Concerto d major op. 61 poche+cd

The more you read, the more you hear ! Whoever really wants to understand a composer's work, will turn to study scores. The details and nuances of a composition disclose themselves only through the musical text. The Eulenburg Audio+Score series is distinguished by its easy-to read format and excellent printed image, high-quality paper and a two-language preface - in German and English. You do not get only the score - the music comes along with it. All volumes contain a Naxos CD with an outstanding recording of the respective work. Instrumentation : orchestra op. 67

Symphonie No. 5 Ut mineur - op. 67. orchestra. Partition d'étude.

Beethoven variations III - pour piano - Partition

Beethoven sonates II - pour piano - Partition

Beethoven sonates I - pour piano - Partition

With more than 1, 200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. Instrumentation : piano and orchestra op. 15

Eulenburg Miniature Scores

Leonora n 3 op 72a ouverture (unger) poche

The volume unites 11 cadenzas from 200 years of music history to form one of the most frequently performed concertos in the piano literature, including several first publications. Among them are not solely highly virtuoso and, sometimes, even romantic lyrical tributes to the genius of classical music, but also cadences with a humorous and ironic touch : Fazil Say's cadence imitated - a music box ! With cadences by : Charles Henri Alkan - Ludwig van Beethoven - Gabriel Fauré - Franz Liszt - Ignaz Moscheles - Michael Rische - Fazil Say - Erwin Schulhoff - Clara Schumann - Bedrich Smetana - Viktor Ullmann Instrumentation : piano

Cadenza Vol. 4

Erwin Schulhoff composed his cadenzas for Ludwig van Beethoven's Piano Concertos No. 1-4 (no independent cadenza is intended for Piano Concerto No. 5) in Berlin in 1923. That means they were written at the same time as his Concerto for piano and small orchestra Op. 43, which combines impressionism and jazz and can be regarded as the first 'jazz' piano concerto in music history. The present cadenzas, however, do not show any influences of jazz but follow entirely the classical piano concerto tradition in a way which is virtuosic, and yet comapratively easy to play. Instrumentation : piano

Concerto d major op. 61 poche+cd

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