Le Poète et les lunatiques

Humour et intelligence. Des articles parus en 1927 dans le Illustrated London News. On aimerait bien savoir ce que penserait un Chesterton de notre société contemporaine nourrie d'informatique et de télévision.

À bâtons rompus: propos débridés

HAROLD MARCH, the rising reviewer and social critic, was walking vigorously across a great tableland of moors and commons, the horizon of which was fringed with the far-off woods of the famous estate of Torwood Park. He was a good-looking young man in tweeds, with very pale curly hair and pale clear eyes. Walking in wind and sun in the very landscape of liberty, he was still young enough to remember his politics and not merely try to forget them. For his errand at Torwood Park was a political one; it was the place of appointment named by no less a person than the Chancellor of the Exchequer, Sir Howard Horne, then introducing his so-called Socialist budget, and prepared to expound it in an interview with so promising a penman. Harold March was the sort of man who knows everything about politics, and nothing about politicians. He also knew a great deal about art, letters, philosophy, and general culture; about almost everything, indeed, except the world he was living in.

The Man Who Knew Too Much

THE suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne, apparently under the impression that the two sovereigns were identical. It was described with some justice as an artistic colony, though it never in any definable way produced any art. But although its pretensions to be an intellectual centre were a little vague, its pretensions to be a pleasant place were quite indisputable. The stranger who looked for the first time at the quaint red houses could only think how very oddly shaped the people must be who could fit in to them

The Man Who Was Thursday

Trois nouvelles méconnues : Le jardin enfumé, La tour de la trahison et Le cinq de pique qui développent chacune une intrigue aux frontières du fantastique.

Le Jardin Enfumé: Et Autres Nouvelles

Patrick Dalroy, un jeune Irlandais à la force physique peu commune, rentré au pays après une campagne légendaire contre les Turcs, apprend de la bouche de son meilleur ami, que le tyran du Comté s'apprête, sous l'influence hautement maléfique d'un fanatique musulman, à fermer toutes les vieilles auberges du pays.

On devine la suite : le roman est tissé d'exploits et d'aventures dignes du chevalier à la Triste Figure. Nos amis sont bien décidés à rétablir la loi de la dive bouteille dans leur pays menacé par l'Infidèle de mourir de soif. Le tempérament de Chesterton peut alors se déployer dans tout son éclat, renouant avec la plus belle tradition picaresque anglaise, celle des Sterne, Fielding et autres Smollett.

Livre prophétique, L'Auberge volante, écrit Pierre Boutang, « pourra éveiller et instruire ceux qui, en l'Occident européen, songent encore à relever certains défis, et restent fidèles à leur héritage ».

L'auberge volante

Between the silver ribbon of morning and the green glittering ribbon of sea, the boat touched Harwich and let loose a swarm of folk like flies, among whom the man we must follow was by no means conspicuous-nor wished to be. There was nothing notable about him, except a slight contrast between the holiday gaiety of his clothes and the official gravity of his face. His clothes included a slight, pale grey jacket, a white waistcoat, and a silver straw hat with a grey-blue ribbon. His lean face was dark by contrast, and ended in a curt black beard that looked Spanish and suggested an Elizabethan ruff. He was smoking a cigarette with the seriousness of an idler. There was nothing about him to indicate the fact that the grey jacket covered a loaded revolver, that the white waistcoat covered a police card, or that the straw hat covered one of the most powerful intellects in Europe. For this was Valentin himself, the head of the Paris police and the most famous investigator of the world; and he was coming from Brussels to London to make the greatest arrest of the century.

The Innocence of Father Brown

THE consulting-rooms of Dr Orion Hood, the eminent criminologist and specialist in certain moral disorders, lay along the sea-front at Scarborough, in a series of very large and well-lighted french windows, which showed the North Sea like one endless outer wall of blue-green marble. In such a place the sea had something of the monotony of a blue-green dado: for the chambers themselves were ruled throughout by a terrible tidiness not unlike the terrible tidiness of the sea. It must not be supposed that Dr Hood's apartments excluded luxury, or even poetry. These things were there, in their place; but one felt that they were never allowed out of their place. Luxury was there: there stood upon a special table eight or ten boxes of the best cigars; but they were built upon a plan so that the strongest were always nearest the wall and the mildest nearest the window.

The Wisdom of Father Brown

This   carefully crafted ebook: "All Father Brown Mysteries - Complete edition" is   formatted for your eReader with a functional and detailed table of   contents.
Father Brown is a fictional character created by English novelist G. K.   Chesterton, who stars in 51 detective short stories, most of which were later   compiled in five books. Chesterton based the character on Father John   O'Connor, a parish priest in Bradford who was involved in Chesterton's   conversion to Catholicism. The relationship was recorded by O'Connor in his   1937 book Father Brown on Chesterton.
This omnibus contains the following books:
1. The Innocence of Father Brown
2. The Wisdom of Father Brown
3. The Incredulity of Father Brown
4. The Secret of Father Brown
5. The Scandal of Father Brown
Gilbert Keith Chesterton (1874 - 1936) was an English writer, lay   theologian, poet, dramatist, journalist, orator, literary and art critic,   biographer, and Christian apologist. Chesterton is often referred to as the   "prince of paradox".

Le Poète et les lunatiques

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