Allemagne neuf zéro
Jean-Luc Godard par Jean-Luc Godard. Tome 1 (1950-1984)
Publié par Editions des Cahiers du Cinema
637 pages
Résumé
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut, Bresson, and Renoir, Godard is also writing about himself—his own experiments, obsessions, discoveries. This book offers evidence that he may be even more original as a thinker about film than as a director. Covering the period of 1950–1967, the years of Breathless, A Woman Is a Woman, My Life to Live, Alphaville, La Chinoise, and Weekend, this book of writings is an important document and a fascinating study of a vital stage in Godard’s career. With commentary by Tom Milne and Richard Roud, and an extensive new foreword by Annette Michelson that reassesses Godard in light of his later films, here is an outrageous self-portrait by a director who, even now, continues to amaze and bedevil, and to chart new directions for cinema and for critical thought about its history.
Plus de livres de Jean-Luc Godard
Voir plusJean-Luc Godard par Jean-Luc Godard - Tome 2, 1984-1998
Dialogues sur le cinéma
Jean-Luc Godard par Jean-Luc Godard
Coffret godard 2 vol
Archéologie du cinéma et mémoire du siècle: Dialogue
JLG/JLG ; phrases
Godard Par Godard
Critiques
Ce livre n'a pas encore de critiques
Vous avez lu ce livre ? Dites à la communauté Lenndi ce que vous en avez pensé 😎