With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : flute, oboe, clarinet, trumpet, horn, bass clarinet and bassoon

Eulenburg Miniature Scores

Paul Hindemith's well-known second substantial original composition for wind band. It is in every way a supreme professional musical achievement and can perhaps be described as one of the best works in existence for wind band. In any case it is an outstanding score for performers at the highest level. Instrumentation : wind band

Symphony in Bb - for Concert Band. wind band. Jeu de parties.

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music. Instrumentation : bassoon and piano

Edition Schott

Der Klavierauszug dient lediglich zu Studienzwecken. Eine öffentliche Aufführung in der Fassung für Bratsche und Klavier ist untersagt. Instrumentation : viola and bigger chamber orchestra op. 36/4

Being the result of lectures held by the author in America, this book keeps the promise made in the title : to show the composer in his world, portray him in his workshop and describe the disputes he has to overcome with himself, with the idea, the 'material', the fashion, the audience. Hindemith examines the conditions under which it is possible for an artist to do creative work. A new music theory is emerging, developing out of elementary components in a generally comprehensible and clear way while discussing in particular the technical side of composing. In this juxtaposition of creative artist and environment, the severe and critical statements on prevailing conditions result from the high sense of responsibility which, in Hindemith's opinion, has to define the path of the musician.

A Composer's World - Horizons and Limitations

The opulent music of this masterpiece by Paul Hindemith is perfectly suitable for an organ version. Although the organ is one of the few instruments never played by Hindemith, the three sonatas and two organ concertos created by the composer are important pieces for the organ. The transcription of the symphony 'Mathis der Maler' by Heribert Breuer is an effective challenge for ambitious organ players which gives the performer the opportunity to show his skills and make full use of the tonal qualities of his instrument. Instrumentation : organ

The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of 'Chamber Music No. 1', the audience even demanded a repetition of the third and fourth movements. But the title of the series of works consisting of seven compositions altogether is misleading : the individual pieces actually have concertante soloistic features. No. 2, on the other hand, resembles a piano concerto. The scores are based on Vol. VI/1 (PHA 401) of the Hindemith Complete Edition, edited by Giselher Schubert. Instrumentation : flute, oboe, clarinet, bass clarinet in Bb, bassoon, horn, trumpet in C, trombone, piano, violin, viola, cello and double bass op. 36/1

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : orchestra op. 38

Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician.

Eulenburg Miniature Scores

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