Privé sans licence enquêtant «pour rendre service», Matthew Scudder a quitté la police de New York et sombré dans l’alcoolisme après avoir tué accidentellement une fillette lors d’un échange de coups de feu avec des malfrats. Chez Armstrong, un bar qu’il fréquente un peu trop, il fait la connaissance de Charles London, qui lui demande de retrouver le meurtrier de sa fille, Barbara Ettinger, tuée neuf ans plus tôt. Son assassinat a été attribué à Louis Pinell, le «Rôdeur au pic à glace» récemment arrêté, qui reconnaît avoir tué sept victimes... mais pas Barbara. Et Scudder le croit. Après s’être renseigné, il se lance sur la piste d’un amant possible: Barbara aurait attendu un enfant noir. Le meurtrier serait-il le mari jaloux? Trop facile. Scudder rencontre alors une voisine de Barbara, qui, elle aussi alcoolique, devient sa maîtresse. De fil en aiguille, mais surtout de verre en verre, de meurtre en meurtre et de désespoir en désespoir, Scudder fi nira par y voir clair.

Le coup du hasard (Matthew Scudder, #4)

Broadway Can Be Murder started out to be a novel based on Johnny Midnight, a TV series which everyone has long since forgotten. Except, of course, that nothing manages to be forgotten in the Internet Age. I, whose job it was to knock out 50, 000 words of Johnny Midnightish prose and dialogue, had forgotten when it ran and who was in it, but Google took no time at all to remind me that the title role was played by Edmund O'Brien, and that the series ran during the first nine months of 1960. And if you want to know more about it, well, Google and Wikipedia are there to enlighten you. I was in New York, newly married, living at 110 West 69th Street. I was writing short stories for crime fiction magazines, erotic novels for Midwood and Nightstand, and fielding assignments that my agent steered in my direction. Two of these were from paperback publishers who had acquired the book rights to a TV drama and wanted to hire someone to write a book. First up for me was a show called Markham, which starred Ray Milland. Belmont was to be the publisher, and I had to write that book twice.  My first effort turned out to be too good to waste its fragrance on Belmont's desert air, and my agent had me change the title and the names of the characters and sold the thing to Gold Medal. So I had to write it again, and I did, and they liked it okay and published it. Next up was Beacon Books, with "Johnny Midnight" as both the book's inspiration and its title. I wrote it, but by the time Beacon was preparing it for publication, the series had been canceled. The publisher saw no reason to pay a licensing fee for a moribund show, and accordingly changed names: Johnny Midnight became Johnny Lane, and his trusty servant morphed from Uki to Ito. And Lawrence Block became Ben Christopher for the occasion. I don't know what kept me from using my own name, the book was crime fiction rather than the erotica that seemed to call for a pen name, but I do remember that my great friend Donald E. Westlake had recently done some sort of tie-in novel and hung the name Ben Christopher on it, telling me it would be his pen name for tie-ins he was anxious to forget. I horned in on the name, and if Don found this irksome he kept it to himself. Someone at Beacon picked the title. Strange Embrace. Well, there's a lesbian element in the book, and I guess they wanted to play it up, and "strange" was a useful code word toward that end. It retained that title when Subterranean Press put it in a splendid double volume with 69 Barrow Street, and when I first reissued it in the Classic Crime Library. But it doesn't really fit the book at all, making a hard-edged crime novel set in the world of New York theater look like a bt of Beacon erotica. Thus it's new title: Broadway Can Be Murder it now is and shall be. Ray Milland I should add, had no better luck than Edmund O'Brien; his show Markham was canceled after a single season. Belmont evidently didn't get the news in time to act on it, and they dutifully published the book as Markham: The Case of the Pornographic Photos. When I okayed a reissue years later by another publisher I changed the title to You Could Call It Murder-and it's available now with that title, in paperback or ebook, as Classic Crime Library #12. (And the book it was written to replace, which Gold Medal called Death Pulls a Doublecross, is now #13 in the Classic Crime Library with my original title restored: Coward's Kiss.) And here's CCL #19, Broadway Can Be Murder. Enjoy it!

Broadway Can Be Murder - The Classic Crime Library, #17

Lawrence Block's 17 Matthew Scudder novels have won the hearts of readers throughout the world-along with a bevy of awards including the Edgar, the Shamus, the Philip Marlowe (Germany), and the Maltese Falcon (Japan). And it's Matt Scudder who's been largely responsible for Block's lifetime achievement awards: Grand Master (Mystery Writers of America), The Eye (Private Eye Writers of America), and the Cartier Diamond Dagger (UK Crime Writers Association). But Scudder has starred in short fiction as well, and it's all here, from a pair of late-70s novelettes (Out the Window and A Candle for the Bag Lady) through By the Dawn's Early Light (Edgar) and The Merciful Angel of Death (Shamus), all the way to One Last Night at Grogan's, a moving and elegiac story never before published. It was short fiction that kept the series alive on the several occasions when the flow of novels was interrupted, and short stories that took Scudder down different paths and showed us unmapped portions of his world. Some of these stories appeared in such magazines as Alfred Hitchcock, Ellery Queen, and Playboy. The title vignette, The Night and the Music, was written for a NYC jazz festival program; another, Mick Ballou Looks at the Blank Screen, has appeared only as the text of a limited-edition broadside. And the final story, putting Matt and Elaine at a table with Mick and Kristin Ballou in a shuttered Hell's Kitchen saloon, has its first appearance in this volume. Several stories look back from the time of their writing, with Scudder recounting events from his former life as a cop, first as a patrolman partnered with the legendary Vince Mahaffey, then as an NYPD detective leading a double life. In Looking for David, Matt and Elaine are on vacation in Florence, where they encounter a man Matt arrested decades earlier; now Matt finally learns the motive behind a brutal homicide. Along with the eleven stories and novelettes, The Night and The Music includes a list of the seventeen novels in chronological order, and an author's note detailing the origin and bibliographical details of each of the stories. Brian Koppelman, the prominent screenwriter and director (Solitary Man, Ocean's Thirteen, Rounders) and a major Matt Scudder fan, has sweetened the pot with an introduction.

The Night and the Music - Matthew Scudder, #18

Cale Hanniford, la cinquantaine, vient de perdre sa fille, Wendy, tuée par Richard Vanderpoel, le jeune homme avec lequel elle vivait à New York. Couvert de sang et incohérent, celui-ci a été arrêté et jeté en prison, où il s'est pendu. Pour la police le dossier est clos, cependant Hanniford veut le rouvrir : il est sûr que Richard est coupable, mais, rongé par le remords de ne pas avoir fait assez pour sa fille, il aimerait savoir pourquoi elle a fini par se prostituer et mourir assassinée.

Matt Scudder comprend vite qu'Hanniford lui ment sur un point capital. Pressé de répondre, celui-ci finit par lâcher que Wendy n'était sa fille que par adoption. Flairant l'arnaque, Scudder décide d'enquêter : la police est-elle allée trop vite en accusant le fils d'un pasteur élevé dans le strict respect de la loi divine ?

Les péchés des pères

Bernie rhodenbarr, le très célèbre libraire-cambrioleur de la barnegat books, reçoit un jour la visite d'ilona, une belle étrangère.
 Bavardages, séduction enjouée et surtout passion commune pour les films d'humphrey bogart, c'est vite le coup de foudre.  cependant ilona, qui est très clairement émue, garde ses distances.  mais alors pourquoi lui demande-t-elle soudain de l'emmener au cinéma ? parce qu'elle hésite à se donner et voudrait en savoir plus sur bernie ? ne serait-elle pas plutôt de mèche avec un certain hugo candlemas qui est venu voir bernie à sa librairie et lui a demandé, moyennant promesse de finances, d'aller faucher un porte-documents dans un bel appartement de new york ? hélas bernie n'a pu accomplir sa mission, et le porte-documents lui a filé entre les doigts alors qu'il était sur le point de s'en emparer.
 Pire, un tas d'individus plus ou moins louches, mais tous fort distingués, commencent à lui empoisonner la vie.  les déconvenues s'ajoutant à d'inexplicables disparitions, bernie se retrouve plongé dans un imbroglio qu'il aura toutes les peines du monde à démêler.

Le bogart de la cambriole

Pour Bernie Rhodenbarr, le célèbre libraire-cambrioleur, se glisser dans un appartement n'est jamais un problème. En sortir s'avère parfois plus difficile, surtout quand on reste coincé sous le lit... Véritable festival de situations farfelues et de dialogues à l'emporte-pièce, ce roman est certainement l'un des plus agréablement cinglés de la série Rhodenbarr.

Le cambrioleur en maraude

1. Terrain de mésentente. John Hayden et son acolyte tiennent un coup à toute épreuve : offrir au pigeon une fraction de ce qu'il a payé jadis pour un terrain sans valeur et lui faire croire que ledit terrain fait partie d'un lot bien plus important. L'idée ? Que le pigeon en soit si intrigué qu'il soit prêt à payer une fortune pour détenir tout le lot. Délicat, mais il faut que ça marche... parce que l'autre gros lot est la belle Evvie, la fille au coeur vert. La Valise et la Fille. Joe Marlin passe son temps à déménager d'un hôtel à l'autre, sans payer bien sûr, et à arnaquer son monde. Un jour, dans une valise qu'il a volée par hasard, il trouve un gros paquet d'héroïne et peu après est abordé par Mona Brassard, une splendide créature qui lui propose de se débarrasser de son mari... comme par hasard le propriétaire de la valise. Vite amoureux de la dame, Joe se lance dans la plus belle arnaque de sa carrière. Mais le hasard, surtout quand ce n'en est peut-être pas un, ne fait pas toujours bien les choses.

Mensonges en tout genre

John Paul Keller a 45 ans, c'est un philatéliste passionné et un tueur à gages professionnel. Après L'amour du métier et Le Blues du tueur à gages, on le retrouve dans l'Iowa, où il s'apprête à exécuter un contrat des plus banals. Sauf qu'un petit malentendu l'amène à se retrouver en prime time sur CNN, accusé devant des millions de téléspectateurs d'avoir assassiné le gouverneur d'un état voisin. La journée commence mal.
Promis juré, cette mission sera la dernière. John Keller, tueur à gages professionnel et philatéliste amateur, en a sa claque. Un dernier job facile, bien payé, ni vu ni connu, et à lui la belle vie de retraité. Enfin presque : le meurtre commandité n'a jamais lieu, et Keller découvre son propre visage à la une du journal télévisé de CNN. Il est accusé d'avoir assassiné un sénateur célèbre. Et la commanditaire de Keller, sa vieille copine Dorothea, est retrouvée morte dans sa maison brûlée. Un coup monté, à l'évidence. De main de maître : comment fuir, où se cacher quand l'Amérique tout entière vous croit coupable ? Pour une retraite paisible, on a fait mieux.

Keller en cavale

Un soir d'avril, dans le quartier de " la cuisine de l'enfer ", glenn holtzmann, cadre dans une maison d'édition new-yorkaise, est abattu alors qu'il téléphonait d'une cabine publique.
 Meurtre mafieux ? tout le dit jusqu'au jour oú george sadecki, un clochard, est arrêté.  indigné, son frère demande à matt scudder de se charger de l'enquête.  le détective privé, vieil habitué des réunions d'alcooliques anonymes, a plus d'une raison de s'intéresser à l'affaire.  il entretenait avec la victime des relations d'amitié oú la méfiance, pourtant, avait son mot à dire : et la femme de glenn, lisa, ne lui est pas indifférente.
 Mais les bonnes intentions ne font pas toujours les bons conseils, surtout en matière de meurtre.

Le diable t'attend

Nella sua quarta avventura, Matthew Scudder riapre un caso su cui aveva indagato anni prima, quando era  detective della polizia di New York. Louis Pinell, l'Assassino del Punteruolo, recentemente arrestato, ammette spontaneamente di aver ucciso sette giovani donne nove anni addietro, ma giura che è stato un imitatore a uccidere Barbara Ettinger. Scudder gli crede. Ma la pista che conduce al vero assassino della Ettinger è contorta, oscura e pericolosa... e ancora più fredda del cadavere che è deciso a vendicare. L'indagine di Scudder porta nella sua vita una nuova donna, la scultrice Jan Keane, il cui loft a Tribeca si prospetta come un promettente rifugio. Ma il suo alcolismo, ormai cronico, comincia a sembrare un problema...***Da alcune recensioni: "Block sa come tessere una rete intricata. E quando le persone cercano di ingannare, cosa che accade abbastanza spesso nei suoi libri, si mettono in un mare di guai. Le trame di Block sono tese e i suoi dialoghi realistici senza troppi abbellimenti. I suoi personaggi sono uomini duri e parlano come ci si attende la loro". - Rocky Mountain News "Estremamente ben scritto! Block è un abile chirurgo, sicuro e preciso". - New York Times "Avvincente, con una conclusione sconcertante". - Publishers Weekly "Block è estremamente abile, con un orecchio per i dialoghi, un occhio per i personaggi di bassa lega e un dono per la narrazione veloce e senza sforzo che regge il confronto con Elmore Leonard". - Los Angeles Times "Quando Lawrence Block è in modalità Matt Scudder, la narrativa poliziesca può avvicinarsi tanto alla letteratura che spesso non c'è alcuna differenza". - Philadelphia Inquirer

Una Pugnalata nel Buio - Matthew Scudder, #4

The basis of the recent film starring Liam Neeson, A Walk Among the Tombstones is Matthew Scudder's tenth appearance. He's hired by a drug dealer whose wife has been savagely murdered, and Scudder's pursuit of the faceless killers leads him on a chase through Manhattan and Brooklyn, with an unforgettable denouement in Green-Wood Cemetery. TJ, Scudder's streetwise young friend, is on hand, and Scudder's girlfriend Elaine plays a vital role, even as their relationship has its challenges. Publishers Weekly: "Despite their dark titles (the words Slaughterhouse and Boneyard figured in the previous two), Block's splendid, award-winning Matt Scudder novels are by no means unrelievedly bleak. His latest-as well as offering the customary skillful plotting, adroit pacing and sure sense of New York character-features a wry humor all its own, along with a particularly ingratiating and convincing pair of computer hackers. The premise is grim, certainly: a pair of men who prey murderously on women progress to kidnapping the womenfolk of drug dealers and demanding huge ransoms. Former alcoholic PI Scudder-now going to more AA meetings than ever-reluctantly agrees to help one dealer, a Lebanese, after his wife is killed by the kidnappers. Slowly and methodically he discerns a pattern in the mayhem. With the help of his erstwhile police colleagues, his black Times Square sidekick TJ and his call-girl sweetheart, Elaine, Scudder tightens the net on the culprits. When they seize the daughter of a Russian dealer, he is ready for the showdown. Block isn't big on action, though when it comes it is swift, vivid and horribly convincing; his Scudder books are built on character, atmosphere, crackling dialogue and a great deal of brooding-the taste for them is addictive. An equal of Elmore Leonard and Robert Parker, Block deserves similar acclaim."Other reviews:"This is fantastic stuff, and a must for fans of gritty, realistic suspense." - My Bookish Ways"A WALK AMONG THE TOMBSTONES is indispensable reading for all crime fiction fans. Add it to your "must read" pile immediately." - Bookgasm

A Walk Among the Tombstones - Matthew Scudder, #10

New York's a tough town. Hard to impress. Shrugs off hype, casts a cold eye on glitz. But once in a blue moon a killer with street smarts and a sense of theater will reach out and take the city by the throat. Maybe he'll write letters to a popular tabloid columnist, proclaiming himself the answer to a failed criminal justice system. Maybe he'll point a finger at the kind of villain the law can't touch. A child killer who got off on a technicality, say. A top mobster with decades of blood on his hands. A rabble-rouser who incites others to murder. Maybe he'll sign himself "Will, " as in "The Will of the People." Then suppose he takes aim at a respectable lawyer, a defense attorney with a roster of unpopular clients. Suppose the lawyer's a friend of Matt Scudder. Scudder is New York to the bone. He's as tough as the big town itself, as hard to impress. And now he's up against the self-styled Will of the People in a city with eight million ways to die, a city where not just the good guys but even the wicked get worse than they deserve.

même les scélérats

Longue nuit du sans-sommeil (la)

Matt Scudder is finally leading a comfortable life. The crime rate's down and the stock market's up. Gentrification's prettying-up the old neighborhood. The New York streets don't look so mean anymore. Then all hell breaks loose. Scudder quickly discovers the spruced-up sidewalks are as mean as ever, dark and gritty and stained with blood. He's living in a world where the past is a minefield, the present is a war zone, and the future's an open question. It's a world where nothing is certain and nobody's safe, a random universe where no one's survival can be taken for granted. Not even his own. A world where everybody dies.

Everybody Dies

Lawrence Block, né le 24 juin 1938 à Buffalo (New York), est un écrivain américain de roman policier.

https://fr.wikipedia.org/wiki/Lawrence_Block

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