Avec ce volume commence la première édition intégrale en français de la correspondance du musicien.

Correspondance (Tome 1) : 1756-1776

Opéra-bouffe en quatre actes, basé sur "Le mariage de Figaro" de Beaumarchais.Paroles en italien avec traductions française et anglaise sur des colonnes parallèles.Libretto di Lorenzo Da Ponte ; musica di Wolfgang Amadeus Mozart ; traduction mot à mot accent tonique par Marie-Thérèse Paquin.

Le Nozze di Figaro

At first glance, this work maybe eclipsed by the earlier Sonata in B major, KV 333 but Mozart's Sonata KV 570 is by the far the more popular work, especially in piano lessons. This maybe due to its more moderate technical demands on the one hand and to the larger variety of musical techniques in Mozart's piano style with which this sonata has in relatively manageable dimensions. The middle movement with its rich colour of wind instruments seems like an orchestral movement of the later Mozart, transcribed for the piano. This Wiener Urtext Edition presents the work in a low-priced separate edition which is suitable for lessons, studies and concert performances. Instrumentation : piano KV 570

Sonata pour piano en si-bémol majeur - Nach den Quellen hrsg. von Ulrich Leisinger. Hinweise zur Interpretation von Robert D. Levin. Fingersätze von Heinz Scholz. KV 570. piano.

Wolfgang Amadeus Mozart, alors âgé de vingt-deux ans, fait son entrée dans la capitale accompagné de sa mère Anna Maria. L'excitation des premiers jours est grande : on visite les plus prestigieuses demeures aristocratiques que compte la ville et on y dresse un portrait piquant de ses habitants. Tableau vivant de la capitale française et de ses moeurs, ces lettres nous permettent de pénétrer l'intimité d'un des plus grands compositeurs de tous les temps.

Voyage à Paris (avec sa mère) 14 mars 1778 - janvier 1779 - Paris, Nancy, Strasbourg, Manheim, Kaisersheim, Munich, Salzbourg

This new edition contains the facsimile of the entire Mozart autograph, plus the musical text newly edited by Ulrich Leisinger, who drew upon the autograph and the first edition as found in the first volume of the new Wiener Urtext edition of Mozart's piano sonatas (UT 50226). The editor's decisions can be followed in the critical annotations as well as, perhaps even more importantly, in the direct comparison with the original manuscript. The edited musical text with fingerings, tried and tested page turns and a clear engraving offers a very convenient basis for practical use. The preface gives information about the work's origins and the autograph's eventful history. Instrumentation : piano KV 310

Vienna Urtext Edition and facsimile

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : flute, harp and orchestra KV 299

Eulenburg Miniature Scores

Über Wolfgang Amadeus Mozart ist viel geschrieben, geredet und gefilmt worden. Die vorliegende Briefsammlung bietet die Chance, Mozart nach seinen eigenen Worten zu beurteilen. Der Verfasser dieser Briefe weicht charakterlich offenbar deutlich vom Klischee des lauten und exaltierten Genies ab, als das der Komponist oft dargestellt wurde. Seine Briefe zeigen einen hochsensiblen Menschen, der um seinen Erfolg kämpfen muss. Sie sind ein wertvolles Dokument der Musikgeschichte.

Mozart-Briefe - Ausgewählte Briefe von Wolfgang Amadeus Mozart

Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand' : two concertos, a double concerto with harp, the original version of the Wind Concertante and the four flute quartets. Commissioned by the Dutch physician and amateur musician Ferdinand Dejean, Mozart wrote his two solo concertos in 1777/78 during a stay in Mannheim. As the middle movement of the Concerto in G major KV 313 supposedly was too difficult for the client - with regard to the playing technique and/or music - the composer wrote an alternative version, 'Andante' KV 315 (285e). This nice individual movement is now presented in a carefully edited new edition, with a cadenza of the editor - a serenade-like setting that offers the soloist many possibilities for cantabile playing. Instrumentation : flute and piano K 315 (285e)

Andante - K 315 (285e). flute and piano.

Wolfgang Amadeus Mozart wrote the oboe quartet in F, K-number 370, early in 1771 for the oboist Friedrich Ramm. In an impressive manner, this composition gives expression to the intimacy inherent in Mozart´s chamber music : After the introduction of the theme by the soloist, the supporting voices join in taking an active part in the musical flow of the first movement and converting the oboe´s soliloqui into a dialogue. An expressive, marvellous theme dominates the second movement, the suspense of which does not ease until the composition proceeds to the concluding rondeau - a rondeau almost bursting with its exuberant joie de vivre. This composition certainly ranks with Wolfgang Amadeus Mozart´s best-known and most beautiful pieces of work. On the occasion of the Mozart Year 2006 I have ventured to write an arrangement for the saxophone quartet clair-obscur. To a large extent, I have retained the original key and octave positions ; for the parts which include technical difficulties well-tried alternative ossia possibilities are available. Mozart's oboe quartet is a real MUST and represents a great musical challenge to each saxophone quartet. Instrumentation : 4 saxophones (SATBar) KV 370 (368b)

Correspondance (Tome 1) : 1756-1776

Résumé

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