Dictionnaire complet de l'argot employé dans les Mystères de Paris

In The Romance of Lust, well-endowed narrator Charlie Roberts recounts the varied and prolific Victorian-era sexual experiences of his youth. Still considered scandalous by modern standards, the novel discusses subjects considered to be completely taboo at the time of its publication in the 1870s, including incest, masturbation, and homosexuality. Like many similar works of erotic fiction, The Romance of Lust was banned for a period of time. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

The Romance Of Lust

Apocalypse de Saint Jean

Veillez et Priez

Petit guide 296. Le porte-bonheur

Les Aïnous étaient le peuple aborigène de l'île de Sakhaline, de l'archipel des Kouriles et des territoires du nord du Japon, mais ils en furent chassés par les gouvernements russe et japonais attirés par les richesses naturelles de ces régions. Aujourd'hui, plusieurs dizaines de milliers d'Aïnous vivent en Hokkaidô, l'île septentrionale du Japon, et ses îles alentour.Les jeunes héros immortels qui traversent les cieux dans les épopées yukar nous laissent supposer combien ces Aïnous débordaient de bravoure et de confiance en eux. Leur kamuy-yukar mettent en scène les multiples divinités du monde de la nature et font revivre en nos cœurs leur vie quotidienne emplie de liberté. Les hommes empruntent les lèvres de chacun de leurs dieux, qu'ils soient ours, lapin, orque, grenouille, feu ou tonnerre, et chantent, avec une surprenante musicalité et gaieté, leurs amours, leurs échecs et les tragédies humaines, sans jamais omettre d'évoquer la magnificence de leur univers naturel.Ces chants divins, dont l'origine se retrouverait dans les oracles chamaniques, ont été transmis de bouche à oreille au fil des siècles et se propagent encore dans notre univers contemporain.

Tombent,tombent les gouttes d'argent; Chants du peuple Aïnou

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La Saga de Njal

Aucassin et Nicolette is a medieval French chantefable, or combination of prose and verse (literally, a "sung story"), similar to a prosimetrum. It is the only known chantefable from what was once a very popular literary tradition, and it is from this work the term chantefable was coined in its concluding lines: "No cantefable prent fin" ("Our chantefable is drawing to a close"). Stylistically, the chantefable combines elements of the chanson de geste (e. g., The Song of Roland), lyric poems, and courtly novels-literary forms already well-established by the twelfth century. The work probably dates from the early 13th century, and is known from only one surviving manuscript dating from the later part of the century. The work's authorship is unknown. It is generally considered a roman d'adventure, or a romantic work of action and adventure.

Dictionnaire complet de l'argot employé dans les Mystères de Paris

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