Walkure ritt der walkuren poche

Wagner's Wesendonck Lieder consist of a five songs for female voice and piano. The songs are settings of five of Mathilde Wesendock's poems. This edition contains sheet music for both the Vocal and Piano accompaniment. Instrumentation : Soprano and Orchestra or Piano WWV 91 A

Edition Schott

Siegfried (L'avant Scène Opéra, #229)

L'avant-scène opéra : la tétralogie

Ob Wagnerianer oder Nicht-Wagnerianer: Vor allem die musik-dramatischen Werke von Richard Wagner haben bis heute nichts von ihrer Anziehungskraft auf Opernfreunde verloren. "Der Ring des Nibelungen", "Der fliegende Holländer" oder "Parsifal" gehören immer noch zu den meist gespielten Opern weltweit.

Obwohl Wagner schon zu Lebzeiten ein gefeierter Vertreter der Hochkultur war, speist sich seine frühe Kunsttheorie aus einer revolutionären Ablehnung des herkömmlichen Kunstbetriebs. Seine Auffassungen als radikaler Erneuerer der Kunst beschreibt er in "Das Kunstwerk der Zukunft". Die Schrift ist nicht nur für ein vertieftes Wagner-Verständnis wichtig. Sie enthält auch nachdenkenswerte Anregungen für eine Zustandsdiagnose des aktuellen Kultur- und Konsumbetriebs, der sich in seinem endlosen und ständig unbefriedigten Begehren nur um sich selbst zu drehen scheint.

Die kunsttheoretische Abhandlung Wagners liegt hier in einer neu bearbeiteten Fassung vor, die, wie alle Werke der ofd edition, nicht automatisiert kopiert, sondern sorgfältig editiert und der aktuellen Rechtschreibung angepasst wurde. Die bessere Lesbarkeit und Gestaltung verhelfen so zu einem ungetrübten Lesefluss.

Das Kunstwerk der Zukunft - Neu bearbeitete Ausgabe (Klassiker der ofd edition)

An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition. The score corresponds to the performance materials from the Complete Edition. For practical use in rehearsal cues and bar numbers throughout. The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. The forewords are given in three languages(German, English, French). Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG "Die Meistersinger von Nürnberg is today still considered a German festival and national opera : this evaluation is borne out by the opera's performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche's publication "Jenseits von Gut und Böse" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as 'magnificent, ornate and ponderous art' and Wagner's music in general as being 'rough and coarse'. This music according to Nietzsche possesses 'no trace of the fine southern clarity of the sky and nothing of grace', but instead 'a cumbersome garb, with a touch of licentious barbarism and solemnity' and 'even a certain degree of ungainliness'. Nietzsche's evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott's Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. [... ] When the saying 'the music sets the tone' is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound. " (Egon Voss, quoted from the foreword of the new Meistersinger vocal score ; translated by Lindsay Chalmers-Gerbracht) WWV 96

Wagner Urtext-Klavierauszüge

Tristan, a valiant Cornish knight, is bringing Isolda, princess of Ireland, over as a bride for his uncle, King Mark. He is himself in love with her, but owing to a blood feud between them, forces himself to conceal his passion. Isolda, in anger at his seeming unkindness, attempts to poison herself and him, but her attendant, Brangæna, changes the draft for a love potion, which enflames their passion beyond power of restraint...

Tristan and Isolda

This new publication presents Wagner's much-loved opera in its entirety with a detailed preface by Egon Voss. The new Urtext Edition replaces the familiar edition by the conductor Felix Weingartner, published in 1897, and it was this version that which all later editions were based upon. Throughout its creation both during Wagner's lifetime and thereafter, The Flying Dutchman has gone through many revisions, making this new edition essential to any opera lover and a welcome addition to the repertoire. Instrumentation : Soprano, Alto, 2 Tenors, 2 Basses, Mixed Chorus and Orchestra WWV 63

Eulenburg Miniature Scores

Arranged for trombone quartet, these six choral pieces by classical composers from Gluck to Wagner will adorn every concert programme. They all are of solemn character. The players can choose between all-time favourites like Mozart's O Isis und Osiris and lesser known, yet very charming pieces like Conradin Kreutzer's Frühlingsandacht. Instrumentation : 4 trombones

Walkure ritt der walkuren poche

Plus de livres de Richard Wagner

Critiques

Ce livre n'a pas encore de critiques