Correspondance 2

Science de la logique - Tome 1, Livre 1, L'Etre

La raison dans l'Histoire est un écrit central de la pensée de Hegel et le plus accessible de ses livres. Un ouvrage qui a eu une influence décisive sur l'ensemble de la philosophie moderne. Ici, le monde des Anciens et le siècle des Lumières prennent fin. Dans une puissante vision synthétique, Hegel embrasse l'ensemble du réel sous tous ses aspects - conscience, politique, culture - et lui donne un nouveau visage. L'introduction de Kostas Papaioannou fournit les clés pour aborder l'oeuvre du grand penseur de l'Aufklärung.

La raison dans l'histoire - Introduction à la philosophie et à l'histoire

Lecons sur la philosophie de la religion t.2 vol1 nature

Phänomenologie des Geistes is one of G.W.F. Hegel's most important philosophical works. Translated as The Phenomenology of Spirit or Mind due to the dual meaning of Geist, it formed the basis of his later philosophy & was a significant development in German idealism after Kant. Focusing on topics in metaphysics, epistemology, physics, ethics, history, religion, perception, consciousness & political philosophy, the Phenomenology develops his concepts of dialectic (including the Master-slave), absolute idealism, ethical life & sublation. The book had profound effect in Western philosophy, particularly on Marxism's development, & "has been praised & blamed for the development of existentialism, communism, fascism, death of god theology & historicist nihilism."--Terry Pinkard (edited)Preface: On Scientific CognitionIntroductionA Consciousness1 Sense-certainty 2 Perception 3 Force & the Understanding B Self-consciousness4 The Truth of Self-certainty A Independence & dependence of self-consciousness: lordship & bondage B Freedom of self-consciousness: stoicism, scepticism & the unhappy consciousnessC AA Reason5 The Certainty & Truth of Reason A Observing reason B The actualization of rational self-consciousness thru its own activity C Individuality which takes itself to be real in & for itselfBB Spirit6 Spirit A The true Spirit. The ethical order B Self-alienated Spirit. Culture C Spirit that is certain of itself. MoralityCC Religion7 Religion A Natural religion B Religion in the form of artC The revealed religion DD Absolute Knowing8 Absolute Knowing

Phénoménologie de l'esprit

Librarian note: an alternate cover for this edition can be found here.For Georg Wilhelm Friedrich Hegel (1770-1831), art almost ranked with religion and philosophy in its power to reveal the fundamental nature of existence. But although he lived in the German golden age of Goethe, Schiller and Mozart, he also believed that art was in terminal decline.To resolve this apparent paradox, as Michael Inwood explains in his incisive Introduction, we must understand the particular place of aesthetics in Hegel's vast intellectual edifice. Its central pillars consist of logic, philosophy of nature and philosophy of spirit. Art derives its value from offering a sensory vision of the God-like absolute, from its harmonious fusion of form and content, and from summing up the world-view of an age such as Homer's. While it scaled supreme heights in ancient Greece, Hegel doubted art's ability to encompass Christian belief or the reflective irony characteristic of modern societies. Many such challenging ideas are developed in this superb treatise; it counts among the most stimulating works of a master thinker.Table of ContentsIntroductory Lectures on Aesthetics Introduction A Note on the Translation and CommentaryINTRODUCTORY LECTURES ON AESTHETICSChapter I: The Range of Aesthetic Defined, and Some Objections against the Philosophy of Art Refuted[α Aesthetic confined to Beauty of Artβ Does Art merit Scientific Treatment?γ Is Scientific Treatment appropriate to Art?δ Answer to βε Answer to γ]Chapter II: Methods of Science Applicable to Beauty and Art[1. Empirical Method - Art-scholarship(a) Its Range(b) It generates Rules and Theories(c) The Rights of Genius2. Abstract Reflection3. The Philosophical Conception of Artistic Beauty, general notion of]Chapter III: The Conception of Artistic BeautyPart I - The Work of Art as Made and as Sensuous1. Work of Art as Product of Human Activity[(a) Conscious Production by Rule(b) Artistic Inspiration(c) Dignity of Production by Man(d) Man's Need to produce Works of Art]2. Work of Art as addressed to Man's Sense[(a) Object of Art - Pleasant Feeling?(b) Feeling of Beauty - Taste(c) Art-scholarship(d) Profounder Consequences of Sensuous Nature of Art(α) Relations of the Sensuous to the Mind(αα) Desire(ββ) Theory(γγ) Sensuous as Symbol of Spiritual(β) The Sensuous Element, how Present in the Artist(γ) The Content of Art Sensuous]Part II - The End of Art3. [The Interest or End of Art(a) Imitation of Nature?(α) Mere Repetition of Nature is -(αα) Superfluous(ββ) Imperfect(γγ) Amusing Merely as Sleight of Hand(β) What is Good to Imitate?(γ) Some Arts cannot be called Imitative(b) Humani nihil - ?(c) Mitigation of the Passions?(α) How Art mitigates the Passions(β) How Art purifies the Passions(αα) It must have a Worthy Content(ββ) But ought not to be Didactic(γγ) Nor explicitly addressed to a Moral Purpose(d) Art has its own Purpose as Revelation of Truth]Chapter IV: Historical Deducation of the True Idea of Art in Modern Philosophy1. Kant[(a) Pleasure in Beauty not Appetitive(b) Pleasure in Beauty Universal(c) The Beautiful in its Teleological Aspect(d) Delight in the Beautiful necessary though felt]2. Schiller, Winckelmann, Schelling3. The IronyChapter V: Division of the Subject[1. The Condition of Artistic Presentation is the Correspondence of Matter and Plastic Form2. Part I - The Ideal3. Part II - The Types of Art(α) Symbolic Art(β) Classical Art(γ) Romantic Art4. Part III - The Several Arts(α) Architecture(β) Sculpture(γ) Romantic Art, comprising(i) Painting(ii) Music(iii) Poetry5. Conclusion]Commentary

Cours d'esthétique 1

La raison pure, qui ne saurait etre bornee, est la divinite elle-meme . Ainsi commence La vie de Jesus (1795) que Hegel, age de vingt-cinq ans, composa alors qu'il etait precepteur a Berne. Ce texte, en toute apparence complet, constitue un petit livre, reste inedit du vivant de son auteur. Il fut retrouve dans ses papiers a sa succession. La figure hegelienne de Jesus, dans la ligne de celle de Reimarus (dont la Vie de Jesus fut egalement publiee de maniere posthume, par Lessing), se trouve soustraite a toute dimension qui aurait trait au miraculeux et au surnaturel. Ainsi, la resurrection du corps du Christ, pilier essentiel de la foi chretienne, se trouve gommee - point qui restera d'ailleurs constant chez Hegel, jusque dans les Lecons de Berlin a la fin de sa vie. Mais cette absence de surnaturel, pour Hegel qui fait alors de Jesus un porte parole de la morale kantienne, est en meme temps liee a la condamnation d'une existence qui resterait simplement naturelle et ne saurait s'elever au dessus des inclinations sensibles. Cet opuscule, marque par la morale kantienne, est un moment essentiel dans le parcours du jeune Hegel qui apparait tiraille entre des exigences contraires, ce dont temoignent les autres documents traduits dans ce volume.

La vie de Jésus. Précédé de Dissertations et fragments de l'époque de Stuttgart et de Tübigen

'The condemnation, ' says Hegel, 'which a great man lays upon the world, is to force it to explain him.' The greatness of Hegel, if it be measured by this standard, must be something far above common. Interpreters of his system have contradicted each other, almost as variously as the several commentators on the Bible. He is claimed as their head by widely different schools of thought, all of which appeal to him as the original source of their line of argument. The Right wing, and the Left, as well as the Centre, profess to be the genuine descendants of the prophet, and to inherit the mantle of his inspiration. If we believe one side, Hegel is only to be rightly appreciated when we divest his teaching of every shred of religion and orthodoxy which it retains. If we believe another class of expositors, he was the champion of Christianity. 

These contradictory views may be safely left to abolish each other. But diversity of opinion on such topics is neither unnatural, nor unusual. The meaning and the bearings of a great event, or a great character, or a great work of reasoned thought, will be estimated and explained in different ways, according to the effect they produce on different minds and different levels of life and society.

Prolegomena to the Study of Hegel's Philosophy

Extrait : "Les matières contenues dans cette partie de la philosophie qui va maintenant nous occuper sont les mêmes que l'on rencontre dans la plupart des traités de logique. Mais dans mon système, il faut le bien remarquer, elles sont étroitement liées à toutes celles que l'on désigne généralement sous d'autres noms;"

Correspondance 2

Plus de livres de Georg Wilhelm Friedrich Hegel

Critiques

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