Le Crépuscule des Dieux (L'avant Scène Opéra, #230)

An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner's ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria : The score corresponds to the performance materials from the Complete Edition. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. The forewords are given in three languages (German, English, French). Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott's Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner's intentions. For this reason, the critical edition is largely based on Wagner's autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes. WWV 86 D

Wagner Urtext-Klavierauszüge

The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner's work more accessible for research and performance, but the edition only reached 10 volumes - some with grave shortcomings - and was discontinued after Balling's death in 1925. A further attempt at a complete edition by Otto Strobel was abandoned at the preliminary stages. This third attempt at a complete edition will be the first scholarly, critical edition, based on an evaluation of all the accessible source materials and the latest findings of serious Wagner research. As the edition is also intended for practical performance, the musical text has been kept free of philological insertions ; these are listed in the appendices of each volume in the Critical Commentary. Numerous, partly unpublished works - some relatively unknown - and variant versions are published here for the first time. The edition presents authentic texts for Wagner specialists and researchers and critically based performing materials. Contrary to widely held opinions, even the well-known works of Wagner are not necessarily available in reliable editions. The genesis, history and performances directed by Wagner himself are extensively documented so as to present as complete an image as possible of Wagner's compositional intentions. Instrumentation : Orchestra

Orchestral works - Orchestra. Partition et notes critiques.

Une adaptation en bande desinée de l'opéra composé par Richard Wagner.

L'or du Rhin

Götterdämmerung: Dritter Tag Aus Dem Bühnenfestspiel "Der Ring Des Nibelungen"

L'anneau de Nibelung (Der Ring des Nibelungen) est l'oeuvre-monde de Wagner.
15 heures de théâtre et de musique qui nous transporte de la création du monde à la chute des dieux et l'avènement de la société des hommes.
Autour d'un anneau maudit, en compagnie d'un dragon, d'amours impossibles et de héros au destin tragique, Wagner redonne vie à la mythologie nordique et médiévale allemande et préfigure les mondes de la fantasy.
Mais supposons un dessinateur qui ne croit pas trop aux prophètes ni aux héros, qui désire rendre ces histoires à leur origine primitive, grotesque, irrévérencieuse. Comme un calque qui aurait bougé : des scènes s'ajoutent, des personnages disparaissent, des traits grossissent, des détails s'effacent, d'autres bouillonnent, et une demi-déesse amputée, abandonnée et trompée décide de bouleverser les plans des dieux et des hommes.
Brynhildr est l'histoire de cette femme, racontée par Frédéric Coché en 72 eaux-fortes.

Brynhildr : un opéra dessiné d'après Der Ring des Nibelungen

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : orchestra WWV 75

Eulenburg Miniature Scores

Une communication à mes amis / Lettre sur la musique

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : orchestra WWV 63

Le Crépuscule des Dieux (L'avant Scène Opéra, #230)

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