else seems of much importance. Yet there are many exceptions to this rule. Rubens served as ambassador, and Goethe as state councillor, and Milton as Latin secretary to Cromwell. Sophocles held civic office in his own city; the humourists, essayists, and novelists of modern America seem to desire nothing better than to become the diplomatic representatives of their country; and Charles Lamb's friend, Thomas Griffiths Wainewright, the subject of this brief memoir, though of an extremely artistic temperament, followed many masters other than art, being not merely a poet and a painter, an art-critic, an antiquarian, and a writer of prose, an amateur of beautiful things, and a dilettante of things delightful, but also a forger of no mean or ordinary capabilities, and as a subtle and secret poisoner almost without rival in this or any age.

One of the world's best loved presenters meets one of the world's greatest authors in this beautiful selection of timeless, haunting stories. Vividly brought to life through abundant illustrations and Stephen's masterly introductions, Oscar Wilde's short stories are here made accessible to an entirely new generation.

 Whether you know it or not, the stories in this book are familiar. Like old friends whose charm and warmth never fade, Oscar Wilde's short stories have enchanted generations of readers, and this beautiful book makes them accessible to an entirely new readership.

 Selected and presented by one of Wilde's biggest fans, the book includes a foreword from Stephen Fry, who will also supply short introductions to the stories themselves, explaining why they mean so much to him and why they should mean a lot to you too.

 Meet the selfish giant, whose garden was cloaked in perpetual winter until he allowed the children to enter and play, the happy prince whose statue stood overlooking his city, who gave the rubies and sapphires embedded in his eyes and clothing to feed the poor, and the tiny swallow who helped him. And let's not forget the remarkable rocket who was so convinced that he would be the brightest, most remarkable rocket of all, yet who ended up in a ditch. There's also the Canterville ghost, so inept at being scary that every attempt to spook his American visitors results in failure.

 Stephen Fry has always been passionate about Oscar Wilde's writing but he has a particular fondness for his short stories. In this beautifully illustrated book he shares with us what each story means to him and what he feels the reader can take away with them, whether they're five or fifty years old. As well as a general introduction, Stephen offers introductions to the stories themselves, taking the reader through his selection. Illustrated by Nicole Stewart, stunning artwork accompanies each story to give shape to the reader's imagination.

 Whether you are buying this for yourself, for your wife, your son or daughter, for your nephew, your niece, your mother, your brother or your sister, the book will be a gift that you or they will cherish forever and return to time and time again. These are stories for adults and children of all ages, for all time.

Oscar Wilde’s Stories for All Ages

Dorian Gray, jeune dandy séducteur et mondain, a fait ce voeu insensé : garder toujours l'éclat de sa beauté, tandis que le visage peint sur la toile assumerait le fardeau de ses passions et de ses péchés. Et de fait, seul vieillit le portrait où se peint l'âme noire de Dorian qui, bien plus tard, dira au peintre : "Chacun de nous porte en soi le ciel et l'enfer."

Le portrait de dorian gray

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