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écrits sur la peinture
Publié par Gallimard
95 pages
For himself, beyond doubt, the thing we were all so blank about was vividly there. It was something, I guessed, in the primal plan, something like a complex figure in a Persian carpet. He highly approved of this image when I used it, and he used another himself. "It's the very string," he said, "that my pearls are strung on!" The reason of his note to me had been that he really didn't want to give us a grain of succor -- our density was a thing too perfect in its way to touch. He had formed the habit of depending on it, and if the spell was to break it must break by some force of its own. He comes back to me from that last occasion -- for I was never to speak to him again -- as a man with some safe preserve for sport. I wondered as I walked away where he had got _his_ tip.
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