Keller, l'illustre tueur à gages, nous revient après une longue absence.
Personne ne s'en plaindra. S'il n'a pas son pareil pour occire tel ou tel, jamais il n'en tire vanité : l'important, c'est que le client soit content et que la victime ne souffre pas inutilement. Une perle. Evidemment, il y a parfois des problèmes compliqués à résoudre - lorsque, par exemple, la victime subodore qu'on lui veut du mal et demande au tueur de renvoyer l'ascenseur au commanditaire. Ne pas s'inquiéter pour si peu : avec Keller, il y aura une solution.
Radicale certes, mais quoi ? Encore une fois, le client est roi. Et les amours là-dedans ? Elles sont brèves, mais d'autant plus fortes. En tout, on sait ne jamais oublier la fin. Qui approche. Mais... l'heure de la retraite sonnerait-elle pour Keller ? Allons, donc !

L'amour du metier

«Voler, c'est ma vocation depuis ma plus tendre enfance, mais commettre un meurtre, ça jamais ! Or, deux flics cherchaient à tout prix à me coller sur le dos un double assassinat, et un troisième poulet, pauvre mais vraie crapule, exigeait que je partage avec lui Ie butin d'un vol de bijoux, qui, hélas, avait lamentablement foiré. Sans compter un dentiste prêt, lui, à me bouffer. Mais qu'est-ce qui les poussait tous à s'en prendre à moi comme ça ?»

Le monte-en-l'air dans le placard

Cold War superspy Evan Tanner lost the ability to sleep on a battlefield in Korea. So where the heck has he been since the '70s? Frozen. Cryogenically. A Tanner-sicle. Which he never thought would happen when he walked into a basement in Union City, New Jersey, more than a quarter century ago. Now he's unthawed and ready to rumble, and his somewhat addled, former super-secret boss, "the Chief, " is glad his favorite operative's active again. Tanner awoke to a different world, though some bad things have remained the same .

Tanner On Ice

Nel sedicesimo romanzo che ha per protagonista Matthew Scudder, Un Campo di Fiori Morti, Lawrence Block, autore best seller del New York Times, porta questa serie, già più volte premiata, a un nuovo livello di suspense e di profondità di caratterizzazione. Dopo il successo di critica e di pubblico di Spera di Morire, Block spinge Scudder - e il lettore - sull'orlo dell'abisso. Scudder, personaggio complesso che è cresciuto e invecchiato in tempo reale, affronta l'implacabile sfida della mortalità. Ma deve anche lottare con un avversario determinato, implacabile e gelidamente inumano, forse il più indimenticabile che Block abbia mai creato. In un carcere della Virginia un uomo attende l'esecuzione per tre orrendi omicidi che lui giura, nonostante prove inconfutabili, di non avere commesso. Uno psicologo che afferma di credere al condannato trascorre ore nella sua cella nel Braccio della Morte, e infine assiste, tra gli spettatori, alla letale iniezione. Terminato questo lavoro, lo psicologo rientra a New York dove ha affari in sospeso. Nel frattempo, Scudder ha accettato di indagare sull'amante di una sua amica, conosciuto on-line, e chiaramente sospetto. Sembra semplice. All'inizio. Ma quando delle persone cominciano a morire, e le vittime sono sempre più vicine a loro, diventa chiaro che sono opera del pervertito killer. E il bersaglio finale potrebbero essere Matt ed Elaine Scudder. La suspense è mozzafiato, l'esito sempre incerto. Una serie che ha prodotto un grande numero di riconoscimenti e premi - l'Edgar, lo  Shamus, il Philip Marlowe, il Maltese Falcon - arriva a una nuova vertiginosa altezza. In questo romanzo Lawrence Block, che ha recentemente ricevuto il premio  Diamond Dagger per tutta la sua carriera dalla Crime Writers Association of the United Kingdom, è al top della forma. Luigi Garlaschelli desidera ringraziare Emanuela Guizzo per l'attenta correzione delle bozze. Recensioni-AUDIOFILE MAGAZINE:"Con un titolo preso dalla ballata irlandese "Danny Boy", il sedicesimo romanzo avente per protagonista Matthew Scudder è il più dark che Lawrence Block abbia scritto da anni. Dopo che una donna conosciuta a una riunione degli Alcolisti Anonimi gli chiede di indagare sul  background del suo nuovo boyfriend, il cammino di Scudder  si incrocia con quello di un geniale serial killer che cambia ogni volta i suoi metodi e non lascia virtualmente alcuna traccia della propria identità". PUBLISHERS WEEKLY"Matt Scudder, lo straordinario detective privato creato da Block, protagonista di molti best-seller, è sulla breccia da trent'anni; e se invecchiando la sua vita non è stata gentile e delicata, certamente è stata densa di avvenimenti. In questa sedicesima straordinaria uscita (dopo Spera di Morire del 2001), Scudder, che ha ora sessant'anni e più, dimostra di essere duro e resistente come sempre, quando si trova ad affrontare il più astuto e subdolo killer che abbia mai messo alla prova il suo coraggio. I fan di Scudder non saranno sorpresi nello scoprire che il killer è collegato ai delitti irrisolti di Spera di Morire, né che Elaine e Scudder siano diventati il bersaglio dell'assassino. La narrazione si sposta senza fatica dal punto di vista di Scudder al pensiero e alle azioni del killer, la cui astuzia, coraggio e pura crudeltà marchiano a fuoco le pagine. Aggiungete dei brillanti colpi di scena e otterrete un'ottima miscela di brividi, creata da un maestro dello scrivere, qua nella sua forma migliore."

Un Campo di Fiori Morti - Matthew Scudder, #16

Sometime in 1953, I knew with unusual certainty what I intended to do with my life. I would become a writer. I was then 15 years old, and the next several years were to prove eventful. I went to college, I got a summer job at a literary agency and dropped out of college to keep it, I sold two dozen short stories and articles to national magazines, and I completed a novel. By the time I was 25, I had a wife and two daughters and a house in a suburb. I had published over fifty books. Most of these bore pen names, and for a time I resisted acknowledging my early pseudonymous work. Then, in one astonishing and feverish week in 1994, I recalled those early years in fifty thousand words of memoir. A publisher contracted to bring out my memoir once I'd completed it. Instead I put it on a shelf and never looked at it again, and after a few years I bought it back from the publisher. Early in 2020, I had a fresh look at A Writer Prepares. Then I went back to work. It would occupy me, off and on, for the balance of the year. By the time I was ready to stop, I'd written about my life as a writer well into 1966, when I'd completed The Thief Who Couldn't Sleep; it was the first of eight books I would write about a fellow named Evan Tanner. According to A Trawl Among the Shelves, Terry Zobeck's exhaustive bibliography of my work, 2020 also saw the publication of my 209th book, Dead Girl Blues. It has been a long life, and seems to have been a busy one. A Writer Prepares is, for better or for worse, an undeniably curious book. My wife, a casual student of hagiography, loves the story of the church officials who took a long-delayed inventory of their collection of relics. They were surprised to discover that they possessed not one but two heads of John the Baptist. How could this be? They considered the matter until the explanation became clear: one was John's head as a young man, the other his head as an old man. A Writer Prepares, an examination of the first quarter century of a writer's life, is the work of two writers. There's the middle-aged fellow who wrote about half of it at a blistering pace in 1994, and there's the octogenarian who finished the job another quarter century later. The older fellow brought less raw energy to the task, and his memory is a long way from infallible, but one can only hope he's offset these losses with a slight edge in judgment, in perspective, in maturity. (I was about to add wisdom, but that might be a bridge too far.) I suspect this book's natural audience consists largely of those of you who are already enthusiastic readers of my work. And it seems likely that the book will get a favorable reception from persons who are somewhere in the process of finding themselves as writers. But I'm happy to let the the book find its true audience.  A very comforting aspect of publishing A Writer Prepares now rather than twenty-five years ago is that I'm so much less invested in its reception.

A Writer Prepares

WIN, LOSE, OR DIE. Whether it's child's play or for the highest stakes, whether we stick to the rules or cheat, we all play games - for fun, for thrills, for love or money, to prove we're the best or make an opponent knuckle under. And the games we play, with cards or dice or nothing but our wits, reveal something deeply personal about the players. In this powerful new anthology, Mystery Writers of America Grandmaster Lawrence Block has assembled an all-star team for the ultimate game night. Sit down at the checkerboard with S. A. Cosby, assemble jigsaw puzzles with David Morrell, or play marbles for the fate of the world with Joe R. Lansdale. In Jeffery Deaver's hands, an innocent game of Candyland takes twists the Parker Brothers could never have imagined. Science-fiction grandmaster Robert Silverberg uncovers painful truths about destiny while betting on the turtle races in a Caribbean resort. And Lawrence Block himself out-Hitchcocks Hitchcock with his classic story of murder victims swapped by strangers on a handball court. From hide-and-seek to Russian roulette, from mahjong to Mouse Trap, it's a game lover's dream - but beware: your turn is coming, and while winning isn't everything, sometimes losing can be deadly. And here's Publishers Weekly's starred review: "One of the most impressive of the 17 crime stories involving games in this stellar anthology from MWA Grand Master Block (In Sunlight or in Shadow: Stories Inspired by the Paintings of Edward Hopper) is Block's own "Strangers on a Handball Court." It riffs on Patricia Highsmith's Strangers on a Train, as the title suggests, and provides a wholly fair plot with a gut-wrenching surprise. Even knowing that multiple twists are coming doesn't negate their impact in Jeffery Deaver's devious "The Babysitter, " which opens with a classic trope: the innocent everyperson who stumbles on a deadly secret. When the charges of 17-year-old Kelli Lambert get bored playing Candy Land, Kelli's search for another board game leads her into peril after the parents of the kids she's watching suspect she's spotted their secret plans to torch a casino so they can establish their own casino. David Morrell shines with the subtle and creepy "The Puzzle Master, " in which a couple become addicted to jigsaw puzzles by a particular artist, only to find potentially ominous clues linking disparate bucolic scenes. The wide range of stories and games in them begs for a sequel."

Playing Games

The bear is on the prowl in many different guises.  He may be the master thief stealing into Graceland, an intense young passenger experimenting in terror, or a psychiatrist haunted by his patient's nightmare.  Or maybe he's beautiful, lethal woman in a blood-red scarf.  So beware of the this huge, dangerous beast.  Because first he will enthrall you.. and then he will strike.

Some Days You Get the Bear

Dans cet ouvrage à la construction éblouissante, Lawrence Block révèle le secret de New York. En fait, la mégalopole n'est qu'une manière de grand village rempli d'individus de toutes sortes unis par des liens aussi solides qu'ils sont invisibles. Et qu'ils soient écrivain, ex-grand manitou de la police, galeriste, avocat spécialisé dans la défense des criminels ou drogué reconverti dans le nettoyage des hauts lieux de la vie nocturne, tous ces gens ont un point commun : un amour immodéré de cette ville qui les abrite. Voilà pourquoi lorsque, dans l'ombre terrifiante des attentats du 11 septembre, un tueur fou commence à livrer une guerre sans merci contre l'immense métropole, tous se sentent concernés.
Et désemparés devant cette machine à tuer qui frappe où et quand elle veut.
Écrit dans un style à la fois lyrique et détaché, l'ouvrage est d'une grande violence, - en particulier dans la description de scènes érotiques qui pourront en choquer plus d'un.
Où l'illustre Grand Maître du roman policier américain définit ce qui, à ses yeux, constitue l'essence même de New York et dans un récit d'une grande violence raconte comment un tueur s'est mis en devoir de purger la mégalopole de tous les péchés qui s'y commettent.
Grand Maître des Mystery Writers of America, Lawrence Block a décroché quatre fois l'Edgar et le Shamus Award et a reçu de nombreux prix à l'étranger, notamment en Allemagne et au Japon. Il réside à  New York.

Lendemains de terreur

Un soir d'avril, dans le quartier de " la cuisine de l'enfer ", glenn holtzmann, cadre dans une maison d'édition new-yorkaise, est abattu alors qu'il téléphonait d'une cabine publique.
 Meurtre mafieux ? tout le dit jusqu'au jour oú george sadecki, un clochard, est arrêté.  indigné, son frère demande à matt scudder de se charger de l'enquête.  le détective privé, vieil habitué des réunions d'alcooliques anonymes, a plus d'une raison de s'intéresser à l'affaire.  il entretenait avec la victime des relations d'amitié oú la méfiance, pourtant, avait son mot à dire : et la femme de glenn, lisa, ne lui est pas indifférente.
 Mais les bonnes intentions ne font pas toujours les bons conseils, surtout en matière de meurtre.

L'amour du metier

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