2013 est le quatrième centenaire de la naissance de Le Nôtre. Un recensement de son oeuvre, fondé sur l'examen attentif des archives et un panorama européen de ses plus glorieuses créations, Vaux, Versailles, Sceaux, Marly, Dampierre...

Le Nôtre

Henri IV, a frequent guest at Chantilly, called it "the most beautiful house in France". The chateau strikes visitors with its originality, expressed both in the arrangement of the natural site and the story of the men and women who shaped it and dwelt there.
The manner in which the gardens arc laid out is the first indication of Chantilly's exceptional nature; Le Nôtre chose to create a random order, abandoning the option of a single axis as seen at Versailles.
The architecture too demonstrates undeniable originality. The château's residents - the d'Orgemonts, Montmorencys, Condés and later the duc d'Aumale - all had the same fondness for the place, which prompted them constantly to build, demolish, rebuild and alter it, calling on the finest architects of the day: Chambiges, Bullant, Mansart, Aubert and Daumet.
The rich history of France has led Chantilly to occupy the eminent position appropriate to it. The château surrounded by its huge estate has had a place in that history from, the start of the Capetian Dynasty. Over the centuries it belonged to outstanding men who were ever closer to the power of the monarchy, and then to the royal family itself By the end of the seventeenth century, in the hands of these champions of aristocratic power, Chantilly had become virtually a rival principality to Versailles, its splendid festivities and legendary hunts attracting large numbers of courtiers, artists and men of letters. At the time of the French Revolution the Grand Château was dismantled, and it was not until the duc d'Aumale, who inherited Chantilly half a century later, undertook major restoration work that the château was returned to its former splendour. He also made it the setting for the superb collections of paintings and works of art he had amassed throughout his life. In 1887 the duc bequeathed the whole complex to the Institut de France which still owns it, enjoining them open the museum and gardens to the public.
It is the thrilling story of this place and its occupants that is told here. The old documents and plan drawings allow us to visualise the château century after century, portraits acquaint us with its owners, and superb photographs of the house and grounds today enable us to follow the adventure of Chantilly right up to the present time.

Chantilly. Edition En Anglais

Album du Comte du Nord - Recueil des plans des châteaux, parcs et jardins de Chantilly levé en 1784

Ce texte est devenu un écrit de référence pour la définition de la notion de patrimoine, tant dans le monde universitaire que dans le monde professionnel. Les auteurs se sont attachés à étudier comment cette notion est récemment apparue en France, au terme d'une longue histoire du domaine, des biens et de la sensibilité, dont l'enchaînement est ici examiné à travers le fait religieux, monarchique, familial, national, administratif et scientifique.

La notion de patrimoine

La notion de patrimoine? Elle est apparue en France récemment, au terme d'une longue histoire du domaine, des biens et de la sensibilité. Cette évolution est ici examinée à travers le fait religieux, monarchique, familial, national, administratif et scientifique. Tout cela fait de ce texte un écrit de référence pour la définition de la notion de patrimoine, tant dans le monde universitaire que professionnel.

Le Nôtre

Résumé

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